This is a recording of a live concert in Rome in November 1998. It has all
the polish of a studied studio project but with the added excitement and
spontaneity. Mercifully it is free of audience participation. The programme
includes many favourites as well as more unfamiliar items as the following
list of films covered shows:-
Cinema Paradiso
Investigation of a Citizen Above Suspicion
A Pure Formality
Bugsy
H2S
The Good, the Bad and the Ugly
Once upon a Time in the West
Fistful of Dynamite
Love Circle
Pereira Declares
Casualties of War
Burn
The Mission
Morricone gives us delightful arrangements of his well-loved themes that
actually add to their enjoyment and never leave one feeling the slightest
bit disappointed that cherished music has been mutilated.
The concert opens with the Theme and Love theme from Cinema Paradiso
lovingly wrapped in a dreamy haze of nostalgia. The less well-known music
for Investigation of a Citizen Above Suspicion is quirky fun
with squeaky comic bumblings over a pounding piano ostinato. Angelo Brandouri
sings his sad, vulnerable 'Ricordare' from A Pure Formality while
the music for Bugsy has its sentimentality tempered by despairing
discords. The music for H2S is a delicious scherzo that scintillates
with its cheerful triangle and woodwind figures yet it also has classical
refinement.
For the Titles music of The Good the Bad and the Ugly, Morricone piles
engaging quirkiness onto already existing oddities. From Once Upon a Time
in the West and Fistful of Dynamite we have more tender moments
expressed by vocalist Gemma Bertagnolli with the latter film music also has
more tense orchestral undertows. For 'The Ecstasy of Gold' from The Good
Bad and the Ugly, Bertagnolli, with choir, stretches her voice powerfully
skywards to revel majestically in the allure of gold. 'Love Circle' is something
of a bleak romantic passacaglia.
'A Brisa Do Coração', from the film Pereira Declares
is another intriguing number with darting piccolo figures amidst the other
quirky but vibrant orchestrations, and the Latin rhythms and vibrant singing
from the husky-voiced and very expressive Dulce Pontes. I would buy this
CD for this track alone. Yet another arresting track is The Working Class
Goes to Paradise. It opens with pounding percussion and light
rapid drumming effects that suggest airplane propeller blades or machine
gun shots and proceeds to comic, almost burlesque material threatened by
cold impersonal and brutal mechanistic material. A solo violin adds poignancy.
I could well imagine this music fitting in the score for Cradle Will
Rock also reviewed on this site this month. Casualties of
War has a haunting poignancy that yields to a hymn-like supplications
from the choir. An organ solo introduces music that one associates with the
North American Indians in another imposing choral and orchestral selection,
'Abolição' from Burn that ends in more conventional
ecclesiastical mode despite the persistent ethnic drums.
The concert concludes with the deeply affecting 'Gabriel's Oboe' and 'On
Earth as it is in Heaven' from The Mission. Here as in all the other
tracks, the celebrated Orchestra and Chorus of the Accademia Nazionalle di
Santa Cecilia play and sing their hearts out for Morricone. A treat not to
be missed
Reviewer
Ian Lace