£16 post free World-wide

 


555 sonatas 9Cds mp3 files
Only £22


 


Benjamin: Written on Skin £16

Search
What's New
Previous CDs
Concerts
Jazz
Nostalgia
Composers
Resources
Announce
Labels index


Every day we post 10 new Classical CD and DVD reviews. A free weekly summary is available by e-mail. MusicWeb is not a subscription site. To keep it free please purchase discs through our links.

  Classical Editor Rob Barnett    


Béla BARTÓK (1881-1945)
Violin Sonata No. 1, Sz75 (1921).
Ernst von DOHNÁNYI (1877-1960)

Violin Sonata in C sharp minor, Op. 21 (1912).
Cecilia Zilliacus (violin); Bengt-Åke Lundin (piano).
Rec. Studio 3, Swedish Broadcasting Corporation, Stockholm, 26-28 Nov 2001. DDD
CAPRICE CAP21612 [56’33]



BUY NOW 

Crotchet   AmazonUK   AmazonUS


As a showcase for the young violinist Cecilia Zilliacus’s talents, this CD fulfils its remit more than adequately. The programming is inspired, the two sonatas complementing each other perfectly. Apparently Zilliacus made her UK debut in October 2001, with the BBC National Orchestra of Wales under Petri Sakari. On the basis of this disc, it is to be hoped that she returns to these shores often.

How interesting it is to have these two prominent 20th-century Hungarians shoulder to shoulder. Perhaps the Dohnányi is the more approachable piece of the two. Stig Jacobsson’s notes refer to this composer as ‘the missing link between Romanticism and Modernism’, and that comment holds true for the First Violin Sonata. It is performed with the fire and enthusiasm of youth here. The wistful opening sets the tone. Zilliacus is capable of a very affecting half-tone and can be touching when required (end of the first movement, for example). The dancing, echt-Hungarian finale, Vivace assai, comes across with great energy (the contrasting lyrical theme has the effect of a musical ‘stretch’!). Both players rise to the virtuoso demands triumphantly. Lundin copes with Dohnányi’s difficult part with aplomb. The competition is not great in the catalogue: Tasmin Little and Martin Roscoe on ASV and an historic account by Oscar Shumsky on Biddulph offer the greatest threats, but Zilliacus and Lundin provide a perfectly convincing case for the piece. You will not be disappointed by them.

There is much more rivalry for the Bartók, however. David Oistrakh, Kremer and Stern all make their presence felt, plus there is an excellent and probably more directly comparable recording from Isabelle Faust on Harmonia Mundi. Despite this, Zilliacus acquits herself well, and Lundin seems to relish the opportunity to flex his pianistic muscles. Technically, Zilliacus is amazing, whether in the fast passages, when spinning a high-lying line or while setting the pulse racing in the finale with Lundin hardly less impressive here. There is real concentration in the second movement extended solo violin, not to mention real control, and it is this movement that is the crowning point of this rewarding disc. The finale is hardly less impressive, dripping with confidence from both players. The race to the end is guaranteed to set your pulse racing.

A triumph all round, then. The recording is exemplary: clear, clean yet atmospheric. Strongly recommended.

Colin Clarke



Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

 

Musicweb sells the following labels
Acte Préalable Arcodiva
British Music Soc.
CDAccord
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter


Subscribe to our free weekly newsletter

Return to Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.