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Toward the Light - The Voice of Elaine Huckle
Elaine Huckle (mezzo); Ian Clarke (piano)
rec. The Lodge Recording Studios, Northampton, UK, February 2008
Booklet with artists’ biographies in English, texts included
in original language, without translations
Full track listing at end of review
RAVELLO RECORDS RR7848 [59.05]
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The booklet notes for this disc tell us about Elaine Huckle’s
first singing efforts. They took place at her local church when
she was seven years old when she sang O Come all ye faithful.
Apparently, her parents returned home in disbelief, aware for
the first time that their daughter could sing rather well! She
went on to study singing at London’s Trinity College and
to tour with a band, performing at a variety of hotels throughout
the country. We are also told that Ms Huckle stopped to care
for her two children but eventually, upon advice from Shakespearean
actor Sidney Bromley, she returned to singing. She became a
member of the Pro Music Chorus in London and sang with the late
Sir Charles Mackerras at the Palau de la Musica in Barcelona.
She was also part of a televised production of Berlioz’s
Benvenuto Cellini in Lyons. We are then told that she
had coeliac disease, which mostly affects a person’s levels
of energy. Besides this, a little later, Ms Huckle was diagnosed
with breast cancer. After these events, one can fully grasp
the meaning of this CD. To me, it represents her joy in being
alive and her journey to recovery, in which music and singing
seem to have played a crucial part.
Ms Huckle’s love of singing comes across, as does her
positive attitude to life. It is moving to understand how she
rejoices in music. You can follow, via her website,
her unfaltering commitment to improve and her tireless work
for charities that are close to her heart. She appears to be
a determined, courageous woman and her fund-raising activities
are undoubtedly commendable. This makes it all the more difficult
for me to say that I did not enjoy her work in this recording.
Toward the Light is an ambitious project with works by
such composers as Handel, Brahms, Schubert and even Wagner.
Sadly Ms Huckle’s performance does not do justice to the
music. That she is out of her depth and that this was an ill-advised
repertoire choice becomes immediately apparent with the first
track: Handel’s Oh, Had I Jubal’s Lyre from
Joshua is a difficult piece. It requires a sparkling
coloratura and impeccable technique neither of which
Ms Huckle has yet achieved. The same can be said of How Beautiful
Are the Feet from Messiah and Art Thou Troubled
from Rodelinda. She follows Handel with Franck’s
Panis Angelicus and Quilter’s June where
she fares reasonably well. Then, we have Brahms and again she
aims very high but does not quite reach her objective of beautifully
delivering the composer’s rather charming songs. Wie
Melodien zieht es mir lacks sentiment and Wiegenlied
is too forceful. The next piece is the delightful Che farò
senza Euridice from Gluck’s Orfeo ed Euridice
where once again she is out of her depth. Her delivery of the
aria lacks refinement, sentiment and her legato is not
yet assured. She bravely attempts to sing Schmerzen and
Träume from Wagner’s Wesendonck Lieder
but her high notes are clearly screamed rather than sung. Her
voice becomes strident with the strain. On occasions, she appears
to resort to falsetto and it simply does not work. Finally,
she sings Schubert’s Ave Maria, always a pleasant,
popular piece. Here too I was a little disappointed. The voice
lacks warmth, particularly in the high notes. Additionally,
her diction is not very clear, even in English. She struggles
with foreign languages, particularly German but also Italian.
Ms Huckle is ably accompanied on the piano by Ian Clarke who
does a good, solid job throughout. His playing is capable and
expressive. I found his delivery rather gratifying in some pieces,
as for example, in Handel’s Oh, Had I Jubal’s
Lyre.
The recording sound is of excellent quality, very clear and
effectively engineered. The CD comes in a pleasant package,
with photographs of evocative landscapes and in luminous colours,
which suit the work and stress the meaning of the recital’s
title Toward the Light.
While I did not enjoy the singing, I admire the singer’s
tenacity and her absolute joy in performing such beautiful pieces.
I hope that she continues to polish her delivery and improve
her technique and perhaps, her next album will be a wonderful
surprise!
Margarida Mota-Bull
Margarida writes more than just reviews, check it online at
Flowing
Prose.
Full Track Listing
George Frideric HANDEL (1685-1759)
Oh, had I Jubal’s Lyre from Joshua
How Beautiful are the Feet from Messiah
Art Thou Troubled from Rodelinda
César FRANCK (1822-1890)
Panis Angelicus
Roger QUILTER (1877-1953)
June
Johannes BRAHMS (1833-1897)
Der Schmied Op.19 No. 4
Wie Melodien zieht es mir Op. 105 No. 1
Wiegenlied Op. 49 No. 4
Christoph Willibald GLUCK
(1714-1787)
Che farò senza Euridice? from Orfeo ed Euridice
Richard WAGNER (1813-1883)
Schmerzen, Träume from Wesendonck Lieder
Franz SCHUBERT (1797-1828)
Ave Maria
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