The 
                Prokofiev alone is sufficient reason to get this CD. It is the 
                version by which I 'learnt' the work - a tape of a BBC broadcast 
                not the HMV Treasury LP. Sitkovetsky and Oistrakh have come 
                closest to capturing its starry, barbaric, fairy tale bardic delights 
                - murderous, seductive and fantastic. Otherwise Szigeti and Beecham 
                reign supreme. For me this work and this version 
                evoke the ‘Baba Yaga’ legend with a goose-pimple fidelity intensifying 
                the eldritch mood of the Liadov tone poem. As a counterpart among 
                the world of illustrators you should think in terms of Kay Nielsen 
                rather than Dulac or Virgil Finlay. Cousins under the skin are 
                Sibelius's Pohjola's Daughter, Balakirev's Thamar, 
                Stravinsky’s Firebird and Szymanowski's Violin Concerto 
                No. 1. Mark Obert-Thorn makes the recording sound better than 
                the others even though they were recorded four and eleven years 
                later. He has done a wonderful job again.  
              
 
              
A 
                light cobweb of surface noise can be heard in the Bartók 
                which was originally written for the Swiss violinist Steffi Geyer 
                for whom Othmar Schoeck, similarly smitten in love, wrote a violin 
                concerto. Chastely sustained, light-as-down playing from Szigeti 
                catches the air of fragile invocation - part Berg concerto and 
                part imploring hymn. Wonderfully restrained and concentrated playing 
                from the Philharmonia. Tully Potter in his typically rewarding 
                notes tells us that this recording was intended to be part of 
                a Bartók Edition that never got off the ground. Lastly 
                comes the Bloch work. This was its world premiere recording and 
                Szigeti had given the first performance. As a piece of music it 
                lacks themes with a strong profile. I grew up on the EMI Menuhin 
                version but he was unable to help the piece and I am afraid that 
                for all its intriguing incidents this source version remains interesting 
                and fitfully impressive. It lacks the 'wow' factor.  
              
 
              
One 
                small point. The dates given for Bloch are incorrect. They have 
                been copied from the Bartók entry but unfortunately the 
                preparer of the track listing failed to get to correct them. Small 
                stuff. Correct dates given above.  
              
 
              
Rob 
                Barnett