Those who already know the work of the Osipov Russian Folk Orchestra won’t need reminding of the delights they offer. Nostalgia in spadefuls of course; nobody can touch the Russians for that commodity. But there is here also a totally unique and captivating sound-world. The evocative thrum of the balalaikas predominates, and is the orchestra’s most characteristic tone-colour. But you also have the domra (a smaller type of balalaika), the gusli, a kind of dulcimer, the bayan, a large accordion type of instrument, the zhaleika and kugikli, which are primitive woodwind instruments, and so on. This imparts a rich variety, as well as an earthy flavour, to the whole thing that makes it immensely enjoyable.

The playing is wonderfully accomplished and stylish, and there is some stunning solo work, much of it on the domra, presumably by Alexander Tzykankov, himself the composer of some of the works, and a distinguished Russian folk music performer. His Ditty belies its unassuming title, and is quite a complex, sophisticated piece of work. Conversely, Fomin’s Symphonic Poem, which sounds more pretentious, is in fact an extended but quite simple exploration of a very beautiful folk-like melody.

Many famous Russian songs make their appearance, perhaps most notably Kamarinskaya and Pedlars, both in fine arrangements, respectively by the Osipov brothers and Vladimir Ditel. For my money, though, the most irresistible number is Evening Bells, which builds up to a climax of sweeping grandeur.

OK, I know we are in the realms of higher kitsch here; but when it’s done as brilliantly as this, kitsch is great! Pour yourself a large vodka (ice and lemon too if you must), sit back, and ENJOY!

Gwyn Parry-Jones

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