I must say straight away that I expected great things 
          from this DVD. I have been an admirer of the Naxos project for many 
          years now and felt that they have made one of the most significant contributions 
          to recording history. The Trout Quintet is one of my favourite 
          chamber works - having discovered it as a teenager and loved it ever 
          since. Furthermore I believe that Austria has great natural beauty and 
          is saturated with musical history. So it came as a surprise to discover 
          that the DVD is mediocre – at least the visual element. The recording 
          by Ensemble Villa Musica is excellent – I have no complaint here. The 
          bottom line is that I imagined that after watching this on the television, 
          I would be compelled to book a holiday in Austria straightaway and start 
          planning a musical pilgrimage to the wonderful places presented on film. 
          In reality, however, the photography could be summed up as pleasant; 
          it is most certainly not stunning or inspiring. Much of it seems to 
          be of everyday people walking about workaday streets doing errands. 
          A lot of the images could have been filmed in many other European countries. 
          Even the vineyards outside Vienna could have been the fruit farms of 
          Lanarkshire! 
        
 
        
Anyway let’s have a few words about the Trout Quintet. 
          It is often useful to remind ourselves about the genesis and content 
          of a very familiar work. The Quintet in A major D.667 was composed 
          in 1819. It has the distinction of being one of the earliest piano quintets 
          to be written. However it is not for the traditional combination. Schubert 
          used Violin, Viola, Cello and Double Bass along with the piano. There 
          is no part for the second Violin. The work was called The Trout or 
          Die Forelle, as is well known, because the 4th movement 
          quotes the Schubert song of the same name. The work is full of sunshine 
          and it is not hard to see why. Schubert wrote this work during one of 
          the very few happy periods in his life. He was on a walking holiday 
          with his friend Johann Michael Vogl in Austria at that time and was 
          exploring the area around Steyr. He stayed at the house of Sylvester 
          Paumgartner for a number of weeks. His host had requested a chamber 
          work that could be given at his residence. Schubert had obliged and 
          had quickly composed the work. In fact he only wrote out the string 
          parts – he played the piano part from memory at its first residential 
          performance. The composer completed the work after his return to Vienna. 
        
 
        
The quintet is in five movements as opposed to the 
          traditional four. These are 1.Allegro vivace. 2. Andante. 3. Presto. 
          4. Andantino and 5. Allegro Giusto. The first movement is the longest 
          and throughout this there is a riot of lovely tunes. The second movement 
          is more reflective. Schubert based the third and last movements on Austrian 
          folk dances. The fourth movement, of course, is a series of six variations 
          on Die Forelle. 
        
 
        
The other work on this DVD is the Trio (or Adagio) 
          in Eb major D897 ‘Notturno.’ Schubert had written two considerable 
          works for piano trio: the Bb (D898) and the Eb (D.929), both being masterpieces. 
          In addition to this there were two smaller pieces – the Piano Trio 
          in one movement in Bb D28 and the present 'Notturno'. The 
          title was not originally given by the composer but was appended to the 
          work by the publisher, Diabelli. It is a lovely work that is a joy to 
          listen to. It deserves to be better known. 
        
 
        
One point to ponder on this recording: it is strange 
          that the ensemble requires a ‘conductor.’ The names of the individual 
          players are not given. 
        
 
        
As I mentioned above, the imagery given to these two 
          works is hardly designed to show off Austria at its best. I can see 
          what the camera operator was trying to do – he was attempting to create 
          a mood picture rather than a publicity film. Yet the film does seem 
          dull. Even the lovely town of Baden does not seem to be presented in 
          the best light. Many of the images concentrate on the architecture of 
          commonplace buildings. I did get a bit excited seeing shots of a quaint 
          narrow gauge steam locomotive and train following the banks of the River 
          Steyr. But perhaps mechanical signals will not appeal to all tastes. 
          To be fair, there are some nice shots of Alpine pasture and running 
          water. 
        
 
        
The film appears to be quite old – just look at the 
          clothes the public are wearing – and this contention is borne out by 
          the fact the that the box states it has been ‘re-mastered’. 
        
 
        
I do not believe this DVD to be a particularly good 
          fusion of sights and sounds. It needed just a little bit more pizzazz. 
          I really did hope to be phoning the travel agent up to inquire about 
          weekend breaks in Austria. Perhaps I will just go to North Wales instead 
          – they too have lots of narrow gauge trains-and lots of running water. 
        
 
        
Great music that is not enhanced by the somewhat pedestrian 
          film. It would not encourage me to book a holiday in Austria. 
        
 
        
John France