With bright, vivid recorded sound, with abundant orchestral 
          detail and a rich bass, this is a most attractive Elgar compilation. 
          In other words, the Chandos engineers have come up with something that 
          is ideal for Elgar, and which allowed the Scottish National Orchestra 
          to sound at their considerable best. The brass are appropriately powerful, 
          the woodwinds beautifully sensitive. If there is a criticism, though 
          it is not a major one, it is that the string sound might have had a 
          little more body. 
        
 
        
Sir Alexander Gibson was always a committed Elgarian, 
          regularly conducting the whole gamut of the master's works. He knew 
          and loved the music, then, but his approach, as preserved here, was 
          direct, not at all indulgent. 
        
 
        
The music gains from this. Witness the bustle and vitality 
          to be found in Cockaigne, for example. This is a performance 
          full of affectionate details, less romantically inclined than some (Barbirolli 
          on EMI comes to mind). 
        
 
        
These same points might be applied also to Froissart, 
          an early work but one which is wholly worthy of Elgar's genius. Gibson's 
          performance comes off particularly well, and so too does that of the 
          Handel Overture, a somewhat inflated reworking of music from 
          the Chandos Anthem No. 2. 
        
 
        
The largest of the works in this compilation is the 
          concert overture (symphonic poem) In the South, and again the 
          performance is most successful. This among the most Straussian of Elgar's 
          compositions - the two composers were friends - and there is a real 
          sweep of passionate intensity from the very beginning. On the other 
          hand, the sensitive evocation that lies at the heart of the work, with 
          its finely judged solos for horn and viola, is handled well too. 
        
 
        
Much of this music is well served in the recorded music 
          catalogue, but Gibson and the Scottish National Orchestra should not 
          be underestimated. These performances will undoubtedly give much pleasure, 
          and one real bonus of this Chandos issue is that the insert notes are 
          in English only and therefore long enough to be packed full of useful 
          information. 
          Terry Barfoot