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Seen and Heard International  Festival Preview


Edinburgh International Festival 2007: A preview of Jonathan Mills' first season as Brian McMaster's successor (BK)



Announcing his first programme as Director of the Edinburgh International Festival,  Jonathan Mills said,  “Festivals are a gift; a special gift from a city to itself, to its citizens, to its visitors, to its future, to its very soul. In planning this, my first year’s programme, my inspiration was Monteverdi’s L’Orfeo - not just as a celebration of its 400th anniversary, but as an exploration of its legacy still alive in the work of artists today. I hope audiences will have a fantastic time at the Festival. There is a broad range of artists, styles and work from the deeply serious to the seriously fun which I hope will appeal to everyone. I look forward to welcoming both locals and visitors to Edinburgh in August.”

The 2007 Edinburgh International Festival runs from Friday 10 August to Sunday 2 September across the city in theatres, concert halls and opera houses attracting audiences from around the world to Scotland’s picturesque capital.

Making their EIF debuts are: Jordi Savall, Deborah Voigt, Natascha Petrinsky, Compagnie Montalvo-Hervieu, Trisha Brown Dance Company, Alan Cumming, Barrie Kosky, Mabou Mines, Lee Breuer, Chiara Banchini, Thomas Adčs, the Simón Bolívar Youth Orchestra of Venezuela and Gustavo Dudamel, Cantus Cölln, Andreas Scholl, Anonymous 4 and The Tiger Lillies.

The architecture of the Festival remains familiar under Jonathan Mills with theatre, opera, music and dance in the city’s main venues, but also evolves with the addition of some new strands and an eclectic mix of repertoire. One of the new strands is the inclusion of the visual arts  in the programme. In Jardins Publics, three major artists have been commissioned to explore the question of the public garden (inspired by figures as diverse as Voltaire, Patrick Geddes and Ian Hamilton Finlay) and sited in three locations across the city.

Dance sees the Festival extending its relationship with Scottish Ballet in a co-commission from American choreographer Stephen Petronio, the Festival debuts of Olivier Award winning Compagnie Montalvo-Hervieu  performing On Danse and the Trisha Brown Dance Company with a spread of 20 years' worth of her works over 20 years including the UK premiere of Canto/Pianto. Another UK dance premiere is William Forsythe’s hilarious, end of the world spectacular Impressing the Czar performed by the Royal Ballet of Flanders.

Theatre brings The Bacchae from the National Theatre of Scotland in the world premiere of a new version by David Greig, directed by John Tiffany and starring Alan Cumming. Vienna Schauspielhaus’s Poppea directed by Barrie Kosky and The Wooster Group’s La Didone marry music and theatre through the inspiration of early opera. The UK premiere of the acclaimed Mabou Mines DollHouse directed by avant-garde director Lee Breuer and American Repertory Theatre’s successful modern take on the Orpheus myth in Orpheus X receive European premieres and an international collaboration between Theatre Cryptic and Singapore’s T’ang Quartet,engages Scottish based artists with international partners.

Monteverdi’s ground breaking debate on the importance of words versus music serves as one of the inspirations behind this year’s programme and a traditional production of L’Orfeo directed by Gilbert Deflo and conducted by Jordi Savall marks the 400th anniversary of the first major opera and opens the opera programme. The Festival and Cologne Opera present the world premiere of a new production of Richard Strauss’ Capriccio starring Gabriele Fontana, conducted by Markus Stenz and directed and designed by Christian von Götz and Gabriele Jänicke. Capriccio opens in Edinburgh before transferring to Cologne. Three evenings of opera in concert: Orlando furioso, Oedipus Rex, Dido and Aeneas and Prima la musica, poi le parole complete the opera programme with artists including Nicholas McGegan, Jean-Christophe Spinosi, Jennifer Larmore, Philippe Jaroussky, Jeffrey Lloyd-Roberts, Natascha Petrinksy, and Jane Irwin.
 

Music brings major orchestras to Edinburgh including the San Francisco Symphony, the Bavarian Radio Symphony Orchestra, the Simón Bolívar Youth Orchestra of Venezuela, Jordi Savall's  own Hespčrion XXI and the Chamber Orchestra of Europe.  These groups perform alongside the Scottish Chamber Orchestra, the BBC Scottish Symphony Orchestra and the Royal Scottish National Orchestra. There is a  wide range of music from de Falla, Bernstein, Sibelius, Stravinsky and Vivaldi, tthrough to the latest musings of The Tiger Lillies on the topic of Monteverdi. Artists include Michael Tilson Thomas, Toby Spence, Chiara Banchini, Sir Roger Norrington, Andreas Scholl, Sir Thomas Allen, Robert Spano, Mariss Jansons, and Dames Gillian Weir and Evelyn Glennie.

The Festival also presents a series of early evening concerts at Greyfriars Kirk which follow the development of music from the 11th century to the 17th century, including concerts covering all the books of Monteverdi’s Madrigals. The artists performing are the finest in the world in this genre: Rinaldo Alessandrini and the Concerto Italiano, Anonymous 4, La Venexiana, Phantasm, Theatre of Voices, Ars Nova, Heulgas Ensemble, The Tallis Scholars, Cantus Cölln and The Orlando Consort.

The Bank of Scotland Queen’s Hall Series starts every day with a chamber recital : artists include Jordi Savall, Kate Royal and Christine Rice, the Tokyo String Quartet, Yuri Bashmet, Gidon Kremer, Silvana Dussmann, Chiara Banchini, Christine Brewer and John Williams among others.

‘Sharing the Festival’ begins this year with Beowulf, an ancient Scandinavian tale (sic) recreated by Benjamin Bagby travelling to venues in Orkney and Grampian before opening in Edinburgh.
The EIF, students from Napier University and Richard Demarco also join up to celebrate the 60th anniversary through installations in the theatres and concert halls used through the Festival period.

Jonathan Mills added his thanks to  the Festival's many public funders, sponsors, supporters, and ticket buyers who together make it possible to stage this great event. "They all play an invaluable role," he said. "As a relative newcomer from the other side of the world I know how special the Edinburgh International Festival is and in the past I have put on Festivals inspired by the Edinburgh model. It is a huge honour and thrill for me to announce my first Festival. I hope everyone will embrace the 2007 Festival and set aside time in August to enjoy as much of it as possible.”


Bill Kenny

Public booking opens Saturday 14 April 2007

Hub Tickets: +44 (0)131 473 2000

Online booking and information: www.eif.co.uk

 


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Seen and Heard
, one of the longest established live music review web sites on the Internet, publishes original reviews of recitals, concerts and opera performances from the UK and internationally. We update often, and sometimes daily, to bring you fast reviews, each of which offers a breadth of knowledge and attention to performance detail that is sometimes difficult for readers to find elsewhere.

Seen and Heard publishes interviews with musicians, musicologists and directors which feature both established artists and lesser known performers. We also feature articles on the classical music industry and we use other arts media to connect between music and culture in its widest terms.

Seen and Heard aims to present the best in new criticism from writers with a radical viewpoint and welcomes contributions from all nations. If you would like to find out more email Regional Editor Bill Kenny.





 








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Contributors: Marc Bridle, Martin Anderson, Patrick Burnson, Frank Cadenhead, Colin Clarke, Paul Conway, Geoff Diggines, Sarah Dunlop, Evan Dickerson Melanie Eskenazi (London Editor) Robert J Farr, Abigail Frymann, Göran Forsling,  Simon Hewitt-Jones, Bruce Hodges,Tim Hodgkinson, Martin Hoyle, Bernard Jacobson, Tristan Jakob-Hoff, Ben Killeen, Bill Kenny (Regional Editor), Ian Lace, John Leeman, Sue Loder,Jean Martin, Neil McGowan, Bettina Mara, Robin Mitchell-Boyask, Simon Morgan, Aline Nassif, Anne Ozorio, Ian Pace, John Phillips, Jim Pritchard, John Quinn, Peter Quantrill, Alex Russell, Paul Serotsky, Harvey Steiman, Christopher Thomas, Raymond Walker, John Warnaby, Hans-Theodor Wolhfahrt, Peter Grahame Woolf (Founder & Emeritus Editor)


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