This is both a marvellous showcase disc for the formidable
talents of Tamara Gries (née Herman) and an introduction
to the profound talents of living Australian composer Stephen
Cronin. The latter's Suite for Recorder and Strings, dedicated
to Ralph Vaughan Williams, is a minor masterpiece and would have
sat well alongside the late Kenneth Leighton's contribution to
ASV's recent survey of British recorder "concertos".
The brooding but lyrical melancholy of its extended central slow
movement is, without question, on an artistic and emotional par
with similar music by the aforementioned Leighton, plus some of
the more austere inspirations of Finzi etc.
A leitmotif for the disc, one of neo-classical tunefulness, is
the interpolation of movements from Rudolf Lerich's likeable Sonata,
between the more extended works. The Handel and Vivaldi pieces
are probably much better known but still fit well with the disc's
programme without detracting from the new(er) music also being
showcased. Markus Zahnhausen's music inquieta reminds me, at least
in places, of the Gaelic caoine, but the single most compulsive
listening experience has to be Couperin's gorgeous, flowing Barricades
Mystérieuses (for harpsichord alone). A set of characterful
English masques from 1600 completes the recital.
This is a wonderful disc for the recorder aficionado but it also
ought to draw a much wider appeal. The Cronin Suite is both highly
accessible and very moving (and well worthy of its inspiration)
but all the "new" music here and much of the old is
well worth your attention. Many performers are now doing full
justice to the recorder as a serious instrument (the brilliant
John Turner more than most in this country!) and Tamara Gries
is to be congratulated on recording such an interesting, stimulating
and ultimately moving selection of works.
Neil Horner
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