£16 post free World-wide

 


555 sonatas 9Cds mp3 files
Only £22


 


Benjamin: Written on Skin £16

Search
What's New
Previous CDs
Concerts
Jazz
Nostalgia
Composers
Resources
Announce
Labels index


Every day we post 10 new Classical CD and DVD reviews. A free weekly summary is available by e-mail. MusicWeb is not a subscription site. To keep it free please purchase discs through our links.

  Classical Editor Rob Barnett    


Antonin DVORÁK (1841-1904)
Symphony No. 8 in G Major, Op.88
Symphony No. 9 in E Minor, Op. 95 ("From the New World")
Budapest Festival Orchestra conducted by Iván Fischer
Recorded in The Italian Institute, Budapest 29 February - 3 March, 2000
PHILIPS 464 640-2
[78.00]

Crotchet   AmazonUK   AmazonUS
Amazon recommendations

The Budapest Festival Orchestra was established in 1983 by Iván Fischer and the pianist, Zoltán Kocsis. Initially a band which gave occasional concerts and made recordings, it was placed on a permanent footing in 1992 as the orchestra of Budapest. With Fischer they have made a number of well-received recordings, primarily featuring the music of Hungarian composers such as Liszt, Bartok and Kodaly. I see from their website that one of their earlier recordings, for the Quintana label featured Dvorák's 8th Symphony.

These new performances are extremely well played and are presented in sound which is clear, rich and full. There is just the right amount of space around the orchestra so that quiet playing registers beautifully while the climaxes expand naturally.

As for the music itself, Fischer presents both works in a straightforward and idiomatic way. He encourages his wind players in particular to phrase beautifully (a lovely cor anglais solo in the second movement of the "New World") and the strings have plenty of body and depth of tone. The third movement of the "New World" is a good example of the standard of performance on offer here. The scherzo itself is biting and brilliant while the trio is charming and delightfully poised, featuring some lovely work both from the strings and the wind.

The eighth, my own favourite, receives a most winning, lyrical performance, typified by the warmth with which the gorgeous cello melody is delivered at the outset. If, once again, I highlight the contributions of the wind and strings that is not meant to slight the brass players who are of a similarly high standard. One point of detail: Fischer gets the strings to play the theme of the third movement with portamento. I thought this a lovely touch.

With this release Fischer and his colleagues enter a very competitive field. However, they offer extremely fine versions of both symphonies which must now be counted among the best available. Warmly recommended.

John Quinn



Return to Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.