This 
                recording, the second in a series of eight recordings published 
                by Querstand, features works performed by Felix Friedrich on four 
                different Gottfried Silbermann organs. 2003 sees the 250th anniversary 
                of the death of Silbermann, a renowned organ builder, and one 
                whose instruments were favoured by Johann Sebastian Bach.  
              
 
              
Who 
                better to represent the music of Silbermann's time than Johann 
                Sebastian Bach? And what better work than the choral and variations 
                set Partita "Sei gegrüßet, Jesu gütig"? This piece 
                gives Friedrich the opportunity to show off the many sounds the 
                Bad Lausick organ can offer. This instrument, which is not overly 
                imposing, can be both forceful and subtle, and its registrations 
                range from powerful to sublime. The opening choral is played with 
                energy, and the third with the lightest touch and sounds. All 
                in all, the performance of this piece is an excellent presentation 
                of both music and organ.  
              
 
              
The 
                sonata by Georg Andreas Sorge, played on the Rötha, St. Marien 
                organ, is very much like one of Bach's trio sonatas, and Friedrich 
                plays it in a lively, rapid tempo. Its playful third movement 
                is almost like Mozart, and the closing fugue, though simple, does 
                justice to this organ which has a bright sound.  
              
 
              
The 
                variations on Ah, vous dirai-je, maman, performed on the Schweikershain 
                organ, are disappointing. This is a richly resonant organ, with 
                a wide palette of tones. Such a simple piece disappoints on a 
                disc like this. I would have liked to hear something more potent 
                - a fugue, perhaps - than such a juvenile work. The brief Bach 
                choral is excellent, but leaves me wishing that this instrument 
                had been used for more serious music.  
              
 
              
Finally, 
                the Glauchau organ has a deep bass sound, and resounds strongly. 
                The Bach prelude and fugue is ideal for this instrument. However 
                it underscores the lack of truly imaginative music on this disc. 
                This is the only "real" fugue on the recording, and the organ 
                is a great instrument for fugues, especially those by Bach. The 
                twelve organ pieces by Christian Gotthilf Tag are a bit of a letdown; 
                this fine organ deserves better. At the end, I cannot help but 
                decry the poor match between this instrument and the music played 
                on it. This is the best sounding organ on this disc, and it would 
                have been wonderful to hear a Bach trio sonata, or one of the 
                great toccata and fugue sets. Alas, superficial music is all you 
                get.  
              
 
              
This 
                recording is a disappointment. Four great organs, well recorded, 
                but with music that is not up to the quality of the instruments. 
                The presentation is excellent: the disc is held in a small "hardcover" 
                book, with copious notes and photos. Organ enthusiasts will want 
                to snap this up, though casual listeners may find the music lacking 
                in substance and imagination.  
              
 
              
Kirk 
                McElhearn