Custom Search

Aureole etc. Golden Age singers Nimbus on-line Faure songs Charlotte de Rothschild (soprano);

AVAILABILITY www.buywell.com

Yvonne Minton. The Essential Recordings Johann Sebastian BACH (1685-1750) Mass in B Minor – Laudate te Michael Wieck (violin)/Stuttgart Chamber Orchestra/Karl Münchinger Gioachino ROSSINI (1792-1868) Stabat mater – Fac, ut portem Christi mortem LSO/Istvan Kertész Edward ELGAR (1857-1934) The Dream of Gerontius – Softly and Gently LSO Orchestra and Chorus/Benjamin Britten Hector BERLIOZ (1803-1869) La Damnation de Faust – D’amour l’ardente flame Scene XV Orchestre de Paris/Daniel Barenboim Gustav MAHLER (1860-1911) Lieder eines fahrenden Gesellen Lieder aus "Des Knaben Wunderhorn" Chicago Symphony Orchestra/Georg Solti Das Lied von der Erde René Kollo (tenor) Chicago Symphony Orchestra/Georg Solti Wolfgang Amadeus MOZART (1756-1791) La Clemenza di Tito – Parto, ma ben mio (Act I Scene IX) La Clemenza di Tito - Deh per questo istante solo (Act 2 Scene X) Orchestra of the Royal Opera House Covent Garden/Colin Davis Le nozze di Figaro – Non so più cosa son, cosa faccio (Act I Scene V) Le nozze di Figaro – Voi che sapete (Act 2 Scene III) BBC Symphony Orchestra/Colin Davis Richard STRAUSS (1864-1949) Der Rosenkavalier – Herr Kavalier! Michael Langdon – Baron Ochs Orchestra of the Royal Opera House Covent Garden/Georg Solti Marie Theres’!…Ist ein Traum..Spür’ nur dich Régine Crespin – Marschallin. Helen Donath – Sophie, Otto Weiner – Herr von Faninal; Minton as Octavian Vienna Philharmonic Orchestra/Georg Solti Recorded 1969-1978 ABC CLASSICS 470 241-2 [2 CDs159.20]

Gerard Hoffnung CDs Advertising on Musicweb Donate and get a free CD New Releases Musicweb sells the following labels Acte Préalable Alto Arcodiva Atoll CDAccord Cameo Classics Centaur Hallé Hortus Lyrita Nimbus Northern Flowers Redcliffe Sheva Talent Toccata Classics Follow us on Twitter Subscribe to our free weekly review listing sample

This well-deserved tribute to one of Australia’s great post-War singers comes, appropriately, from ABC. It collates a number of recordings that will be familiar and at its core sit her Mahler recordings with Solti. Around the fringes are equally familiar repertoire and recordings, the majority in snippet form only. It’s the Mahler that lifts this double CD box to the exalted category; the other items reflect fragments, moments of Minton’s career, her Bach, Berlioz, Mozart and her Elgar amongst others. Her Knaben Wunderhorn lieder have stood the test of time – it’s over thirty years now since it was first released, coupled with the Fifth on Decca SET 471-2, priced at 99s 10d. Her singing is radiant and frequently luminously sensitive; one’s only complaint could be that there is perhaps a slight want of lightness here and there. Solti’s accompaniment is masterly. Similarly in Lieder eines fahrenden Gesellen her lack of ostentation or over phrasing comes as a blessing. Everything is unfolded with simplicity and rightness, her directness accompanied by reserves of tonal beauty, always musically deployed. In one of the sternest of all Mahler tests, Das Lied von der Erde, we have one of the most effective of recordings. Clarity, directness and symphonic breadth are all Solti’s way with it. Minton was his Mahler mezzo of choice and he had long worked with her at Covent Garden. Here her subtlety of approach ensures that this recording has lasting worth. Whether clear or seeming cool the range of her expressive shadings is always apparent, always supple. In the second song for example her elasticity is never compromised by slack rhythm; this is taut singing, a magical unfolding that reaches its apotheosis in the long (especially here in Solti’s hands) Der Abschied. She can float her tone magically of course and technical concerns are seemingly absent here; the music emerges clear and still moving; not overwhelming or over-powering but beautifully scaled and convincing. It’s also particularly useful to have the five-minute snippet from the Covent Garden Rosenkavalier, never before released on CD apparently. There is Solti once more and a characterful Michael Langdon as Ochs. There is however a more extended extract from the more familiar Vienna recording. Elsewhere we can admire her romantic floated tone in Berlioz and the even and sustained vocal production and her force of character in La Clemenza di Tito. Her Mozart is in general strongly etched and agile. There are full and admiring notes and excellent period photographs, full texts and introductory paragraphs to the music. Jonathan Woolf     Gerard Hoffnung CDs Advertising on Musicweb Donate and get a free CD New Releases   Musicweb sells the following labels Acte Préalable Arcodiva British Music Soc. CDAccord Hallé Hortus Lyrita Nimbus Northern Flowers Redcliffe Sheva Talent Toccata Classics Follow us on Twitter Subscribe to our free weekly newsletter

Return to Index

Reviews from previous months Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details We welcome feedback on our reviews. Please use the Bulletin Board Please paste in the first line of your comments the URL of the review to which you refer.