the possible exception of J.S.Bach, Beethoven is probably the
most thoroughly explored of all major composers on record. So
what is this intriguing series up to? Today the lesser-known Beethoven
works tend to be early ones, but not these. All these are duos
for piano and violin, and the Sonata is described as being for
a piano with violin accompaniment, though it can confidently be
regarded as as a violin sonata. A substantial four-movement work,
classical in form, it was the last that Beethoven wrote for this
combination, and reveals the composer in genial and gentle mood.
Why Archduke Rudolf Ė Beethovenís friend and patron Ė
is featured in a rather formal set of variations is something
of a mystery. It is a competent, if somewhat academic, work but
isnít there plenty more Beethoven for this combination left to
is a splendid start for what appears to be an ongoing project
for this ambitious new UK label from deepest Wiltshire. These
first-rate performers clearly love and deeply understand the music,
their rapport is impeccable and the insights they provide into
Beethovenís mid-period style are fascinating. Peter Sheppard Skaervedís
noble Strad serves the music proudly, and clearly benefits from
the support of a modern pianoforte rather than the fortepiano
that nowadays might be expected. The recording quality is admirable.
specialised in variations, where he could explore the sonorities
and textures of simple tunes with his characteristic inventiveness
and humour. The Rondo may be familiar in a version for solo piano,
though I am not sure whether the composerís autograph confirms
this. Not all the piano variations are suitable recital material,
but the twelve Mozart ones on an aria from The Marriage of
Figaro as heard on this disc are a treasure.
insert booklet is rambling and diffuse, but who cares; this is
a highly desirable addition to any Beethoven archive. Metier is
expanding its distribution network in Europe, Australia and the
USA. Details and catalogue are available on www.metierrecords.co.uk.