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Franz LISZT (1811-1886)
Complete Piano Music: Volume 22

Deux Polonaises S223: (i) Polonaise mélancolique in C minor (1851) [12:08]; (ii) Polonaise in E major (1851) [8:47]; Ballade No 1 in D flat Le chant du croisé S170 (1845-8) [7:37];
Ballade No 2 in B minor S171 (1853) [14:21];
Au bord d’une source
S156 (1835-6) [5:08];
Trois morceaux suisses S156a (1836): (i) Ranz de vaches: Mélodie de Ferdinand Huber, avec variations [10:16]; (ii) Un soir dans la montagne: Mélodie d’Ernest Knop: Nocturne [8:28]; (iii) Ranz de chèvres: Mélodie de Ferdinand Huber: Rondeau [7:44]
Jean Dubé (piano)
Rec. Potton Hall, Suffolk in June 2003. DDD
NAXOS 8.557364 [74:28]

 

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Liszt was a prolific composer and one of the greatest virtuoso pianists of all time. He left us a vast amount of piano music, some of which ranks amongst the finest and best known in the literature e.g. his solitary Sonata, the Hungarian Rhapsodies, Transcendental Studies and the three Years of Pilgrimage. But most of it is hardly known despite there being a complete recorded survey (by Leslie Howard for Hyperion) which ran to almost 100 volumes, some with multiple CDs. It remains to be seen how long the Naxos series with many different pianists will take to complete but it is good that they are already exploring some of the less familiar music. This disc has just one well-known piece - Au bord d’une source – which first appeared in Album d’un voyageur and then was transferred, with some revision, into the first (Swiss) year of pilgrimage. The final, and most substantial work here also has Alpine influence and uses material derived from the Swiss composers Huber and Knop. Originally called paraphrases, that designation seems more appropriate than “morceaux” for these extended, improvisatory pieces.

Although Liszt wrote much that was based on the work of others, this was not for lack of original inspiration. The Polonaises and Ballades were influenced by Chopin and the former were written soon after his death. Although much less well known than Chopin’s contributions to the genres, they seem to be on the same level, particularly the second ballade.

There is much fine pianism to be heard on this disc. The young French pianist Jean Dubé won the sixth Utrecht Liszt competition in 2002 and, unsurprisingly, his playing sounds completely idiomatic. In the more barnstorming parts of these works he seems fearless but he also relaxes beautifully when required. I do not feel he surpasses the great Lisztian Jorge Bolet in Au bord d’une source – this sounds just slightly mannered. Overall, it is a very fine recital and he is well-recorded with good documentation.

There have already been some splendid discs in Naxos’s Liszt series. This would be as good a place as any for the uninitiated to start and will be essential listening for those who already know the major works.

Patrick C Waller

 

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