There are twenty-seven tracks on this disc of which 
          all but one is a folksong 
        
 
        
Griffett's voice, plaintively shaped falls lithely 
          enough between those of Ian Partridge and Gerald English. He lacks vibrato 
          ... thank the heavens. Listen to the exultantly steady diminuendo 
          he spins at the end of Griffett's own arrangement of The Turtle Dove. 
          He is accompanied by guitar in Lovely Joan, Sailor Boy (quite 
          jazzy), The Grey Cock and The Oak and the Ash. In Benjamin 
          Bowmaneer Griffett is sturdy and heroically ringing. He imparts 
          a touch of Farewell and adieu to ye fair Spanish maidens to the 
          song. The Hispanic contours and curls of the guitar part reflect 
          that as they do also in Master Kilby. Griffett is unaccompanied 
          in She mov'd thru the fair, Salley Gardens and Turtle 
          Dove. His voice falters rarely for example in the unkindly testing 
          Greensleeves. 
        
 
        
While Charles Vale's arrangement of Scarborough 
          Fair might have benefited from a slight touch on the accelerator 
          Timothy Walker's transcription of PMD's Farewell to Stromness is 
          a resounding success. This is one of the finest tracks here - an Orcadian 
          pavane - very fitting in the present company. 
        
 
        
As for the Britten arrangement of Bonny at morn 
          it is delightful to hear this music liberated by Griffett from the bray 
          that we were induced at one time to believe was the only acceptable 
          orthodoxy. Griffett is in sturdy and ringing voice in The shooting 
          of his dear. He seems also to revel in the Grainger-like jauntiness 
          of The Soldier and the Sailor. A choice track is the pavane-paced 
          Black is the colour of my true love's hair. Listen to the way 
          he colours and relishes the words passing fair. The disc ends 
          in the upbeat frivolity of Strawberry Fair taken at a very smart 
          jog-trot clip. 
        
 
        
Griffett is admirable though sometimes his accent is 
          just a little too civilised and English. Far better this though 
          than the affected ‘mummerset’ sometimes encountered. 
        
 
        
The sung words are not printed although there is a 
          pretty full general background essay on folk song. 
        
 
        
Hearing this attractive collection I do hope that Griffett 
          can he be inveigled into taking the solo tenor role in Finzi's Dies 
          Natalis or better yet Intimations of Immortality. 
        
 
        
This disc presents intelligent, confident and flavoursome 
          singing and playing. The aim and the achievement is delight. 
        
          Rob Barnett  
        
see also review 
          by Robert Farr
          www.regisrecords.co.uk  
          If you like Griffett's voice you might like to track down the following 
          on Regis:- 
          RRC 1023 Victorian Gentleman's Songbook review
          RRC 1083 Edwardian Gentleman's Songbook review
          RRC 1054 Britten folksong arrangements 
          RRC 1092 Irish tenor ballads review
          RRC 1057 What is Life? review