The 
                year 2003 marks the 250th anniversary of the death of Gottfried 
                Silbermann, one of the greatest organ builders ever. Originally 
                from Saxony, Silbermann is renowned for the quality of his organs. 
                These instruments were especially appreciated by Johann Sebastian 
                Bach. This recording, the first in a series of eight recordings 
                published by Querstand, features works performed by Ewald Kooiman 
                on four different Silbermann organs.  
              
 
              
It 
                is only fitting that the majority of these works are by Bach; 
                opening with Bach's great Toccata in D minor, performed with an 
                interesting variety of registrations, this disc features excellent 
                recordings that truly show off the quality of the organs used. 
                The Opening toccata displays the subtle tones and colours of the 
                Freiberg/St. Petri organ, which has resounding bass notes and 
                an aerien treble. Ewald Kooiman gives a fine performance of this 
                long work, though at times he is a bit unyielding.  
              
 
              
The 
                Tiefenau organ has a vastly different sound: less resonance, less 
                echo. The listener feels much closer to this smaller organ. The 
                four chorales played on this small organ are ideally suited to 
                its intimate sound, and Kooiman plays them with great restraint. 
                It is almost as though he were playing them on a positive organ. 
                While this is not a powerful instrument, it has beautiful colors 
                that work very well with this type of music.  
              
 
              
The 
                Niederschöna organ is another instrument with a "small" sound, 
                with little resonance in its church. It too is well suited to 
                the chorales. Von Gott will ich nicht lassen works especially 
                well here, with its haunting registration, and slow, subtle melody. 
                Herr Gott, nun schleuss den Himmel auf is much brighter 
                and more powerful. The instrument sounds as though it needs a 
                larger home to resonate more strongly.  
              
 
              
Finally, 
                the Großhartmannsdorf organ is perhaps the best sounding 
                instrument on this disc. It has a level of resonance that is just 
                right; neither too much nor too little. Kooiman's performance 
                of Bach's great set of variations on Ach, was soll ich Sünder 
                machen? is a bit restrained, but he runs the organ through 
                a wide range of registrations in this work and shows of all of 
                which it is capable. I especially appreciate how Kooiman, with 
                this organ, as with the others, plays the music, not the instrument. 
                He does not attempt to blow the listener away with the volume 
                and scale of the organ but rather uses it to express as many different 
                tones and emotions as possible.  
              
 
              
This 
                recording is a delight for lovers of organ music and especially 
                those who appreciate the different sounds of such great instruments. 
                Querstand have come up with a beautiful presentation for the disc. 
                The case is a small "hardcover" book, with excellent notes and 
                photos. Organ enthusiasts will want to snap this up, as well as 
                the seven other discs due out in the series.  
              
 
              
Kirk 
                McElhearn