Aureole etc.




Golden Age singers

Nimbus on-line




Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett

AVAILABILITY

Proprius

Exil. Home-elsewhere.
Arvo PÄRT (b1935)

For Alina
Fryderyk CHOPIN (1810-1849)

Mazurka in A minor
Mazurka in A flat major
Nocturne in C sharp minor
Barcarolle
Béla BARTÓK (1881-1945)

Four Dirges
Sergei RACHMANINOV (1873-1943)

Elegy
Melody
Paul HINDEMITH (1895-1953)

From Ludus Tonalis
Interludium Vivace, Interludium Moderato, Fuga Sextet in E flat and Interludium Valse
John FIELD (1782-1837)

Nocturne in C minor
Bohuslav MARTINŮ (1890-1959)

Polka in A
Etude in F
Carl Jonas Love ALMQVIST (1793-1886)

There’s a scent in Sätra Forest
Lepo SUMERA (b1950)

Piano piece from 1981
Käbi Laretei (piano)
Recorded in the Hall of the Royal Academy of Music, Stockholm, May 1994
PROPRIUS PRCD 9113 [73.09]


Gerard Hoffnung CDs

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Käbi Laretei’s discs are themed. I won’t reprise the brief biography of the Tallinn-born ex-wife of Ingmar Bergman that I wrote in my review of another of her Proprius discs. This one, dating from 1994, a good seventeen years after the earlier record, takes as its point of departure, as it were, exile. As she is an exile, Swedish resident but having escaped from Estonia during the Second World War, so were the composers represented here. Some of the upheavals were more or less traumatic and some were, like Field’s perhaps not quite an exile but the point is made. It’s a good opportunity to embrace a wide range of composers and to construct a balanced and imaginative programme.

The best things here are the Hindemith, Bartók and the two pieces by Almqvist and Sumera. Elsewhere I find the faults that rather beset that earlier disc reappear. She certainly has a feel for Rachmaninov and the concentration and precision for Hindemith, whose pieces from Ludus Tonalis are miniatures that bring out the very best in her imagination and precision. She seems to me to be most comfortable in music that is not overtly romantic – the voicings in the Chopin C sharp Nocturne are very confused – but rather in music that relies on compression or in atmospheric music. I especially admired the elliptical otherness she finds in the Almqvist and the insistence and treble glint of the recent-ish Sumera piece.

The notes are her own and the sound, both of the piano and recording, is a vast improvement on the earlier disc.

Jonathan Woolf

 

 



Gerard Hoffnung CDs

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Musicweb sells the following labels
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British Music Soc.
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Nimbus
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Sheva
Talent
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