This performance is now released in tandem with La 
          Traviata from the Glyndebourne production of 1988. Arthaus is issuing 
          various pairs of DVDs at a reduced price. Sometimes offers such as these 
          are very much curate’s eggs, but this pair is excellent. If you wish 
          to have both these operas on DVD, don’t hesitate; they are well worth 
          having. 
        
 
        
In this performance, the sets are absolutely superb, 
          simple, but very effective, as well as being appropriate to the action. 
          The scenes set in the desert are plain backdrops, with just enough detail 
          to make them interesting. Where we come to the triumphal march, there 
          are models of the sphinx and other such artefacts which provide the 
          right amount of spectacle to add to the musical drama, rather than to 
          take it over as happens in some productions. 
        
 
        
Now to the main aspects of this release: the singing 
          and acting of the cast. Musically this production is very impressive, 
          held together with fire and passion by Lorin Maazel in charge of the 
          La Scala Orchestra, this time on good form, with all sections of the 
          orchestra acquitting themselves well for their conductor. 
        
 
        
Luciano Pavarotti is the undoubted star of this production 
          with his voice in very good heart and his bulk (in 1987) not sufficient 
          to restrict his movements around the stage. Pavarotti is however Pavarotti, 
          not Radames and he tends to stand and sing rather than to get caught 
          up in the action. I must emphasise that I did not feel that this is 
          a failing, particularly as his voice is in magnificent form. 
        
 
        
Maria Chiara is a very attractive Aida, with clear 
          if just a little strident voice, but complementing her Radames perfectly. 
          The two main characters perform very well, and make this set very attractive. 
          The other main characters offer no major criticism at all, complementing 
          the principals perfectly. Ghena Dimitrova is outstanding, except I was 
          a little distracted by her headgear, which reminded me vaguely of Pat 
          Evans of Eastenders fame. 
        
 
        
Verdi’s opera was written as a result of a commission 
          from the Khedive of Egypt, Ismael Pasha. Rigoletto was performed 
          earlier to commission the Opera House in Egypt and as a result of the 
          opening of the Suez Canal. Verdi was inspired by the atmosphere of the 
          Nile and environs. His opera has been a firm favourite ever since. 
        
 
        
The sound quality is very good without being outstanding, 
          with stable and well balanced video quality. The only problem I experienced 
          with this DVD was a number of short momentary lapses of silence in the 
          soundtrack throughout the performance which may be worth checking before 
          purchase. 
        
 
          John Phillips