BRITISH
AND COMMONWEALTH SYMPHONIES
FROM THE NINETEENTH
CENTURY TO THE PRESENT
A DISCOGRAPHY OF CDs AND
LPs
by
MICHAEL HERMAN
Discography
Listing: Index ~~ Page
1 ~~ Page 2
BENJAMIN FRANKEL
(1906-1973)
Born in London. He studied
at the Guildhall School of Music after some lessons as a teenager
in Germany. Worked as a jazz musician, taught at the Guildhall
and wrote numerous scores for motion pictures. His cycle of
Symphonies is supplemented by a Violin Concerto, Viola Concerto
and Serenata Concertante for Piano Trio and Orchestra.
Symphonies Nos. 1 – 8
Werner Andreas Albert/Queensland
Symphony Orchestra
( + May Day Overture; Mephistopheles Serenade and Dance;
A Shakespeare Overture)
CPO 999661-2 (4 CDs) (2002)
Symphony No. 1, Op. 33 (1958)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 5 and May Day Overture)
CPO 999240-2 (1995)
Symphony No. 2 (1962)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 3)
CPO 999241-2 (1994)
Symphony No. 3 (1964)
Werner Andreas Albert/
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 3)
CPO 999241 (1994)
Symphony No.4, Op. 44 (1966)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 6 and Mephistopheles Serenade and Dance)
CPO 999242-2 (1996)
Symphony No. 5, Op. 46
(1967)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 1 and May Day Overture)
CPO 999240-2 (1995)
Symphony No. 6 (1967)
Werner Andreas Albert/
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 6 and Mephistopheles Serenade and Dance)
CPO 999242-2 (1996)
Symphony No. 7 (1970)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 8, A Shakespeare Overture and Overture to a
Ceremony)
CPO 999 243-2 (1998)
Symphony No. 8 (1971)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 7, A Shakespeare Overture and Overture to a
Ceremony)
CPO 999 243-2 (1998)
Return
to alphabetical index
GRACE WILLIAMS
(1907-1977)
Born in Barry, Glamorganshire, Wales. Studied at the Royal College
of Music with Ralph Vaughan Williams and Gordon Jacob. She had
further lessons in Vienna with Egon Wellesz. Her employment
included school teaching and writing for the BBC. She destroyed
most of her early works. Her 1st Symphony was written
in 1943 and there is also a Sinfonia Concertante for Piano and
Orchestra from 1941 as well as Concertos for Violin and Trumpet.
Symphony No. 2 (1956)
Vernon Handley/BBC Welsh Symphon
Orchestra
( + Ballads for Orchestra and Fairest of Stars)
LYRITA SRCD.327 (1996)
(original LP release: BBC REGL 381) (1980)
Return
to alphabetical index
DAME ELIZABETH MACONCHY
(1907-1994)
Born in Broxbourne, Hertfordshire.
Studied at the Royal College of Music with Charles Wood, Ralph
Vaughan Williams and C.H. Kitson and had further training with
Karel Jirák at the Prague Conservatory. She was able
to devote herself almost solely to composing but was very active
with professional composers associations such as the Composers
Guild of Great Britain and the Society for the Promotion of
New Music. She wrote a Symphony for full orchestra (1945-8)
as well as a Sinfonietta (1976) and a Little Symphony (1980).
Other major works for orchestra are 2 Concertos for Piano and
a Viola Concerto.
Symphony for Double String Orchestra (1953)
Vernon
Handley/London Symphony Orchestra
( + Serenade Concertante, Proud Thames Overture and Music for
Strings)
LYRITA SRCD.288 (2007)
(original LP release: LYRITA SRCS.116) (1982)
Odaline de la Martinez /BBC Scottish Symphony Orchestra
( + The Land, Concertino for Piano and Chamber Orchestra and
Music for Wind and Brass)
LORELT LNT133 (2011)
Return
to alphabetical index
WILLIAM WORDSWORTH
(1908-1988)
Born in London, an indirect
descendant of his more famous poetical namesake. His first teacher
was George Oldroyd and then he studied with Donald Tovey at
the University of Edinburgh. He settled in Scotland in 1961
and was very active in the promotion of the music of contemporary
composers. He composed a large body of music for orchestra including
8 numbered Symphonies, a Sinfonia for Strings in A minor, Op.
6 (1939), Sinfonietta for Small Orchestra, Op. 62 (1957) and
Sinfonia Simplice for Strings, Op. 87 (1969). The unrecorded
Symphonies are: No. 1 in F, Op. 23 (1944), No. 4 in E flat major,
Op. 54 (1951), No. 5 in A minor, Op. 68 (1960), No. 6, Op. 102
"Elegiaca" (1977), No. 7. Op. 107 "Cosmos"
(1980) and No. 8, Op. 117 (1986). There are also Concertos for
Piano, Violin and Cello.
Symphony no.2 in D major, Opus 34 (1947-8)
Nicholas Braithwaite/London Philharmonic
Orchestra
( + Symphony No. 3)
LYRITA SRCD.207 (1990)
Symphony No. 3 in C major, Opus 48 (1951)
Nicholas Braithwaite/London Philharmonic
Orchestra
( + Symphony No. 4)
LYRITA SRCD.207 (1990)
Return
to alphabetical index
MINNA
KEAL
(1909-1999)
Born
in London. She was an early pupil of William Alwyn at the Royal
Academy of Music. Her budding musical career was replaced by
familial duties and did not resume until she was in her sixties.
In addition to the Symphony she also produced a large-scale
Cello Concerto and several chamber works.
Symphony,
Op. 3 (1980-5)
Nicholas
Cleobury/BBC Symphony Orchestra
( + String Quartet No. 1, Wind Quintet and Cantillation)
LORELT LNT 110 (1996)
Return
to alphabetical index
ROBIN ORR
(1909-2006)
Born in Brechin, Scotland.
Studied at the Royal College of Music with Arthur Benjamin and
at Cambridge with E.J. Dent. He also had further composition
lessons in Siena with Alfredo Casella and Paris with Nadia Boulanger.
He had distinguished teaching careers in teaching and administration
in Cambridge, London and Glasgow. He wrote two further Symphonies,
the 2nd in 1970 and the 3rd in 1978. There
is also a Sinfonietta Helvetica from 1990 and several shorter
orchestral works.
Symphony (No. 1) in One Movement (1963)
Sir Alexander Gibson/Scottish
National Orchestra
( + Fricker: Symphony No. 2 and Simpson: Symphony No. 1)
EMI BRITISH COMPOSER 5 75789 2 (2003)
(original LP release: HMV ASD 2279) (1966)
Return
to alphabetical index
GILBERT
VINTER
(1909-1969)
Born
in Lincoln. He studied at the Royal Academy of Music and later
taught at this school. He worked as a conducter and bassoonist
and made his name in the BBC Wireless Band and the London Philharmonic
Orchestra. During World War II he
conducted the Royal Air Force Central Band and afterwards rejoined
the BBC as staff conductor and
led the well-known BBC Midlands Light Orchestra for many years.
He composed numerous works for brass band, the cantata "The
Trumpets" and also a ballet, an opera, "Concerto Burlando"
for Saxophone, Christmas Sinfonietta and other works for orchestra.
Symphony
of Marches for Brass Band (1963)
Stanley
H. Boddington/G.U.S. (Footwear) Band
( + Lisbon Carnival, Frieddmann: Slavonic Rhapsody No.1, Zimmermann:
Anchors Aweigh, Anklin: March Of The Swiss Alpine Cl, Yorke:
Shipbuilders, Rossini: Una voce poco fa, Dykes: Melita, Jones:
Gwalchmai and Sullivan: The Lost Chord)
COLUMBIA SX 6050 (LP) (1966)
Peter
Parkes/Williams-Fairey Engineering Band
( + Triumphal Rhapsody, John O'Gaunt, Portuguese Party, Simon
Called Peter, Taproom Ballade, Variations On A Ninth and Raff/Vinter:
Cavatina)
POLYPHONIC REPRODUCTIONS QPRL 068 D (1994)
Frank
A. Renton/The C.W.S. (Manchester) Band
( + trad.: Prince Rupert's March. Gould: American Salute, trad.
Swiss: Alte Berner Marsch, Holst: Moorside Suite, Hatch: Airline,
Gounod: Funeral March Of A Marionette, Rimmer: Ravenswood, Kelly:
Arnhem, Work: Marching Through Georgia. Johnstone:
County Palatine and Ely: Bruneval Raid)
BANDLEADER BNB 2002 (LP) (c. 1982)
Denzil
S. Stephens/Cory Band
( + Prokofiev: March, Hawkins: Tuxedo Junction, Parry: Myfanwy/,
Verdi: Anvil Chorus, D. Stephens: Aces High, Grundman: Blue
And The Gray, Welsh: Dove and trad. Irish: Londonderry Air)
DECCA SB 340 (LP) (1979)
ROBERT STILL
(1910-1971)
Born in London. He studied music at Oxford with Ernest Walker
and Hugh Allen and then at the Royal College of Music with Gordon
Jacob, George Dyson and C.H. Kitson. He was a very prolific
writer on subjects having little to do with music with a special
intererest in psychology. His 1st Symphony was written
in 1954 followed by a 2nd in 1956. He also wrote
a Piano Concerto, Violin Concerto and a Concerto for Strings.
A Viola Concerto was left unfinished.
Symphony No. 3 in C major (1960)
Sir Eugene Goossens/London Symphony
Orchestra
( + Symphony No. 4 and Searle: Symphony No. 2)
LYRITA SRCD.285 (2009)
(original LP release: SAGA STXID 5256) (1966)
Symphony No. 4 (1964)
Myer Fredman/Royal Philharmonic
Orchestra
( + Symphony No. 3 and Searle: Symphony No. 2)
LYRITA SRCD.285 (2009)
(original LP release: LYRITA SRCS.46) (1971)
Return
to alphabetical index
RONALD BINGE
(1910–1979)
Born in Derby. He had some piano lessons but was basically self-taught,
getting most of his early experience on the job accompanying
silent movies. He became one of the leading composers, conductors
and arrangers of light orchestral music and worked for many
years with Mantovani. The Saturday Symphony was his only large-scale
work but his Saxophone Concerto, Scottish Rhapsody and Elizabethan
Serenade are more ambitious examples of his usual type of piece.
Saturday Symphony (1966-8)
Ronald Binge/South German Radio
Orchestra
( + Saxophone Concerto {Aage Voss – saxophone} and various light
orchestra pieces)
ASV WHITELINE CDWLZ245 (2 CDs) (2000)
(original LP release: REDIFFUSION ZS75) (1971)
Return
to alphabetical index
ALOYS
FLEISCHMANN
(1910-1992)
Born in Munich to Irish-based German parents, he studied
music at University College Cork and then studied composition
and conducting at the Akademie für Tonkunst, Munich, and
musicology at Munich University. He subsequently became Professor
of Music at University College Cork until his retirement in
1980. He composed ballets, orchestral, chamber, choral and vocal
works.
.
Sinfonia Votiva (1977)
Robert Houlihan/RTÉ Symphony Orchestra
( + The Four Masters Overture, An Cóitín Dearg:
Ballet Suite and Clare's Dragoons)
RTE LYRIC FM CD127
STANLEY
BATE
(1911-1959)
Born
in Plymouth. At the Royal College of Music he studied composition
with Ralph Vaughan Williams, R. O. Morris and Gordon Jacob as
well as piano with Arthur Benjamin. He then took further composition
lessons with Nadia Boulanger in Paris and Paul Hindemith in
Berlin. His output was extensive in various genres including
ballets, incidental music, film scores and chamber music. His
orchestral catalogue also includes 3 other Symphonies: Nos.
1 in E flat (c. 1934), 2, Op. 20 (1939) and 4 (1955), Sinfoniettas
No. 2, Op. 39 (1944), 5 Piano Concertos, 3 Violin Concertos,
Concerto Grosso for Piano and Strings and Concertos for Cello
and Harpsichord.
Symphony
No.3, Op. 29 (1940)
Martin
Yates/Royal Scottish National Orchestra
( + Arnell: Prelude 'Black Mountain' op.46, Robert Flaherty
- Impression op.87 and Chisholm: Pictures from Dante after Dore)
DUTTON EPOCH CDLX 7239 (2009)
Symphony
No. 4 (1954-5)
Martin Yates/Royal
Scottish National Orchestra
( + Arnell: Symphony No. 7)
DUTTON EPOCH CDLX 7255 (2010)
Sinfonietta
No. 1, Op.22 (1938)
Martin
Yates/Royal Scottish National Orchestra
( + Piano Concerto No. 2 and Reizenstein: Piano Concerto No.
2 )
DUTTON EPOCH CDLX 7282 (2011)
ROBERT HUGHES
(1912-2007)
Born in Levan, Scotland. His
family emigrated to Australia in 1929 and he studied with A.E.H.
Nickson at the University of Melbourne Conservatorium of Music.
After World War II he began working for the Australian Broadcasting
Commission first as a librarian and writer and later as an arranger
and music editor. He also wrote a Serenade, the suites "Farrago"
and "Forbidden Rite," the ballet suite "Xanadu"
and a number of shorter pieces for orchestra.
Symphony No. 1 (1951-71)
Joseph Post/Sydney Symphony Orchestra
( + Tahourdin: Symphony No. 2)
FESTIVAL SFC 80023 (LP) (1973)
Sinfonietta (1957)
Nikolai Malko/Sydney Symphony
orchestra
( + George English: Death of a Wombat)
RCA (Australia) L-16233 (LP) (1961)
Willem van Otterloo/Melbourne
Symphony Orchestra
( + Nigel Butterley: In the Head the Fire and Alfred Hill: Linthorpe)
WORLD RECORD CLUB (FOUNDATION FOR THE RECORDING OF AUSTRALIAN
MUSIC) S/FRAM 2 (LP) (1968)
Return
to alphabetical index
DANIEL JONES
(1912-1995)
Born in Pembroke, Wales. Studied
at the Royal Academy with Harry Farjeon (1878-1948, composed
a Symphony in D major) and Henry Wood. He had a deep interest
in literature and was a close friend of Dylan Thomas. In much
of his music he employed a unique metrical system. He wrote
12 Symphonies of which the unrecorded ones are: No. 1 (1945),
No. 2 (1950), No. 3 (1951), No. 5 (1958), No. 10 (1981), No.
11 (1983) and No. 12 (1985). There is also a Symphony "In
Memory of John Fussell" (1992) as well as 2 Sinfoniettas
(1972 and 1991) and Concertos for Violin and Cello among his
other works for orchestra.
Symphony No. 4 "In Memory of Dylan Thomas" (1954)
Sir Charles Groves/Royal Liverpool
Philharmonic Orchestra
( + Symphonies Nos. 7 and 8)
LYRITA SRCD.329 (2007)
(original LP release: HMV ASD 2855)(1973)
Symphony No. 6 (1964)
Sir Charles Groves/Royal Liverpool
Philharmonic Orchestra
( + Symphony No. 9 and The Country Beyond the Stars)
LYRITA SRCD.326 (2007)
(original LP release: PYE VIRTUOSO TPLS 13023 (1970)
Symphony No. 7 (1971)
Sir Charles Groves/Royal Liverpool
Philharmonic Orchestra
( + Symphonies Nos. 4 and 8)
LYRITA SRCD.329 (2007)
(original LP release: HMV ASD 2855) (1973)
Symphony No. 8 (1972)
Bryden Thomson/BBC Welsh Symphony
Orchestrra
( + Symphonies Nos. 4 and 7)
LYRITA SRCD.329 (2007)
(original LP release: BBC REGL 359) (1979)
Symphony No. 9 (1974)
Bryden Thomson/BBC Welsh Symphony
Orchestrra
( + Symphony No. 6 and The Country Beyond the Stars)
LYRITA SRCD.326 (2007)
(original LP release: BBC REGL 359) (1979)
Return
to alphabetical index
PEGGY GLANVILLE-HICKS
(1912-1990)
Born in Melbourne. Studied
at the Royal College of Music with Ralph Vaughan Williams, Arthur
Benjamin and Constant Lambert. She also had further composition
lessons with Egon Wellesz in Vienna and Nadia Boulanger in Paris.
She basically relocated to America in 1942 and wrote most of
her major works there, returning permanently to Australia in
1976. She was most known for her operas. Her other large works
for orchestra are Etruscan Concerto for piano and strings and
Concerto Romantico for viola and chamber orchestra.
Sinfonia da Pacifica (1952-3)
Carlos Surinach/MGM Chamber Orchestra
( + Three Gymnopedies and Surinach: Hollywood Carnival)
MGM 3336 (LP) (c.1955)
Richard Mills/Tasmanian Symphony
Orchestra
( + Don Kay: The Legend of Moinee)
VOX AUSTRALIS VAST013-2 (2002)
Return
to alphabetical index
BARBARA PENTLAND
(1912-2000)
Born in Winnipeg. She went
to America to study with Frederick Jacobi and Bernard Wagenaar
at the Juilliard School of Music and also took courses with
Aaron Copland at the Berkshire Music Center. She taught successively
at the Toronto Conservatory and the University of British Columbia.
She composed in all genres but appears to have specialized in
instrumental music. Her other Symphonies are: No. 1 (1945-8),
No. 2 (1950) and No. 4 (1959)
Symphony No. 3 for Ten Parts (1957)
Victor Feldbrill/Winnipeg Symphony
Orchestra Chamber Ensemble
( + Robert Turner: Variations and Toccata, Murray Adaskin: Rondino,
Leslie Mann: Five Improvisations and Dirk Keetbaas: Three Miniatures)
RCA VICTOR (Canada) CCS-1009 (& RCI 215) (LP) (1967)
Return
to alphabetical index
VIOLET ARCHER
(1913-2000)
Born in Montreal. She first
studied composition with Claude Champagne and Douglas Clarke
at McGill University and then studied with Bela Bartók
in New York and Paul Hindemith and Richard Donovan at Yale.
She pursued careers as both teacher and percussionist at various
posts. Her very large catalogue of works ranged from keyboard
solos to opera. She wrote a Symphony in 1946 and a Sinfonia
in 1969 as well as Concertos for Piano and Violin.
Sinfonietta (1968)
John Avison/CBC Vancouver Chamber
Orchestra
( + Godfrey Ridout: Frivolités Canadienne)
CBC BR SM-226 (LP) (1975)
Return
to alphabetical index
BENJAMIN
BRITTEN
(1913-1976)
Lord Britten of Aldeburgh,
to give him his full title, was born in Lowestoft, Suffolk.
At the age of 13 he received composition lessons from Frank
Bridge. He later studied at the Royal Academy of Music with
John Ireland for composition and Arthur Benjamin and Harold
Samuel for piano. His professional composing career began with
scores for documentary films but he went on to become the most
played, recorded and famous English composers of the second
half of the twentieth century composing successfully in all
genres especially opera. The major works for orchestra that
supplement his rather unconventional Symphonies are Concertos
for Piano and Violin, Double Concerto for Violin, Viola and
Orchestra, Diversions for Piano Left-Hand and Orchestra and
his most popular pieces, Variations on a Theme of Frank Bridge
and the Young Person’s Guide to the Orchestra.
Sinfonietta for Chamber Orchestra, Op. 1 (1932)
Glen Barton Cortese/ Manhattan
Chamber Sinfonia
( + Holst:Savitri and Vaughan Williams: The Lark Ascending)
PHOENIX PHCD 145 (2000)
Jane Glover/London Mozart Players
( + Les Illuminations and Nocturne)
ASV 682 (1993)
Christopher Hogwood/Basel Chamber
Orchestra
( + Tippett: Divertimento on Sellinger’s Round and Stravinsky:
Pastorale, Suites Nos. 1 and 2, etc.)
ARTE NOVA 926500 (2005)
Norman
Del Mar/English Chamber Orchestra (version for small orchestra
- 1934)
( + Arnold: Sinfonietta No. 1, Berkeley: Sinfonietta, Rawsthorne:
Divertimento and Tippett: Divertimento)
LYRITA SRCD.257 (2007)
(original LP release: LYRITA SRCS.111) (1982)
Lionel Friend/Nash Ensemble
( + Phaedra, Lachrymae, Sword in the Stone, Nightmail and Sextet
for Winds)
HYPERION HELIOS 55225 (2006)
Edward
Gardner/BBC Symphony Orchestra
( + Phaedra, A Charm of Lullabies, Lachrymae and Two Portraits)
CHANDOS CHAN 10671 (2011)
Sir Neville
Marriner/Radio-Sinfonieorchester Stuttgart
( + Sinfonia da Requiem and Honegger: Symphony No. 3)
CAPRICCIO 10428 (1993)
Kent Nagano/Hallé Orchestra
( + Concerto for Violin and Viola {Gidon Kremer (Violin),
Yuri Bashmet (Viola}. Young Apollo and Portaits)
WARNER
MAESTRO 2564694521 (2008)
(original
CD release: ERATO 398425022) (1999)
Izler Solomon/MGM Chamber Ensemble
( + Ernest Bloch: Four Episodes)
MGM E-290 (10" LP)
Osmo Vänskä/Tapiola
Sinfonietta
( + Serenade, Nocturne and Now Sleeps the Crimson Pääetal)
BIS 540 (1994)
Vienna Octet (Members)
(+String Quartets 2 & 3)
DECCA 475051-2
(original LP release: DECCA (1965)
West Jutland Chamber Ensemble
( + Fanfare for St Edmundsbury, Suite for Cello Solo No 1, Nocturnal
after John Dowland and Songs from the Chinese)
BIS 31 (1994)
Simple Symphony, Op. 4 (1934)
Eivind Aadland/European Community
Chamber Orchestra
( + Barber: Adagio for Strings, Bartók: Romanian Folk
Dances, Hindemith: Fünf Stücke and Puccini: Cristantemi)
IMP CLASSICS PCD 1001 (1991)
Otto Ackermann/Netherlands Philharmonic
( + Metamorphoses after Ovid and Variations on a Theme of Frank
Bridge)
CONCERT HALL 1252 (LP)
Enrique Garcia Asensio/English
Chamber Orchestra
(+Hindemith: Fünf Stücke and Respighi: Ancient Airs
and Dances)
PYE/ENSAYO NEL 2012 (LP) (1974)
Jean-Walter Audoli/Audoli Instrumental
Ensemble
( + Les Illuminations and Phaedra)
ARION ARN 68035
Hayden Beck/Sydney Civic Symphony
( + Elgar: Introduction and Allegro)
DIAPHON DPM 3 (LP) (1951)
Steuart Bedford/Northern Sinfonia
( + Temporal Variations, A Charm of Lullabies, Lachrymae and
Suite on English Folk Tunes)
NAXOS 8.557205 (2005)
William Boughton/English Symphony
Orchestra
( + Variations on a Theme of Frank Bridge, Suite on English
Folk Tunes, Prelude and Fugue, Peter Grimes: Four Sea Interludes,
Young Person's Guide to the Orchestra, Serenade, Nocturne, Lachrymae
and Gloriana: Symphonic Suite)
NIMBUS 1751 (3 CDs) (1999)
(original CD release: NIMBUS NI 5025) (198 )
Benjamin Britten/English Chamber
Orchestra
( + Variations on a Theme of Frank Bridge and Young Person's
Guide to the Orchestra)
DECCA 417509 (1990)
(original LP release: SXL 6405 (1969)
Boris Brott/Northern Sinfonia
( + Arnold: Sinfonietta No. 1 and Rawsthorne: Divertimento)
MACE S-9068 (LP) (1967)
Iona Brown/Norwegian Chamber Orchestra
( + Lachrymae, Prelude and Fugue and Variations on a Theme of
Frank Bridge)
VIRGIN CLASSICS CDC 5 45121-2 (1995)
Budapest Strings
( + Holst: St. Paul's Suite and Fugal Concerto, Walton: Henry
V - 2 Pieces for Strings, Bridge, Sally in Our Alley and Cherry
Ripe)
CAPRICCIO 10584 (2002)
Vladislav Czarnecki/ Southwest
German Chamber Orchestra
( + Holst: Suite No. 2 and Respighi: Ancient Airs and Dances
(excerpts))
EBS 6114 (2001)
Plamen Djurov/ Sofia Soloists
Chamber Orchestra
( + Telemann: Don Quichotte Suite and Schubert: String Quartet
no 14)
GEGA NEW 286 (2005)
John Farrer/English Sinfonia
( + Lacrymae, Prelude And Fugue +Tippett: Concerto For Double
String Orchestra)
IMP CLASSICS 6600542 (1997)
Achim
Felder/Festival Strings Lucerne
( + Variations on a Theme of Frank Bridge and Prelude and Fugue)
OEHMS OC 723 (2003)
Nicholas Flagello/Rome Chamber
Orchestra
( + Warlock: Capriol Suite and Grainger: Lincolnshire Posy and
other woks for band)
PHOENIX 119 (1993)
(original LP release:
PETERS INTERNATIONAL
PLE 054) (1977)
Leonard Friedman/Scottish Baroque
Ensemble
( + Elgar: Serenade for Strings, Warlock: Capriol Suite and
Williamson: 6 English Lyrics)
ABBEY ABY810 (LP) (1980)
Thomas Furi/Camerata Bern
( + Prelude and Fugue and Vaeiations on a Theme of Frank Bridge
Variations)
DENON 77409
Sir Eugene Goossens/New Symphony
Orchestra of London
DECCA LW5163 (10" LP) (c.1954)
Lazar Gosman/Leningrad Chamber
Orchestra
( + Prelude & Fugue and Violin Concerto {Boris Gutnikov
– violin})
MANCHESTER CLASSICAL GALLERY CDMAN 180 (2007)
Guildhall String Ensemble
( + Tippett: Little Music, Walton: Sonata for String Orchestra
and Variations on an Elizabethan Theme)
RCA RED SEAL 7846-2-RC (1988)
Hartmut Haenchen/ CPE Bach Chamber
Orchestra
( + Mozart: Eine Kleine Nachtmusik, CPE Bach: Symphony, J.S.
Bach: Brandenburg Concerto No. 3 and Handel, Water Music Suite
#2)
SONY SK 48062
Richard Hickox/Northern Sinfonia
( + Prelude and Fugue and Variations on a Theme of Frank Bridge)
ASV CD 6214 (1997)
(original CD release: ASV CDCDCA 591) (1985)
I Musici
( + Frank Martin: Etudes for Strings, Nielsen: Little Suite,
Hindemith: Trauermusik, Roussel: Sinfonietta and Bartók:
Romanian Folkdances)
PHILIPS SILVERLINE 426669 (1990)
(original LP release: PHILIPS SABL 216 (1962)
Instrumental Ensemble of France
( + Barber: Adagio for Strings, Hindemith: Trauermusik, Landowski:
Preludes and Stravinsky: Concerto for Strings)
PIERRE VERANAY PV789121
Antonio Janigro/I Solisti di Zagreb
( + works by Corelli, Couperin and Mozart)
RCA RED SEAL LSC-2653 (LP)
Roman Kofman/Kiev Chamber Orchestra
( + Les Illuminations and Variations on a Theme of Frank Bridge)
MD & G 6011275 (2004)
Jean-Pierre Lecaudrey/Orchestre
de Chambre 13
( + Barber: Adagio for Strings, Bartók: Romanian Folk
Dances and Lekeu: Adagio)
PAVANE ADW 7361
Gerald Levine/English Chamber
Orchestra
( + Les Illuminations and Variations on a Theme of Frank Bridge)
ARABESQUE Z6603
Sir Neville Marriner/Academy of
St. Martin in the Fields
( + Delius: Two Aquarelles, Vaughan Williams: Rhosymedre, Holst:
St. Paul’s Suite, Purcell: Chacony and Walton : Henry V - The
Death of Falstaff and Touch Her Soft Lips and Part)
EMI CDC 7 47842 2 (1986)
(original LP release: HMV ASD 2831) (1973)
Boyd Neel/Boyd Neel String Orchestra
(rec. 1939)
( + A Ceremony of Carols, Variations on a Theme of Frank Bridge
and Young Person's Guide to the Orchestra)
PEARL PRL 002 (1998)
Boyd Neel/Toronto Chamber Orchestra
( + Elgar: Serenade for Strings and Arne: Air and Gigue)
ULTRA FI ULDD 10 (LP) (1979)
Orpheus Chamber Orchestra
( + Bizet: Symphony in C and Prokofiev: Classical Symphony)
DEUTSCHE GRAMMOPHON 423624
Ross Pople/London Festival Orchestra
( + Variations on a Theme of Frank Bridge and Lachrymae)
ARTE NOVA 340520 (2006)
Karl Ristenpart/Saar Chamber Orchestra
( + Jolivet: Bassoon Concerto, Milhaud: Divertissenent and Poulenc:
Suite Française)
MUSIC GUILD S-39 (LP)
Sir Malcolm Sargent/Royal Philharmonic
Orchestra
( + Holst: Perfect Fool-Ballet Suite and Walton: Façade
(excerpts))
HMV ASD 1873 (1961)
Kenneth
Sillito/Academy of St. Martin's in the Fields
( + Tippett: Fantasia Concertante, Berkeley: Serenade, Holst:
St. Paul's Suite and Walton: Henry V: Passacaglia and Touch
Her Sweet Lips and Part)
COLLINS CLASSICS 12342 (1991)
Izler Solomon/MGM String Orchestra
( + Ireland: Concertino Pastorale)
MGM 3074 (LP)
Johannes Somary/English Chamber
Orchestra
( + Wirén: Serenade for Strings, Grieg: Holberg Suite
and Last Spring)
VANGUARD CVAN 45 (1996)
(original LP release: VANGUARD Everyman Classics SRV 344 SD)
(1975)
Richard Studt/Bournemouth Sinfonietta
( + Bartók: Divertimento for String Orchestra, Stravinsky:
Concerto for String Orchestra and Walton: Henry V: Death of
Falstaff)
NAXOS 8.550979 (1995)
Ronald Thomas/ Bournemouth Sinfonietta
( + Prelude and Fugue and Variations on a Theme of Frank Bridge)
CHANDOS COLLECT 6592 (1994)
(original CD release: CHANDOS CHAN 8376) (1985)
Yuli Turovsky/ I Musici de Montreal
( + Peter Grimes: Four Sea Interludes and Passacaglia, Death
in Venice Suite, Variations on a Theme of Frank Bridge, Young
Apollo and Lachrymae)
CHANDOS CHAN 2412 (2 CDs)
(original CD release: CHANDOS CHAN 8817) (19 )
Dirk Vermeulen/Sinfonia Flanders
Chamber Orchestra
( + Suk:Serenade for Strings, Turina: La oración del
torero,
Kersters: Drie bagatellen and Van der Roost: Lento e mesto &
Allegro con brio)
EUFODA 1138
Bohdan Warchal/Slovak Chamber
Orchestra
( + Variations on a Theme of Frank Bridge and Serenade)
CAMPION 1313 (1995)
Christopher Warren-Green/London
Chamber Players
( + Lachrymae, Prelude and Fugue and Purcel/Brittenl: Chaconne)
VIRGIN CLASSICS VCY 791080-2 (1988)
Christopher Warren-Green/Royal
Philharmonic Orchestra
( + Vaughan Williams: Fantasia on a Theme by Thomas Tallis Butterworth:
The Banks of Green Willow), Elgar: Serenade for Strings and
Holst: St Paul's Suite)
APEX 2564614372 (2004)
Sinfonia da Requiem,
Op. 20 (1940)
Sir John Barbirolli/New York Philharmonic
(rec. 1941)
( + Les Illuminations and Sonnets of Michelangelo)
NMC 30 (2000)
Sir John Barbirolli/Hallé
Orchesta (rec. 1967)
( + Young Person’s Guide to the Orchestra + Elgar: In the South
Overture and Walton: Partita)
BBC LEGENDS 4013 (1999)
Sir John Barbirolli/Concertgebouw
Orchestra (rec. 1969)
( + Dvořak: Symphony No. 7 and Satie: Gymnopedies)
TESTAMENT SBT 1252 (2003)
Steuart Bedford/London Symphony
Orchestra
( + Gloriana: Symphonic Suite and Peter Grimes: Four Sea Interludes)
NAXOS 8.557196 (2005)
(original CD release: COLLINS CLASSICS 1019-2)(1989)
Jiří
Bělohlávek/Czech Philharmonic Orchestra (rec. 2008)
( + Suk: Symphony No. 2)
SUPRAPHON SU 40952 (2 CDs) (2012)
Benjamin Britten/Danish Radio
Orchestra
( + Piano Concerto and Diversions)
HERITAGE
HTGCD244 (2012)
(original LP release:DECCA LXT 2981)(1954)
Benjamin Britten/New Philharmonia
Orchestra
( + Cello Symphony and Cantata Misericordium)
DECCA 425100-2 (1989)
(original LP release: DECCA SXL 6175) (1965)
Benjamin
Britten/Southwest German Radio Symphony Orchestra (rec. 1956)
( + Gloriana - Suite, Variations on an Elizabethan Theme and
Purcell/Britten:: Chaconne)
HANSSLER HAEN 94213 (2010)
Sergiu Celibidache/Berlin Philharmonic
Orchestra (rec. 1946)
( + works by Purcell, Mozart, Brahms,
Roussel, Mendelssohn, Barber,
Busoni, Dvořak, Hindemith and Stravinsky)
MEMBRAN 222336 (4 CDs) (2006)
Mark
Elder/BBC Symphony Orchestra
( + Elgar: Frossart Overture and Stravinsky: The Rite of Spring)
BBC PROMS BBCP 1001-2 (1999)
Myer Fredman/New Zealand Symphony
Orchestra
( + Peter Grimes: Four Sea Interludes & Passacaglia and
An American Overture)
NAXOS 8.553107 (1995)
Mark Elder/BBC Symphony Orchestra
( + Elgar: Froissart Overture and Stravinsky: Rite of Spring)
BBC BBCP 1001-2
Richard Hickox/London Symphony
Orchestra
( + War Requiem and Ballad of Heroes)
CHANDOS CHAN 5007 (2003)
(original CD release: CHANDOS CHAN 8993-4) (1992)
Carlos
Kalmar/Oregon Symphony
( + Vaughan Williams: ymphony No. 4, J. Adams: The Wound-Dresser
and Ives: The Unanswered Question)
PENTATONE PTC5186393 (2011)
Rudolf Kempe/Dresden State Orchestra
(rec. 1976)
( + Stravinsky: Firebird Suite)
BERLIN CLASSICS 1097 (2005)
Sir Neville
Marriner/Radio-Sinfonieorchester Stuttgart
( + Sinfonietta and Honegger: Symphony No. 3)
CAPRICCIO 10428 (1993)
Libor Pešek/Royal Liverpool Philharmonic
(+ Peter Grimes: Four Sea Interludes & Passacaglia and Young
Person’s Guide to the Orchestra)
VIRGIN CLASSICS UV 61195 (2000)
(original CD release: VIRGIN CLASSICS 59550) (1989)
André Previn/London Symphony
Orchestra
(+ Peter Grimes: Four Sea Interludes & Passacaglia + Holst:
Egdon Heath and Perfect Fool-Ballet Music)
EMI GREAT RECORDINGS OF THE CENTURY 62616 (2003)
(original LP release: HMV ASD 3154) (1976)
André
Previn/St. Louis Symphony Orchestra
( + Diversions and Young Person’s Guide to the Orchestra)
SONY SMK 58930 (1993)
(original US LP release: COLUMBIA MS 6583) (1964)
Sir Simon Rattle/City of Birmingham
Symphony Orchestra
( + An American Overture, Ballad of Heroes, Diversions,
Building of the House Overture, Suite on English Folk Tunes,
Canadian Carnival, Young Apollo, Chansons Françaises,
Scottish Ballad, Occasional Overture and Praise We Great Men)
EMI CLASSICS CDC 754270 2 (2 CDs) (1991)
(original CD release: EMI CDM 747343-2) (1984)
Gennady
Rozhdestvensky/BBC Symphony Orchestra (rec. 1980)
( + Gloriana Suite, Peter Grimes: Passacaglia, Bridge: 2 Poems
and Pärt: Cantus in Memory of Benjamin Britten)
CARLTON BBC RADIO CLASSICS BBCRD 9129 (1995)
Donald
Runnicles/Atlanta Symphony Orchestra
(
+ Elgar: Pomp and Circumstance Marches Nos. 1 and 4, Turnage:
3 Screaming Popes, MacMillan: Britannia and Maxwell Davies:
Orkney Wedding and Sunrise)
TELARC
CD80677 (2007)
Leonard Slatkin/London Philharmonic
( + Peter Grimes: Four Sea Interludes & Passacaglia, Young
Person's Guide to the Orchestra and Chacony)
RCA RED SEAL 61226 (1993)
Michael
Stern/Kansas City Symphony
( + The Young Person's Guide to the Orchestra, Lacrymosa, Dies
Irae, Requiem Aeternam and Peter Grimes: Four Sea Interludes
and Passacaglia)
REFERENCE RECORDINGS RR120 (2010)
Walter
Susskind/Toronto Symphony Orchestra
( + Somers: Symphony No. 1 and Mather: Symphonic Ode)
CBC INTERNATIONAL SERVICE RM 161-2) (LP) (1967)
Mark
Wigglesworth/BBC Symphony Orchestra
( + Tchaikovsky: Symphony No. 6)
BBC MUSIC MAGAZINE MM 101 (1992)
Mark
Wigglesworth/Sydney Symphony Orchestra
( + Vaugjhan Williams: The Lark Ascending, Flos Campi and On
Wenlock Edge)
MELBA MR301131 (2011)
Spring Symphony, Op. 44 (1949)
Benjamin
Britten/Jennifer Vyvyan (soprano), Norma Procter (contralto),
Peter Pears (tenor), Royal Opera House Covent Garden Chorus, Wandsworth
School Boys Choir / Royal Opera House Covent Garden Orchestra
(
+ Cantata Academica and Hymn to St. Cecilia)
DECCA
436396 (1993)
( + Hymn to St. Cecilia and Gloriana: Choral Dances)
HERITAGE HTGCD243 (2012)
(original
LP release: DECCA SXL 2264 (1961)
Sir
John Eliot Gardiner/Alison Hagley (soprano), Catherine Robin
(contralto), John Mark Ainsley ( tenor), Choristers of Salisbury
Cathedral, Monteverdi Choir/Philharmonia Orchestra
(
+ 5 Flower Songs and Hymn to St. Cecelia)
DEUTSCHE
GRAMMOPHON 453 433-2GH (1997)
Richard
Hickox/Elizabeth Gale (soprano), Alfreda Hodgson (contralto),
Martyn Hill (tenor), City of London School Choir (Boys), City
of London School for Girls Choir, London Symphony Chorus, Southend
Boys Choir/ London Symphony Orchestra
(
+ Welcome Ode and Psalm 150)
CHANDOS
8855 (1992)
André
Previn/Sheila Armstrong (soprano)/Janet Baker (contralto)/Robert
Tear (tenor), London Symphony Chorus, St. Clement Danes Grammar
School Boys Choir/London Symphony Orchestra
( + Peter Grimes: 4 Sea Interludes)
EMI
BRITISH COMPOSERS 64736 (2000)
(original
LP release: HMV ASD 3650) (1979)
Gennady
Rozhdestvensky/BBC Symphony Orchestra (rec. 1980)
( + Bridge: Summer and Enter Spring)
CARLTON BBC RADIO CLASSICS IMP 15656 91752 (1996)
Symphony for Cello and
Orchestra, Op. 68 (1963)
Steuart Bedford/Raphael Wallfisch
(cello)/English Chamber Orchestra
( + Death in Venice Suite)
CHANDOS CHAN 10274 (1984)
Steuart Bedford/Cyrille Tricoire
(cello)/Montpelier National Orchestra
( + Prince of the Pagodas Suite)
ACCORD 4428171 (2006)
Benjamin Britten/Mstislav Rostropovich
(cello)/English Chamber Orchestra
( + Sinfonia da Requiem and Cantata Misirecordium)
DECCA 425100-2 (1989)
(original LP release: Decca SXL6138) (1964)
Benjamin Britten/Mstislav Rostropovich
(cello)/Moscow Philharmonic (rec. 1964)
( + Elgar : Cello Concerto)
RUSSIAN REVELATION RV 10100 (1998)
Benjamin Britten/Mstislav Rostropovich
(cello)/Moscow Philharmonic (rec. 1964)
( + Cello Suite No. 2 and Shostakovich: Cello Concerto No. 1)
EMI GREAT ARTISTS 562828 2 (2004)
Edward Gardner/Paul Watkins (cello)/BBC Philharmonic
( + Peter Grimes: 4 Sea Interludes and Gloriana: Symphonic Suite)
CHANDOS CHAN 10658 (2011)
Alban Gerhardt (cello)/Andrew Manze/BBC Scottish Symphony Orchestra
( + Cello Suites Nos. 1, 2 and 3, Sonata for Cello and Piano
and Tema Sacher)
HYPERION CDA 67941-2 (2 CDs) (2013)
Richard Hickox/Steven Isserlis
(cello)/City of London Sinfonia
( + Bridge: Oration)
EMI CDC7 49716-2 (1992)
Pietari
Inkinen/Johannes Moser (cello)/WDR Symphony Orchestra, Cologne
( + Shostakovich: Cello Concerto No. 1)
HÄNSSLER HAEN 98643 (2012)
Neeme Järvi/Truls Mørk
(cello)/Bergen Philharmonic Orchestra
( + Young Person's Guide to the Orchestra, Peter Grimes: 4 Sea
Interludes and Arvo Pärt: Cantus in Memory of Benjamin
Britten)
BIS 420 (1994)
Seikyo
Kim/Pieter Wispelwey (cello)/Flanders Symphony Orchestra
( + Cello Suite No. 1)
ONYX ONYX 4058 (2010)
Sir Neville Marriner/Julian Lloyd
Webber (cello)/ Academy of St. Martin in the Fields
( + Walton: Cello Concerto)
PHILIPS 454 442-2 (1997)
Sir Simon Rattle/ Truls Mørk
(cello)/City of Birmingham Symphony Orchestra
( + Elgar: Cello Concerto)
VIRGIN CLASSICS 686353-2 (2009)
(original CD release:VIRGIN CLASSICS 45356 (1999)
Gennadi
Rozhdestvensky/Mstislav Rostropovich (cello)//London Symphony
Orchestra (rec. 1967)
(included in collection: "Rostropovich - The 1967 Carnegie
Hall Marathon")
DOREMI DHR7974-9 (6 CDs) (2010)
Gennady
Rozhdestvensky/Mstislav Rostropovich (cello)/London Symphony
Orchestra
( + Bliss: Cello Concerto)
INTAGLIO INCD7151 (1992)
Jukka-Pekka
Saraste/Daniel Müller-Schott (cello)/WDR Symphony Orchestra,
Cologne
( + Prokofiev: Symphony-Concerto for Cello and Orchestra)
ORFEO C847121A (2012)
Takuo Yuasa/Timothy Hugh (cello)/BBC
Scottish Symphony Orchestra
( + Violin Concerto {Rebecca Hirsch – violin})
NAXOS 8.553882 (1999)
David Zinman/Yo-Yo Ma (cello)/Baltimore
Symphony Orchestra
( + Barber: Cello Concerto)
CBS MASTERWORKS 44900 (1990)
Return
to alphabetical index
GEORGE LLOYD
(1913-1998)
Born in St. Ives, Cornwall.
He studied composition privately with Harry Farjeon and counterpoint
with C.H. Kitson. He enjoyed remarkable success early on with
both symphonic and operatic works but World War II left him
shattered and this plus changes in musical taste saw his withdrawal
from the musical scene. His late in life return as a result
of BBC broadcasts and recordings stimulated a new period of
creativity that lasted until his death. For orchestra, his Symphonies
are supplemented by 4 Piano Concertos, 2 Violin Concertos and
a Cello Concerto.
Symphony No. 1 in A major (1932)
George Lloyd/Albany Symphony Orchestra
( + Symphony No. 12)
ALBANY TROY 032-2 (1990)
Symphony No. 2 (1933, rev. 1982)
George Lloyd/BBC Philharmonic
Orchestra
( + Symphony No. 9)
ALBANY TROY 055-2 (1993)
(original CD release: CONIFER CDCF 139) (1986)
Symphony No. 3 in F major (1933)
George Lloyd/BBC Philharmonic
Orchestra
( + Charade)
ALBANY TROY 090-2 (1992)
Symphony No. 4 in B major "Arctic" (1946)
Sir Edward Downes/Philharmonia
Orchestra
( + Symphonies Nos. 5 and 8)
LYRITA SRCD.2258 (3 CDs) (2007)
(original LP release: LYRITA SRCS.129) (1984)
George Lloyd/Albany Symphony Orchestra
ALBANY AR 002-2 (1988)
Symphony No. 5 in B flat major (1948)
Sir Edward Downes/Philharmonia
Orchestra
( + Symphonies Nos. 4 and 8)
LYRITA SRCD.2258 (3 CDs) (2007)
(original LP release: LYRITA SRCS.124) (1982)
George Lloyd/BBC Philharmonic Orchestra
ALBANY TROY 022-2 (1989)
Symphony No. 6 (1956)
George Lloyd/BBC Philharmonic
Orchestra
( + Symphony No. 10 and John Socman Overture)
ALBANY TROY 015-2 (1989)
Symphony No. 7 (1959)
George Lloyd/BBC Philharmonic
Orchestra
ALBANY TROY 057-2 (1993)
(original CD release: CONIFER CDCF 143) (1986)
Symphony No. 8 (1961)
Sir Edward Downes/Philharmonia
Orchestra
( + Symphonies Nos. 4 and 5)
LYRITA SRCD.2258 (3 CDs) (2007)
(original LP release: LYRITA SRCS.113) (1982)
George Lloyd/BBC Philharmonic
Orchestra
ALBANY TROY 230 (1997)
Symphony No. 9 (1969)
George Lloyd/BBC Philharmonic
Orchestra
( + Symphony No. 2)
ALBANY TROY 055-2 (1993)
(original CD release: CONIFER CDCF 139) (1986)
Symphony No. 10 for Brass "November Journeys"
(1981)
George Lloyd/BBC Philharmonic
Orchestra
( + Symphony No. 10 and John Socman Overture)
ALBANY TROY 015-2 (1989)
James Stobart/London Collegiate
Brass
( + Wilfred Josephs: Concerto for Brass)
TRAX CLASSIQUE TRXCD 114 (1987)
Symphony No. 11 (1985)
George Lloyd/Albany Symphony Orchestra
ALBANY TROY 060-2 (1994)
(original CD release: CONIFER CDCF 144) (1987)
Symphony No. 12 (1989)
George Lloyd/Albany Symphony Orchestra
( + Symphony No. 1)
ALBANY TROY 032-2 (1990)
Return
to alphabetical index
RAYMOND HANSON
(1913-1976)
Born in Sydney. He was basically
self-taught but also studied with Alex Burnard at the New South
Wales State Conservatorium of Music where he later taught for
many years. He did not write many works for orchestra beyond
his single Symphony but there are also Concertos for Violin,
Piano, Trumpet and Trombone.
Symphony No. 1, Op. 28 (1951)
Georg Tintner/West Australian
Symphony Orchestra
( + Dulcie Holland: Symphony for Pleasure)
ABC AC1002 (non-commercial LP) (1974)
Return
to alphabetical index
DULCIE HOLLAND
(1913-2000)
Born in Sydney. She studied
composition with Alfred Hill at the New South Wales State Conservatorium
of Music and then took further lessons with Roy Agnew as well
as with John Ireland at the Royal College of Music. Her musical
catalog consists mostly of songs, instrumental and chamber music.
She also wrote many books on musical technique.
Symphony for Pleasure (1974)
Henry Krips/South Australian Symphony
Orchestra
( + Raymond Hanson: Symphony No. 1)
ABC AC1002 (non-commercial LP) (1974)
Return
to alphabetical index
SIR ANDRZEJ PANUFNIK
(1914-1991)
Born in Warsaw. He studied
composition at the Warsaw Conservatory with Kazimierz Sikorski,
conducting with Felix Weingartner at the Vienna Academy of Music
and had further lessons with Philippe Gaubert in Paris. He had
a successful conducting career in Poland after 1939 until his
emigration to England in 1954. He continued to conduct but was
eventually able to devote himself entirely to composing. From
his days in Poland he composed prolifically but most of his
early works (including 2 Symphonies) were lost during the Warsaw
Uprising in 1944. His other major orchestral works are Concertos
for Piano, Violin, Cello and Bassoon and Arbor Cosmica.
Symphony No. 1 "Sinfonia Rustica" (1948)
Łukasz
Borowicz/Polish Radio Symphony Orchestra
( + Symphony No. 4, Sinfonia Concertante, Polonia Suite and
Lullaby)
CPO 777496-2 (2010)
Andrzej Panufnik/Monte Carlo Opera
Orchestra
( +Symphony No. 3 and 4)
EMI BRITISH COMPOSERS CD 352289-2 (2006)
(original LP release: HMV ASD 2298) (1967)
Symphony No. 2 "Sinfonia
Elegiaca" (1957)
Łukasz
Borowicz/Konzerthausorchester Berlin
( + Symphonies Nos. 3 and 10)
CPO 777683-2 (2011)
Robert Whitney/Louisville Orchestra
( + Nocturne and Rhapsody for Orchestra)
FIRST EDITION FECD 0017 (2003)
(original LP release: LOUISVILLE 624 (1962)
Symphony No. 3 "Sinfonia
Sacra" (1963)
Łukasz
Borowicz/Konzerthausorchester Berlin
( + Symphonies Nos. 2 and 10)
CPO 777683-2 (2011)
Kazimierz Kord/Warsaw Philharmonic
Orchestra
( + Symphony No. 10 and Cello Concerto {Andrzej Bauer – cello})
CD ACCORD ACD072 (2002
Andrzej Panufnik/Monte Carlo Opera
Orchestra
( +Symphony No. 1 and 4)
EMI BRITISH COMPOSERS CD 352289-2 (2006)
(original LP release: HMV ASD 2298) (1967)
Andrzej Panufnik/Monte Carlo Opera
Orchestra
( + Concertino for Timpani, Percussion and Strings, Concerto
Festivo, Katyn Epitaph and Landscape)
UNICORN-KAMCHANA UKCD 2020 (1989)
(original LP release: HMV ASD 2298 (1967)
Andrzej
Panufnik/Concertgebouw Orchestra
(
+ Arbor Cosmica)
NONESUCH 79228-2 (1991)
John Storgards/Tampere Philharmonic
( + Symphony No. 5, Landscape and Heroic Overture)
ONDINE ODE11015 (2007)
Symphony No. 4 "Sinfonia Concertante" (1973)
Łukasz
Borowicz/Polish Radio Symphony Orchestra
( + Symphony No. 1, Polonia Suite and Lullaby)
CPO 777496-2 (2010)
Andrzej Panufnik/Aurele Nicolet
(flute), Ossian Ellis (harp)/Menuhin Festival Orchestra
( + Symphonies Nos. 1 and 3)
EMI BRITISH COMPOSERS CD 352289-2 (2006)
(original LP release: EMI EMD 2525) (1975)
Mark Stephenson/Karen Jones (flute),
Rachel Masters (harp)/London Musici
( + Harmony and Concertino for Timpani, Percussion and Strings)
CONIFER CDCF 217 (1994)
Symphony No. 5 "Sinfonia di Sfere" (1974-5)
David Atherton/London Symphony
Orchestra
( + Symphony No. 6)
EXPLORE RECORDS EXP 0014
(original LP release: DECCA HEADLINE HEAD 22) (1979)
John Storgards/Tampere Philharmonic
( + Symphony No. 3, Landscape and Heroic Overture)
ONDINE ODE11015 (2007)
Symphony No. 6 "Sinfonia
Mistica" (1977)
Łukasz
Borowicz/Polish Radio Symphony Orchestra
( + Autumn Music, Rhapsody and Hommage à Chopin)
CPO 777498-2 (2011)
David Atherton/London Symphony
Orchestra
( + Symphony No. 5)
EXPLORE RECORDS EXP 0014
(original LP release: DECCA HEADLINE HEAD 22) (1979)
Łukasz
Borowicz/Polish Radio Symphony Orchestra
( + Autumn Music and Hommage à Chopin)
CPO 777498-2 (2011)
Symphony No. 7 "Metasinfonia"
(1978)
Łukasz
Borowicz/Konzerthausorchester Berlin
( + Symphony No. 8 and Concerto Festivo)
CPO 777684-2 (2012)
Andrzej Panufnik/Jennifer Bate
(organ), Kurt Hans Goedike (timpani)/London Symphony Orchestra
( + Universal Prayer)
UNICORN DKP 9049 (LP) (1980)
Symphony No. 8 "Sinfonia
Votiva" (1981)
Łukasz
Borowicz/Konzerthausorchester Berlin
( + Symphony No. 7 and Concerto Festivo)
CPO 777684-2 (2012)
Norman Del Mar/BBC Symphony Orchestra
( + Szymanowski: Symphonies Nos. 3 and 4)
CARLTON BBC RADIO CLASSICS IMP 9124 (1995)
Seiji Ozawa/Boston Symphony Orchestra
( + Roger Sessions: Concerto for Orchestra)
HYPERION HELIOS CDH55100 (2002)
(original LP release: HYPERION A 66050) (1982)
Symphony No. 9 "Sinfonia
della Speranza" (1986)
Andrzej Panufnik/London Symphony
Orchestra
( + Piano Concerto {Ewa Poblocka – piano})
CATALYST 64280 (2005)
(original CD release: CONIFER CDCF 206) (1992)
Symphony No. 10 (1989)
Łukasz
Borowicz/Konzerthausorchester Berlin
( + Symphonies Nos. 2 and 3)
CPO 777683-2 (2011)
Kazimierz Kord/Warsaw Philharmonic
Orchestra
( + Symphony No. 3 and Cello Concerto {Andrzej Bauer – cello})
CD ACCORD ACD072 (2002)
Gerard Schwartz/Seattle Symphony
Orchestra
( + Symphony No. 3, Autumn Music and Heroic Overture)
JVC CLASSICS JVCC 6511-2 (1998)
Return
to alphabetical index
HAROLD TRUSCOTT
(1914-1992)
Born in Ilford, Essex. He
was mostly self-taught except for some part time attendance
at the Guildhall School of Music and the Royal College of Music.
He made his living as a teacher and writer on musical subjects.
Although he composed continually throughout his life he did
very little to promote his own works. After his death it was
discovered that he had written a lot more music than anyone
had known about. The Symphony listed below is the only surviving
complete example of Truscott’s many attempts to write symphonies.
Two early works from the 1930’s, a Symphony in E flat major
and a Symphony in F major have been lost while several incomplete
or fragmentary symphonies still exist. There are a few other
surviving orchestral works but other major works were never
completed.
Symphony in E major (1948-9)
Gary Brain/National Symphony Orchestra
of Ireland
( + Suite in G and Elegy)
MARCO POLO 8.223674 (1994)
Return
to alphabetical index
DORIAN LE GALLIENNE
(1915-1963)
Born in Melbourne. He studied first at the Melbourne University
Conservatorium of Music with A.E.H. Nickson and then in London
at the Royal College of Music with Herbert Howells and Arthur
Benjamin. He had further lessons from Gordon Jacob and then
he returned home to teach at the Melbourne Conservatorium. In
his short he life he gained great respect as one of Australia’s
leading composers and music critics. He was able to complete
only one movement of his 2nd Symphony (which became
"Symphonic Study") and he also left for orchestra
an Overture in E flat, Contes Héraldiques and 2 ballets.
Symphony No. 1 in E major (1953)
Wilfred Lehmann/Sydney Symphony
Orchestra (rec. 1984)
( + Eric Gross: Moonscape, Larry Sitsky: Flute Sonata, Dulcie
Holland: Such is Life, Robert Trimble: Viola Sonata and Roy
Agnew: Breaking of the Drought)
HERITAGE CD 14 (2003)
(original release:ABC AC 1076 {non-commercial LP}) (1987)
Walter Susskind/Victorian Symphony
Orchestra
(coupling unknown)
AUSTRALIAN BROADCASTING COMMISSION COL PRX 3902 (non-commercial
LP) (1961)
Sinfonietta (1956)
John Hopkins/Melbourne Symphony Orchestra
( + Sculthorpe: Sun Music I and Irkanda IV)
WORLD RECORD CLUB (FOUNDATION FOR THE RECORDING OF AUSTRALIAN
MUSIC) S/FRAM 1 (1967)
Return
to alphabetical index
ROBERT BRUCE
(b. 1915)
Born in Inverkeilor, Scotland
but brought up in Berkshire, England. Studied at the University
of Edinburgh with Donald Tovey. He taught at University College
in Cardiff from 1947 to 1977. His other works for orchestra
include a Viola Concerto, a tone poem "The Dong with a
Luminous Nose" and a Prelude, Theme and Variations.
Symphony in B flat major (1960)
Jerzy Swoboda/Czestochowa Philharmonic
Orchesta
CD ISSUED PRIVATELY BY COMPOSER (1999)
Return
to alphabetical index
HUMPHREY SEARLE
(1915-1982)
Born in Oxford. Studied at the Royal College of Music with John
Ireland and R.O. Morris and in Vienna with Anton Webern. After
service in World War II he worked for the BBC and taught at
the Royal College of Music as well in America and Germany. He
also wrote several books and was very active in promoting contemporary
music. His other major compositions for orchestra were 2 Piano
Concertos, Zodiac Variations and Labyrinth. He also wrote a
Sinfonietta for Chamber Ensemble (1968-9).
Symphonies Nos. 1 – 5
Alun Francis/BBC Scottish Symphony
Orchestra
( + Night Music and Overture to a Drama)
CPO 777 131 (2 CDs) (2005)
Symphony No. 1, Op. 23 (1952-3)
Sir Adrian Boult/London Philharmonic
Orchestra
( + Symphony No. 2)
LYRITA SRCS.72 (1975)
(original LP release: DECCA SXL 2232) (1962)
Alun Francis/BBC Scottish Symphony
Orchestra
( + Symphony No. 4, Night Music and Overture to a Drama)
CPO 999 541-2 (1997)
Symphony No. 2, Op. 33 (1956-8)
Josef Krips/London Philharmonic
Orchestra
( + R. Still: Symphonies Nos. 3 and 4)
LYRITA SRCD.285 (2009)
(original LP release: LYRITA SRCS.72) (1975)
Alun Francis/BBC Scottish Symphony
Orchestra
( + Symphonies Nos. 3 and 5)
CPO 999 376-2 (1995)
Symphony No. 3, Op. 36
( 1960)
Alun Francis/BBC Scottish Symphony
Orchestra
( + Symphonies Nos. 2 and 5)
CPO 999 376-2 (1995)
Symphony No. 4, Op. 38 (1962)
Alun Francis/BBC Scottish Symphony
Orchestra
( + Symphony No. 1, Night Music and Overture to a Drama)
CPO 999 541-2 (1997)
Symphony No. 5, Op. 43 (1964)
Alun Francis/BBC Scottish Symphony
Orchestra( + Symphonies Nos. 2 and 5
( + Symphonies Nos. 2 and 4
CPO 999 376-2 (1995)
Return
to alphabetical index
DOUGLAS LILBURN
(1915-2001)
Born in Wanganui, New Zealand.
He first studied at the Canterbury University College in Christchurch
and then went to England for lessons with Ralph Vaughan Williams
at the Royal College of Music. In addition to being his country’s
most famous composer, he had a distinguished career as a teacher
and publisher of music. He set up a trust for the promotion
of music by New Zealand composers. His best-known work is the
Aotearoa Overture. Other important orchestral works are the
tone poems "Forest" and "A Song of Islands,"
a Suite for Orchestra and Diversions for Strings.
Symphony No. 1 (1949)
John Hopkins/New Zealand Symphony
Orchestra
( + Festival Overture and Suite for Orchestra)
KIWI SLD-75 (1987)
John Hopkins/New Zealand Symphony
Orchestra
( + Symphonies Nos. 2 and 3)
CONTINUUM 1069 (1994)
James Judd/New Zealand Symphony
Orchestra
( + Symphonies Nos. 2 and 3)
NAXOS 8.555862 (2002)
Symphony No. 2 in C minor (1951)
Ashley Heenan/New Zealand Symphony
Orchestra
( + Aotearoa Overture and Diversions for Strings)
STRADIVARI SCD 8004 (1988)
(original LP release: KIWI SLD-48 (1976)
John Hopkins/New Zealand Symphony
Orchestra
( + Symphonies Nos. 1 and 3)
CONTINUUM 1069 (1994)
James Judd/New Zealand Symphony
Orchestra
( + Symphonies Nos. 1 and 3)
NAXOS 8.555862 (2002)
Symphony No. 3 (1961)
John Hopkins/New Zealand Broadcasting
Corporation Symphony Orchestra
( + Aotearoa Overture and Farquhar: Symphony (No. 1))
KIWI SLD-14 (LP) (1969)
John Hopkins/New Zealand Symphony
Orchestra
( + Symphonies Nos. 1 and 2)
CONTINUUM 1069 (1994)
James Judd/New Zealand Symphony
Orchestra
( + Symphonies Nos. 1 and 2)
NAXOS 8.555862 (2002)
Return
to alphabetical index
PETER
CROSSLEY-HOLLAND
(19162001)
Born
in London. He studied piano at the Royal College of Music and
composition with John Ireland and received his musical degree
from Oxford. After World War II he started a career as Music
Programme Director and also contributed articles on non=Western
musc to the 5th edition of "Grove's Dictionary of Music
and Musicians." His later years were spent in academic
positions with a specialty in ethnomusicology at the University
of Illinois, the University of Hawaii and UCLA. Among his other
orchestral works are the Suite for Strings and the symphonic
poems The Land Beyond and The Golden Pathway.
Symphony
in D major (1988-94)
Martin
Yates/Royal Scottish National Orchestra
( + Goossens: Variations on Cadet Rousselle, Ireland: Merry
Andrew, Bagatelle, Cavatina, Elegiac Meditation, The Holy Boy
and Two Salon Pieces)
DUTTON EPOCH CDLX 7215 (2008)
JEAN PAPINEAU-COUTURE
(1916-2000)
Born in Montreal. He first
studied locally with Françoise d’Amour and Gabriel Cusson
and then with Quincy Porter at the New England Conservatory
of Music. He had further studies with Nadia Boulanger. He taught
and served as a school administrator in Montreal for more than
three decades and was very active in Canadian composers’ organizations.
He composed prolifically in all genres including a Violin Concerto
and Piano Concerto and a number of shorter works for orchestra.
Symphony No. 1 in C major (1948, rev. 1956)
Jean Beaudet/Orchestre de Radio-Canada
( + Alexander Brott: Concordia and Georges-Émile Tanguay:
Lied for Strings)
RCI 3 (LP)
Return
to alphabetical index
IAN
PARROTT
(1916-2012)
Born
in Streatham, London. He first studied with Benjamin Dale at
the age of 12 and then went on for further training at the Royal
College of Music and Oxford. He taught music at the University
of Birmingham and at the University of Wales, Aberystwyth. His
musical catalogue is very extensive and ranges from operas to
works for solo instruments. His larger works for orchestra include
5 Symphonies: No. 1(1943-46), No. 2 "Round the World"
(1960-1), No. 3 (1966), No. 4 "Sinfonietta" (1978)
and No. 5 (1979) as well as Concertos for Piano, Cello and English
Horn.
Sinfonia
Concertante for Recorder, Solo Violin String Orchestra and Percussion
(2001-3)
John
Turner (recorder)/Richard Howarth (violin)/Philip McKenzie/Camerata
Ensemble
( + Gál: Concertino, Hope: Birthday Concerto, Ellis:
Divertimento Elegiaco, Beck: Flûte-à-Beck and Dubery:
Mrs. Harris in Paris)
DUTTON EPOCH CDLX 7154 (2004)
Return
to alphabetical index
BERNARD STEVENS
(1916-1983)
Born in London. He first
studied with E.J. Dent , Cyril Rootham and Donald Tovey at Cambridge
and then with R.O. Morris, Gordon Jacob and Arthur Benjamin
at the Royal College of Music. He then taught at the latter
institution from 1948 to 1981 and was active in radical political
causes that were reflected in his music. He wrote in various
genres. Beyond the 2 Symphonies his orchestral output included
a Sinfonietta for Strings (1948) and Concertos for Piano, Violin
and Cello.
Symphony No. 1, Op. 7 " Symphony of Liberation"
(1945)
Sir Edward Downes/BBC Philharmomic
Orchestra
( + Cello Concerto {Alexander Baillie – cello})
MERIDIAN CDE 84124 (1986)
Symphony No. 2, Op. 35 (1964)
Sir Edward Downes/BBC Philharmomic
Orchestra
( + Violin Concerto {Ernst Kovacic – violin})
MERIDIAN CDE 84174 (1989)
Return
to alphabetical index
ARNOLD VAN WYK
(1916-1983)
Born in Calvinia, Cape Province,
South Africa. After initial training in Cape Town he went to
London for composition studies with Theodore Holland (1878-1947,
composed a Spring Sinfonietta – 1943) at the Royal Academy of
Music. He worked for the BBC and then returned to South Africa
for a career as composer, pianist and teacher. He wrote a number
of other works for orchestra notably Southern Cross, Primavera
and Maskerade.
Symphony No. 1 in A minor (1941-3)
Omri Hadari/Capetown Symphony
Orchestra
( + Symphony No. 2 and Primavera)
CLAREMONT CD GSE 1509 (1990)
Symphony No. 2 "Sinfonia Ricercata" (1952)
Omri Hadari/Capetown Symphony
Orchestra
( + Symphony No. 1 and Primavera)
CLAREMONT CD GSE 1509 (1990)
Return
to alphabetical index
RICHARD ARNELL
(1917-2009)
Born
in London. Studied with John Ireland at the Royal College of
Music. He lived in America from 1939 until 1946 when he returned
home to take a teaching position at the Trinity College of Music.
He composed in most genres from opera to chamber music. He also
wrote a Sinfonia Concertante for Violin, Viola and Chamber Orchestra
(1938) as well as 2 Piano Concertos and a Violin Concerto.
Symphony No. 1, Op. 31 (1943)
Martin Yates/Royal Scottish National
Orchestra
( + Symphony No. 6 and Sinfonia Quasi Variazioni)
DUTTON EPOCH CDLX 7217 (2008)
Symphony No. 2, Op. 33 "Rufus" (1942, rev.
1944)
Martin Yates/Royal Scottish National
Orchestra
( + Piano Concerto {David Owen Norris - piano})
DUTTON EPOCH CDLX 7184 (2007)
Symphony No. 3, Op. 40 (1944-5)
Martin Yates/Royal Scottish National
Orchestra
( + The New Age Overture)
DUTTON EPOCH CDLX 7161 (2006)
Symphony No. 4, Op. 52 (1948)
Warren
Cohen/MusicaNova Orchestra
( + Symphony No. 5)
CON BRIO CBR27452 (2008)
Martin
Yates/Royal Scottish National Orchestra
( + Symphony No. 5)
DUTTON EPOCH CDLX 7194 (2007)
Symphony No. 5, Op. 77 (1955-7)
Warren
Cohen/MusicaNova Orchestra
( + Symphony No. 4)
CON BRIO CBR27452 (2008)
Martin
Yates/Royal Scottish National Orchestra
( + Symphony No. 4)
DUTTON EPOCH CDLX 7194 (2007)
Symphony No. 6, Op. 171
"The Anvil" (1992-4)
Martin Yates/Royal Scottish National
Orchestra
( + Symphony No. 1 and Sinfonia
Quasi Variazioni)
DUTTON EPOCH CDLX 7217 (2008)
Symphony
No. 7 , Op. 201 (posth.) "Mandela" (1996-2005)
(Realised and completed by Martin Yates, 2010)
Martin Yates/Royal
Scottish National Orchestra
( + Bate: Symphony No. 4)
DUTTON EPOCH CDLX 7255 (2010)
Dagenham
Symphony (Suite from the film "Opus 65") (1952)
Martin Yates/Royal Scottish National Orchesstra
( + Sinfonia for String Orchestra, Landscapes and Figures and
Overture 1940)
DUTTON EPOCH CDLX 7299 (2012)
Sinfonia Quasi Variazioni,
Op. 13 (1941)
Martin Yates/Royal Scottish National
Orchestra
( + Symphonies Nos. 1 and 6)
DUTTON EPOCH CDLX 7217 (2008)
Sinfonia for String Orchestra (ed. M. Yates (1938/2012)
Martin Yates/Royal Scottish National Orchesstra
( + Dagenham Symphony, Landscapes and Figures and Overture 1940)
DUTTON EPOCH CDLX 7299 (2012)
Return
to alphabetical index
ROBERT FARNON
(1917-2005)
Born in Toronto. He studied
music privately and achieved great fame as a composer of light
orchestral music and film scores as well as a conductor, arranger
and trumpeter. His Symphonies were written when he was a young
man and after some initial performances he did not want them
played again in his lifetime. A 3rd Symphony also
exists and there are plans for it to be recorded. His suite
"Canadian Impressions" is his most famous extended
work as it contains two of Farnon’s signature pieces "À
la Claire Fontaine" and "Lake in the Woods."
Symphony No. 1 in D flat major (1941)
(scherzo movement only)
John Wilson/BBC Concert Orchestra
( + Symphony No. 2, Captain Horatio Hornblower – film suite
and light orchestral works)
DUTTON EPOCH CDLX 7173 (2006)
Symphony No. 2 in B major "Ottawa" (1943)
John Wilson/BBC Concert Orchestra
( + Scherzo from Symphony No. 1, Captain Horatio Hornblower
– film suite and light orchestral works)
DUTTON EPOCH CDLX 7173 (2006)
Return
to alphabetical index
JOHN GARDNER
(1917-2011)
Born in Manchester. He studied
composition with R.O. Morris at Oxford. After World War II he
joined the staff of the Royal Opera House, Covent Garden amd
then held teaching posts at Morley College, the Royal Academy
of Music and the St. Paul’s Girls’ School. His composition career
began with a performance of his 1st Symphony and
since then he has compiled a large catalogue ranging from opera
to chamber music. His larger works for orchestra includes Symphony
No. 2 in E flat major (1985), 2 Piano Concertos and Concertos
for Trumpet and Oboe.
Symphony No. 1 in D minor, Op. 12 (1946-7)
David Lloyd-Jones/Royal Scottish
National Orchestra
( + Piano Concerto No. 1 {Peter Donohoe – piano} and Midsummer
Ale Overture
NAXOS 8.570406 (2007)
Symphony No. 3 in E minor, Op. 189 (1989)
Gavin Sutherland/Royal Ballet
Sinfonia
( + Sinfonia Piccola, Half Holiday Overure, Flute Concerto {Jennifer
Stinton – flute}, Prelude for Strings and Irish Suite)
ASV WHITE LINE WHL 2125 (2000
)
Sinfonia Piccola for Strings, Op. 47 (1960)
Gavin Sutherland/Royal Ballet
Sinfonia
( + Symphony No. 3, Half Holiday Overure, Flute Concerto {Jennifer
Stinton – flute}, Prelude for Strings and Irish Suite)
ASV WHITE LINE WHL 2125 (2000)
Return
to alphabetical index
OSKAR
MORAWETZ
(1917-2007)
Born
in Svetla, Czechoslovakia. He had his musical training with
Jaroslav Krícka in Prague, Julius Isserlis in Vienna
and Lazare Lévy in Paris. Nazism necessitated his emigration
to Canada in 1942 where he completed his musical education at
the University of Toronto. In addition to composing, he had
a distinguished teaching career at the Royal Conservatory of
Music of Toronto and the University of Toronto. His Symphony
No. 1 (1950-3 )has movements that can be played as independent
works and he also wrote a Sinfonietta for Strings (1963) as
well as Concertos for Piano, Harp and Clarinet.
Symphony
No. 2 (1959)
Jean
Deslauriers/Toronto Symphony Orchestra
( + Weinzweig: Piano Concerto and Symonds: The Nameless Hour)
CBC BR SM-104 (LP) (1969)
Sinfonietta for Winds and Percussion (1965)
Jean Deslauriers/Ensembles d'Instruments à Vent de Montréal
( + Weinzweig: Divertimento No. 5 and Morel: Prismes-Anamorphoses)
RADIO CANADA INTERNATIONAL RCI-292 (LP) (1969)
Return
to alphabetical index
JAMES PENBERTHY
(1917-1999)
Born in Melbourne. He had
his early musical training at the Universities of Western Australia
and Melbourne and then became a teacher. He later studied composition
in Paris with Nadia Boulanger and conducting with John Barbirolli
in London.
He composed prolifically in all genres with a special emphasis
on ballet and opera. He wrote 9 Symphonies. The unrecorded Symphonies
are: No. 1 in G minor (1950), No. 2 (1953), No. 3 "Uranus"
(1955-6), No. 4 "Under the Sea" (1960), No. 5 "West
Coast Pictures" (1961), No. 7 "Little Symphony",
No. 8 "Choral" (1972) and No. 9 "Sydney"
(1982). There is also a Symphony with the title "Boomerang,
a Symphony for Brass Band and more than a dozen Concertos for
various instruments
Symphony No. 6 "The Earth Mother" (1972)
Thomas Mayer/West Australian Symphony
Orchestra
( + Dvořak: Hero’s Song)
ABC RRCS-146 (non-commercial LP) (1975)
Thomas Mayer/West Australian Symphony
Orchestra
( + The Beach Inspector and the Mermaid)
Philips 6508 002 (LP) (1972)
Return
to alphabetical index
ARCHIBALD J. POTTER
(1918-1980)
Born in Belfast but brought
up in Kent. He studied composition at the Royal College of Music
with Ralph Vaughan Williams, After service in World War II,
he relocated to Dublin where he became a professor of music
at the Royal Irish Academy of Music in 1955. His large output
included music for the theater and many works for various instrumental
genres. His other works for orchestra include a Symphony No.
2 (1976), a Concerto da Chiesa for Piano and Orchestra and a
Concerto for Orchestra.
Symphony No. 1 "Sinfonia de Profundis" (1968)
Robert Houlihan/National Symphony
Orchestra of Ireland
( + Finnegan’s Wake, Fantasia Gaelach No. 1 and Overture to
a Kitchen Comedy)
MARCO POLO 8.225158 (2001)
Colman
Pearce/RTÉ Symphony Orchestra
( + Bodley: Symphony No. 3)
RTÉ RTE 61 (LP) (1981)
Return
to alphabetical index
TĀLIVALDIS
ĶENIŅ
(1919-2008)
Born
in Liepaja. He begin a course in composition at the Latvian
Conservatory in Riga, where he studied piano with Arvids ilinskis,
counterpoint with Jazeps Vitols, and harmony, form and orchestration
with Adolfs Abele. He later enrolled at the Conservatoire National
de Musique in Paris, where his teachers included Olivier Messiaen.
and Tony Aubin. He fled Latvia in 1944 and eventually settled
in Canada where he was appointmented as organist and music director
at St Andrew's Latvian Lutheran Church in Toronto and then joined
the staff of the Faculty of Music at the University of Toronto
as a teacher of composition and counterpoint where he remaied
until his retirement. A prolific composer, his output includes
orchestral, chamber, instrumental, choral and vocal works. His
unrecorded Symphonies are: Nos. 1 (1959), 2 (1967), 3 (1970),
5 (1975), 6 "Sinfonia ad Fugam" (1978), 7 (1980) and
8 (1986).
Symphony
No. 4 (1972)
John
AvisonCBC Vancouver Chamber Orchestra
( + Septuor, Piano Sonata No. 1 and Quintet)
CENTREDISCS CMCCD 9403 (2 CDs) (2003)
(original LP release: CBC SM-293) (1975)
Sinfonietta (1976)
D.
Ford/North Toronto Collegiate Orchestra
(couplings unknown)
WORLD RECORDS WRC-249 (LP) (1970s)
GEOFFREY BUSH
(1920-1998)
Born in London. He studied
privately with John Ireland and then completed his musical education
at Oxford. His musical career was divided between composing,
teaching, music editing, working for the BBC and promoting the
cause of British music His compositions range from opera to
chamber music. Some of his other orchestral works are a Sinfonietta
Concertante for Cello and Orchestra (1943), Oboe Concerto, Music
for Orchestra and Concerto for Light Orchestra.
Symphony No. 1 (1954)
Nicholas Braithwaite/London Symphony
Orchestra
( + Symphony No. 2, Music for Orchestra and Yorick Overture)
LYRITA SRCD.252 (1995)
Symphony No. 2 "The Guildford" (1957)
Barry Wordsworth/Royal Philharmonic
Orchestra
( + Symphony No. 1, Music for Orchestra and Yorick Overture)
LYRITA SRCD.252 (1995)
Return
to alphabetical index
PETER
RACINE FRICKER
(1920-1990)
Born
in London. He studied with R.O. Morris at the Royal College
of Music and later with Mátyás Seiber. He taught
at Morley College and at the Royal College of Music and then
at the University of California, Santa Barbara. He composed
a vast amount of music in various genres including a large component
for orchestra. His other Symphonies are: No. 3, Op. 36 (1960),
No. 4, Op. 43 " in memoriam Mátyás Seiber"
(1966). He also wrote a "Sinfonia in memoriam Benjamin
Britten," Op. 76 for 17 wind instruments (1976-7), a Concerto
for Orchestra, 2 Violin Concertos and Concertos for Piano, Viola
and Oboe.
Symphony No. 1, Op. 9 (1948-9)
Robert Whitney/Louisville Orchestra
LOUISVILLE S-675 (LP) (1967)
Symphony No. 2, Op. 14 (1951)
Sir John Pritchard/Royal Liverpool
Philharmonic Orchestra
( + Orr: Symphony in One Movement and Simpson: Symphony No.
1)
EMI British Composers 5 75789 2 (2003)
(original LP release: HMV DLP 1080) (1955)
Symphony No. 5 for Organ and Orchestra, Op. 74 (1975-6)
Gillian Weir (organ)/Sir Colin Davis/BBC SymphonyOrchestra
( + Kunad: Concerto for Organ, Double String Orchestra and Percussion)
{ attributed to "Gunther Bohr (organ)/Ernest Weir/Dresden
Symphony Orchestra"}
ARIES LP-1614 (LP)
Return
to alphabetical index
ROBERT TURNER
(b. 1920)
Born
in Montreal. He studied first at McGill University with Claude
Champagne and Douglas Clarke and then with Herbert Howells and
Gordon Jacob at the Royal College of Music and Took further
lessons in America with Roy Harris and Olivier
Messiaen. He worked as a music producer for the Canadian Broadcasting
Corporation and held several teaching positions. He composed
a large amount of music in various genres. His 2nd Symphony
in One Movement (1985) has the title "Gift from the Sea."
His other major orchestral works are a 2 Piano Concerto and
a
Viola Concerto.
Symphony (No. 1) for Strings (1960)
John Avison/CBC Vancouver Chamber
Orchestra
( + Norma Beecroft: From Dreams of Brass)
RCA VICTOR (Canada) CCS-1008 (LP) (1967)
Symphony No. 3 (1990)
Bramwell
Tovey/Winnipeg Symphony Orchestra (rec. 1990)
( + Opening Night, Eidolons and Manitoba Memoir)
CENTREDISCS CMCD 9704 (2004)
Return
to alphabetical index
SIR MALCOLM ARNOLD
(1921-2006)
Born in Northampton. He studied
at the Royal College of Music with Gordon Jacob for composition
and Ernest Hill for Trumpet. He played the trumpet with the
London Philharmonic Orchestra and the BBC Symphony Orchestra
before devoting the rest of his musical career to composing
and conducting his own music.
He was extremely prolific in many genres and achieved great
fame as a film composer. Most of his many orchestral works have
been recorded. His only Symphony that has not been recorded
is a Toy Symphony for 12 Toy Instruments, Piano and String Quartet
(1957). His vast orchestral output also includes 17 Concertos
for various instruments and 10 Overtures.
Symphonies Nos. 1 – 9
Vernon Handley/Royal Philharmonic
Orchestra/Royal Liverpool Philharmonic Orchestra/Bournemouth
Symphony Orchestra
( + Symphony for Strings and Symphony for Brass)
DECCA UNIVERSAL 4765337 (5 CDs) (2006)
(from CONIFER CLASSICS originals – see below)
Andrew Penny/National Symphony
Orchestra of Ireland
NAXOS WHITE BOX 8.505178 (5 CDs) (2001)
Symphony No. 1, Op. 22 (1950)
Sir Malcolm Arnold/Bournemouth
Symphony Orchestra
( + Symphonies Nos. 2 and 5, Two Piano Concerto {Phyllis Sellick
and Cyril Smith – pianos}, Overtures: Beckus the Dandipratt
and Peterloo/ English Dances nos 3 & 5 and Solitaire: Sarabande
and Polka)
EMI 0946 3 8214625 (2 CDs)
(original LP release: HMV ASD 3823) (1980)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 5)
CONIFER CLASSICS 75605-51257-2 (1996)
Richard Hickox/London Symphony
Orchestra
( + Symphony No. 2)
CHANDOS CHAN 9335 (1995)
Keith
Lockhart/BBC Concert Orchestra
( + Coates: 3 Elizabeths, Enescu: Romanian Rhapsody No. 1 and
J. Strauss II: Tritsch-Tratsch-Polka)
BBC MUSIC MAGAZINE BBCMM 347 (2012)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 2)
NAXOS 8.553406 (1996)
Symphony No. 2, Op. 40 (1953)
Sir Malcolm Arnold/Royal Philharmonic
Orchestra
( + Symphonies Nos. 1 and 5, Two Piano Concerto {Phyllis Sellick
and Cyril Smith – pianos}, Overtures: Beckus the Dandipratt
and Peterloo/ English Dances nos 3 & 5 and Solitaire: Sarabande
and Polka)
EMI 0946 3 8214625 (2 CDs) (2007)
(original LP release: PHILIPS NBL 5021) (1955)
Douglas Bostock/Royal Liverpool
Philharmonic Orchestra
( + Two Piano Concerto {Antonio Piricone & Martin Roscoe
– Pianos},
Beckus the Dandipratt Overture, English Dances (Set 2) and
The Sound Barrier Rhapsody)
RLPO LIVE
RLCD402P (2001)
Sir Charles Groves/Bournemouth
Symphony Orchestra
( + Symphony Nos. 1 and 5 and Peterloo Overture)
EMI CLASSICS CDM 566324-2 (1997)
(original LP release: HMV ASD 3353) (1977)
Vernon Handley/Royal Philharmonic
Orchestra
( + Two Piano Concerto {Richard Markham and David Nettle – pianos},
Carnival of the Animals and Grand, Grand Overture)
CONIFER CLASSICS 75605-51240-2 (1994)
Richard Hickox/London Symphony
Orchestra
( + Symphony No. 1)
CHANDOS CHAN 9335 (1995)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 1)
NAXOS 8.553406 (1996)
Symphony No. 3, Op. 63
(1957)
Sir Malcolm Arnold/London Philharmonic
Orchestra
( + Vaughan Williams: Symphony No. 9)
EVEREST 9001 (1995)
(original LP release: EVEREST SDBR 3021) (1959)
Vernon Handley/Royal Liverpool
Philharmonic Orchestra
( + Symphony No. 4)
CONIFER CLASSICS 75605-51258-2 (1996)
Richard Hickox/London Symphony
Orchestra
( + Symphony No. 4)
CHANDOS CHAN 9290 (1994)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 4)
NAXOS 8.553739 (1998)
Symphony No. 4, Op. 71
(1960)
Sir Malcolm Arnold/BBC Symphony
Orchestra (rec. 1960)
( + Hong Kong Overture)
{attributed to "Peter Michaels/Lisbon Conservatory Orchestra"}
ARIES LP 1631 ▼
Sir Malcolm Arnold/London Philharmonic
Orchestra
LYRITA SRCD.200 (1990)
Vernon Handley/Royal Liverpool
Philharmonic Orchestra
( + Symphony No. 3)
CONIFER CLASSICS 75605-51258-2 (1996)
Richard Hickox/London Symphony
Orchestra
( + Symphony No. 3)
CHANDOS CHAN 9290 (1994)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 4)
NAXOS 8.553739 (1998)
Symphony No. 5, Op. 74 (1961)
Sir Malcolm Arnold/City of Birmingham
Symphony Orchestra
( + Symphonies Nos. 1 and 5, Two Piano Concerto {Phyllis Sellick
and Cyril Smith – pianos}, Overtures: Beckus the Dandipratt
and Peterloo/ English Dances Nos. 3 & 5 and Solitaire: Sarabande
and Polka)
EMI 0946 3 8214625 (2 CDs) (2007)
(original LP release: HMV ASD 2878) (1973)
Douglas Bostock/Munich Philharmonic
( + Divertimento for No. 2, Solitaire: Sarabande and Polka,
The Belles of St. Trinians and Machines)
CLASSICO CLASSCD 294 (2000)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 1)
CONIFER CLASSICS 75605-51257-2 (1996)
Richard Hickox/London Symphony
Orchestra
( + Symphony No. 6)
CHANDOS CHAN 9385 (1995)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 6)
NAXOS 8,552000 (2001)
Symphony No. 6, Op. 95 (1967)
Vernon Handley/Royal Philharmonic
Orchestra
( + Fantasy on a Theme of John Field, Sweeney Todd Suite and
Tam O’Shanter Overture)
CONIFER CLASSICS 74321-16847-2 (1993)
Vernon Handley/London Philharmonic
Orchestra
( + Philharmonic Concerto, Inn of the Sixth Happiness: Film
Suite, Beckus the Dandipratt Overture and Flourish for a 21st
Birthday)
London Philharmonic Records LPO 0013 (2006)
Richard Hickox/London Symphony
Orchestra
( + Symphony No. 5)
CHANDOS CHAN 9385 (1995)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 5)
NAXOS 8,552000 (2001)
Symphony No. 7, Op. 113 (1973)
Rumon Gamba/BBC Philharmonic Orchestra
( + Symphonies Nos. 8 and 9 and Oboe Concerto {Jennifer Galloway
- oboe})
CHANDOS CHAN 9697 (2 CDs) (2001)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 8)
CONIFER CLASSICS 74321-15005-2 (1991)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 8)
NAXOS 8.552001 (2001)
Symphony No. 8, Op. 121 (1979)
Rumon Gamba/BBC Philharmonic Orchestra
( + Symphonies Nos. 7 and 9 and Oboe Concerto {Jennifer Galloway
- oboe})
CHANDOS CHAN 9697 (2 CDs) (2001)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 7)
CONIFER CLASSICS 74321-15005-2 (1991)
Andrew Penny/National Symphony
Orchestra of Ireland
( + Symphony No. 7)
NAXOS 8.552001 (2001)
Symphony No. 9, Op. 128 (1984)
Rumon Gamba/BBC Philharmonic Orchestra
( + Symphonies Nos. 7 and 8 and Oboe Concerto {Jennifer Galloway
- oboe})
CHANDOS CHAN 9697 (2 CDs) (2001)
Vernon Handley/ Bournemouth Symphony
Orchestra
( + Concertino for Oboe and Strings; Fantasy for Oboe {Nicolas
Daniel, oboe})
CONIFER CLASSICS 75605-51273-2 (1996)
Andrew Penny/National Symphony
Orchestra of Ireland
NAXOS 8.553540 (1996)
Symphony for Strings, Op. 13 (1946)
Vernon Handley/BBC Concert Orchestra
( + Philharmonic Concerto, Water Music, A Flourish for Orchestra
and Overtures: Anniversary, Peterloo, Beckus the Dandipratt)
CONIFER CLASSICS 75605-51298-2 (1998)
Nicholas Ward/Northern Chamber
Orchestra
( + Cello Concerto, Concertino for Flute and Strings, Fantasy
for Recorder and String Quartet and Saxophone Concerto)
NAXOS 8.572640 (2011)
Symphony for Brass Instruments, Op. 123 (1972)
Fine Arts Brass
( + Brass Quintets Nos. 1 and 2, Little Suites Nos. 1, 2 and
3, Fanfare for Louis, Fantasies for B Flat Trumpet, Horn, Trombone
and Tuba)
NIMBUS NI 5804 (2006)
Philip Jones Brass Ensemble
( + Symphonies Nos. 1 – 9 and Symphony for Strings)
DECCA UNIVERSAL 4765337 (5 CDs) (2006)
(original LP release: ARGO ZRG906 (1979)
Sinfonietta No. 1, Op. 48 (1954)
Sir Malcolm/Arnold/English Chamber
Orchestra
( + Two Piano Concerto {Phyllis Sellick and Cyril Smith – pianos},
Two Violin Concerto {Alan Loveday and Frances Mason – violins},
Viola Concerto {Roger Best - viola}, Song of Simeon, Cornish
Dances, Fantasy for Harp {Ossian Ellis – harp}, Horn Concerto
{Alan Civil – horn}, Blake Songs and Overtures – Peterloo and
Fair Field)
CARLTON BBC RADIO CLASSICS IMP 15656 91817 (2 CDs) (1996)
Donald Barra/San Diego Chamber
Orchestra
( + Sinfonietta No. 2, Serenade; Concerto for 2 Violins {Igor
and Vesna Gruppman – violins})
KOCH 37134-2 (1992)
Boris Brott/Northern
Sinfonia
( + Britten: Simple Symphony and Rawsthorne: Divertimento)
MACE S-9068 (LP) (1967)
Norman
Del Mar/English Chamber Orchestra
( + Arnold: Sinfonietta No.1, Britten: Sinfonietta, Rawsthorne:
Divertimento and Tippett: Divertimento)
LYRITA SRCD.257 (2007)
(original LP release: LYRITA SRCS.111) (1982)
Neville Dilkes/Philharmonia Orchestra
( + Sinfoniettas Nos. 2 and 3, Serenade, English Dances and
Cornish Dances)
EMI CLASSICS CDZ 5 74780- 2 (2001)
(original LP release: HMV ASD 3487 (1978)
Ross Pople/London Festival Orchestra
( + Sinfoniettas Nos. 2 and 3, Flute Concerto No. 1 {Edward
Beckett – flute} and Oboe Concerto {Malcolm Messiter – oboe})
ARTE NOVA 74321 46503-2 (1997)
(original CD release: HYPERION CDA66332) (1988)
Sinfonietta No. 2, Op. 65 (1958)
Donald Barra/San Diego Chamber
Orchestra
( + Sinfonietta No. 1, Serenade; Concerto for 2 Violins {Igor
and Vesna Gruppman – violins})
KOCH 37134-2 (1992)
Neville Dilkes/Philharmonia Orchestra
( + Sinfoniettas Nos. 1 and 3, Serenade, English Dances and
Cornish Dances)
EMI CLASSICS CDZ 5 74780- 2 (2001)
(original LP release: HMV ASD 3487 (1978)
Ross Pople/London Festival Orchestra
( + Sinfoniettas Nos. 1 and 3, Flute Concerto No. 1 {Edward
Beckett – flute} and Oboe Concerto {Malcolm Messiter – oboe})
ARTE NOVA 74321 46503-2 (1997)
(original CD release: HYPERION CDA66332) (1988)
Sinfonietta No. 3, Op.
81 (1964)
Ross Pople/London Festival Orchestra
( + Sinfoniettas Nos. 1 and 2, Flute Concerto No. 1 {Edward
Beckett – flute} and Oboe Concerto {Malcolm Messiter – oboe})
ARTE NOVA 74321 46503-2 (1997)
(original CD release: HYPERION CDA66332) (1988)
Ronald Thomas/Bournemouth Sinfonietta
( + Sinfoniettas Nos. 1 and 2, Serenade, English Dances and
Cornish Dances)
EMI CLASSICS CDZ 5 74780- 2 (2001)
(original LP release: HMV ASD 3868 (1980)
Return
to alphabetical index
RUTH GIPPS
(1921-1999)
Born in Bexhill-on-Sea, Sussex.
She studied at the Royal College of Music with Ralph Vaughan
Williams for composition, Leon Goossens for Oboe and Kendall
Taylor. Besides composing, she had a very active musical career
as oboist, pianist and conductor as well as a teacher at several
schools including the Royal College of Music. Her other numbered
Symphonies are: No. 1 in F minor, Op. 22 (1942), No. 3, Op 57
(1965), No. 4, Op. 61 (1972) and No. 5, Op. 64 (1982). There
is also a Sinfonietta for Winds and Percussion, Op. 83 (1989)
and Concertos for Piano, Violin, Horn and Oboe among her other
works for orchestra.
Symphony No. 2, Op. 30 (1946)
Douglas Bostock/Munich Symphony
Orchestra
( + Arthur Butterworth: Symphony No. 1)
CLASSICO CLASSCD 274 (1999)
Return
to alphabetical index
ERIC ROGERS
(1921-1981)
Born in Halifax, Yorkshire.
He was basically self-taught and worked his way up through the
popular music world as a pianist and conductor. He achieved
great success as an arranger and composer of film scores. The
title "Palladium" in his Symphony refers to his time
as the music director of the London Palladium and aims to evoke
the atmosphere of that theatrical palace.
Palladium Symphony (c. 1955-60)
Gavin Sutherland/Royal Ballet
Sinfonia
( + Clifton Parker: Thieves’ Carnival Overture & Two Choreographic
Studies, Leighton Lucas: Ballet de la Reine, Anthony Collins:
Eire Suite, Bruce Montgomery: Scottish Aubade & Scottish
Lullaby)
ASV WHITE LINE WHL 2145 (2003)
Return
to alphabetical index
ROBERT SIMPSON
(1921-1997)
Born in Leamington Spa, Warwickshire.
He studied privately with Herbert Howells and completed his
musical education at the University of Durham. He joined the
BBC as a music producer in 1951 and remained on this job until
1980. He also wrote a number of books and essays including studies
of some of his great symphonic predecessors such as Bruckner,
Sibelius and Nielsen. His 11 Symphonies represent the peak of
his compositional output but he wrote much other music in different
genres including Concertos for Piano, Violin, Cello and Flute.
Symphonies Nos. 1 – 11
Vernon Handley/Matthew Taylor/various
orchestras (see below)
( Variations on a Theme by Nielsen)
HYPERION CDS44191/7 ( 7 CDs) (2006)
Symphony No. 1 (1951)
Sir Adrian Boult/London Philharmonic
Orchestra
( + Fricker: Symphony No. 2 and Robin Orr: Symphony in One Movement)
EMI British Composers 5 75789 2 (2003)
(original LP release: HMV BLP 1093) (1957)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 8)
HYPERION CDA66890 (1996)
Symphony No. 2 (1955-6)
Vernon Handley/Bournemouth Symphony
Orchestra
( + Symphony No. 4)
HYPERION CDA66505 (1992)
Symphony No. 3 (1962)
Ainslee Cox/Oklahoma City Symphony
Orchestra (rec. 1974)
( + Vaughan Williams: Symphony No. 7 and Elgar: Elegy)
THEO VAN DER BURG (PRIVATE CD) (2007)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 5)
HYPERION CDA66728 (1994)
Jascha Horenstein/Royal Philharmonic
Orchestra (rec. 1966)
( + Bruckner: Symphony No. 8)
INTAGLIO INCD-7272 (2 CDs) (1992) ▼
Jascha Horenstein/London Symphony
Orchestra
( + Clarinet Quintet)
NMC ANCORA D109 (2006)
(original LP release: UNICORN UNS 225) (1970)
Symphony No. 4 (1970-2)
Vernon Handley/Bournemouth Symphony
Orchestra
( + Symphony No. 2)
HYPERION CDA66505 (1992)
Symphony No. 5 (1972)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 3)
HYPERION CDA66728 (1994)
Symphony No. 6 (1977)
Vernon Handley/Royal Liverpool
Philharmonic Orchestra
( + Symphony No. 7)
HYPERION CDA66280 (1988)
Symphony No. 7 (1977)
Vernon Handley/Royal Liverpool
Philharmonic Orchestra
( + Symphony No. 6)
HYPERION CDA66280 (1988)
Symphony No. 8 (1981)
Vernon Handley/Royal Philharmonic
Orchestra
( + Symphony No. 1)
HYPERION CDA66890 (1996)
Symphony No. 9 (1987)
Vernon Handley/Bournemouth Symphony Orchestra
HYPERION CDA66299 (1988)
Symphony No. 10 (1988)
Vernon Handley/Royal Liverpool
Philharmonic Orchestra
HYPERION CDA66510 (1991)
Symphony No. 11 (1990)
Matthew Taylor/City of London
Sinfonia
( + Variations on a Theme by Nielsen)
HYPERION CDA67500 (2004)
Return
to alphabetical index
HUBERT DU PLESSIS
(1922-2011)
Born in Malmesbury District,
Cape Province, South Africa. He studied music at the Universities
of Stellenbosch and Rhodes and had private lessons with W.H.
Bell. He then went to London for lessons with Alan Bush and
Howard Ferguson at the Royal Academy of Music. Taught for many
years at the Universities of Stellenbosch and Cape Town and
was also had a career as a soloist on piano and harpsichord.
He wrote a number of works in several genres with no other major
orchestral works.
Symphony No. 1, Op. 14 (1953)
Anton Hartmann/National Symphony
Orchestra of the South African Broadcasting Corporation
(+ Malay Scenes)
CLAREMONT CD GSE 1538 (1995)
Return
to alphabetical index
IAIN
HAMILTON
(1922-2000)
Born in Glasgow but brought
up in London. After some informal musical training he began
studying piano and composition when he was 25 years of age at
the Royal Academy of Music with Harold Craxton and William Alwyn.
He held teaching positions at Morley College in London and then
at Duke University in North Carolina. He composed a vast amount
of music in practically all genres. He wrote 4 numbered Symphonies:
No. 1, Op. 3 (1948), No. 2, Op. 10 (1951), No. 3 in G major
"Spring" (1981) and No. 4 in B major (1981). His orchestral
catalogue also includes a Sinfonia Concertante for Violin, Viola
and Chamber Orchestra (1989), 2 Piano Concertos, 2 Violin Concertos,
Clarinet Concerto and Symphonic Variations.
Sinfonia for Two Orchestras (1959)
Sir Alexander Gibson/Scottish
National Orchestra
( + Robin Orr: Symphony in One Movement and Thea Musgrave: Triptych
for Tenor and Orchestra)
HMV ASD 2279 (1966)
Return
to alphabetical index
FELIX
WERDER
(b. 1922)
Born in Berlin. His family fled Germany in 1935, going to
London where they were interned and transferred to Australia
in 1940 "for further internment." Werder's musical
awakening occurred by observing camp instrumentalists and studying
scores. After the war, he stayed in Australia, where he taught
music and, after 1956, was an outspoken music critic, mainly
for a Melbourne newspaper and later on radio. He became incredibly
prolificand self-criticalat one point destroying
400 of the first 500 works he composed. After the mid-1960s,
his music became "avant-garde," even employing twelve-tone
techniques and electronics, but later he composed music in varied
styles, and embraced a self-described "improvisatory, collage-like
style." His catalogue of works, embracing all musical forms,
remains confusing and unstable, for Werder frequently re-assigns
opus numbers and continues to withdraw a sizeable quantity of
works, and then some of his withdrawn works are later reinstated.
He has been quoted as claiming that "a thing of beauty
is a bore forever." Besides his Third Symphony, he composed
the unrecorded numbered symphonies 1 (1948; withdrawn and reinstated
in 1967), 2 (1959), 4 (1970), 5 (1971) and 6 (1979) and the
unnumbered Symphony: The Mannheim Connection (1989).
Symphony
No. 1, Op. 6 (1943, revised 1952)
performers
unknown
( + Symphony No. 4, Gryphiusad, Saxophone Quartet & Percussion,
Violin Sonata No. 3, Wenzel Comnnection, Belsazer, and Carrion
Comfort)
FELIX WERDER PRIVATE RECORDING FW 1001 (2-CDs) (1996)
Symphony No. 3, Op. 67 "Laocoon" (1965)
Ferdinand
Leitner/Melbourne Symphony Orchestra
( + Tower Concerto and Abstract '67)
AUSTRALIAN BROADCASTING COMMISSION (ABC) RRCS-130 (non-commercial
LP) (c. 1970)
Symphony No. 4, Op. 107 (1970)
performers
unknown
( + Symphony No. 1, Gryphiusad, Saxophone Quartet & Percussion,
Violin Sonata No. 3, Wenzel Comnnection, Belsazer, and Carrion
Comfort)
FELIX WERDER PRIVATE RECORDING FW 1001 (2-CDs) (1996)
ARTHUR BUTTERWORTH
(b. 1923)
Born in Manchester. He studied
composition with Richard Hall (1903-1982, composed 4 Symphonies)
at the Royal Manchester College of Music. He was a trumpeter
in several orchestras and then became a conductor. His extensive
catalogue contains more than 100 works in various genres. His
other Symphonies are: No. 2, Op. 25 (1964), No. 3, Op. 52 "Sinfonia
Borealis" (1979), No. 6,
Op. 124 (2006) and a "Moorland Symphony," Op. 32 for
bass, chorus and orchestra (1967). Among his many other works
for orchestra there are Concertos for Violin, Viola, Cello,
Organ, Guitar, Bassoon and Trumpet..
Symphony No. 1, Op. 15 (1957)
Sir John Barbirolli/Hallé
Orchestra (rec. 1958)
(
+ Symphony No. 4 and Viola Concerto)
DUTTON EPOCH CDLX 7212 (2 CDs) (2009)
Douglas Bostock/Munich Symphony
Orchestra
( + Ruth Gipps: Symphony No. 2)
CLASSICO CLASSCD 274 (1999)
Symphony No. 4 Op. 72 (1986)
Arthur
Butterworth/Royal Scottish National Orchestra
( + Symphony No. 1 and Viola Concerto)
DUTTON EPOCH CDLX 7212 (2 CDs) (2009)
Symphony
No. 5, Op. 115 (2001-2)
Arthur
Butterworth/Royal Scottish National Orchestra
( +3 Nocturnes:"Northern Summer Nights", The Quiet
Tarn, The Green Wind, Coruscations and Gigues)
DUTTON EPOCH CDLX 7253 (2 CDs) (2010)
Sinfonia
Concertante
for
Brass Band, Op.113 (2001)
Nicholas
Childs/Black Dyke Band
( + 3 Impressions for Brass, Passacaglia on a Theme of Brahms,
Brahms/Butterworth: and Variations and Fugue on a Theme of Handel)
DOYEN RECORDS DOYCD 130 (2002)
Sinfonia for
Brass Band, Op. 85 "Maoriana" (1990)
Richard Evans/BNFL
Band
(
+ Barry: Salford Sinfonietta, Steadman-Allen: The Journeyman,
Bulla: Chorale and Toccata ans Sparke: Partita)
Polyphonic Records QPRL062D (2000)
Return
to alphabetical index
LESLIE MANN
(1923-1977)
Born in Edmonton, Alberta.
He had some lessons as a teenager but was basically self-taught.
After service in World War II he was offered a scholarship to
the Royal Academy of Music but he declined it in favor of some
further private lessons in Toronto. He was a prominent clarinetist
in both orchestras and chamber groups. He wrote a Symphony No.
2, Op. 35 (1974), Sinfonia Concertante for Bassoon and Chamber
Orchestra, Op. 27 (1971), a Concerto Grosso and Concertos for
Flute and Clarinet.
Symphony No. 1, Op. 32 (1973)
Eric Wild/CBC Winnipeg Orchestra
( + Vaughan Williams: Fantasia on a Theme by Thomas Tallis and
William Byrd: Earl of Salisbury’s Pavan)
CBC BR SM-281(LP)
Return
to alphabetical index
JAMES
STEVENS
(b. 1923)
He studied
under Benjamin Frankel at the Guildhall School of Music and
was later a pupil of Darius Milhaud at the Paris Conservatoire
and was also a private pupil of Nadia Boulanger. He was
the recipient of a number of prestigious scholarships and prizes
including the Royal Philharmonic Prize for his Symphony No.
1. He has had a very successful career as a film composer and
has served as the Head of the Churchill Society Music Department.
His output is large and covers various genres and his other
major orchestral works include Symphonies Nos. 3 and 4, Concerto
Capriccioso for Harp and Small Orchestra, Concertetto Concertato
for Piano and Orchestra and Concerto Scenes de Seine for Guitar
and Small Orchestra.
Symphony No.
1 (1954)
Stanford Robinson/BBC
Northern Orchestra (rec. 1954)
( + Symphony No. 2, Coronation Overture, Miniature Overture
and Musique Concrete)
PRISTINE AUDIO XR PASC100 (2007)
Symphony No. 2 (1955)
Stanford Robinson/BBC
Northern Orchestra (rec. 1955)
( + Symphony No. 1, Coronation Overture, Miniature Overture
and Musique Concrete)
PRISTINE AUDIO XR PASC100 (2007)
Return
to alphabetical index
TREVOR DUNCAN
(1924-2005)
Born in Camberwell, London.
He was largely self-taught but did take some courses at the
Trinity College of Music. He started working for the BBC in
1942 as a sound and balance engineer where he began composing
and arranging. As the BBC did not broadcast works written by
its employees he left that organization in 1956 to become a
full time composer. He gained fame for his light orchestral
music and film scores. His Little Suite (especially its March
movement) became a perennial favorite.
Sinfonia Tellurica (1970)
Trevor Duncan/New Concert Orchestra
BOOSEY & HAWKES SBH TD46 (non-commercial LP) (c. 1972)
Return
to alphabetical index
ERNEST
TOMLINSON
(b.
1924)
Born
in Rawtenstall, Lancashire. He studied at the Royal Manchester
College of Music. He performed as an organist and formed his
own orchestra to play light music. His own compositions are
numerous and mostly consist of light orchestral works in the
form of suites and overtures. Other larger-scaled works are
Symphony ‘65, a Sinfonietta, Little Symphony, Concerto for Orchestra
and Concertos for Trumpet and Saxophone. He has actively promoted
the cause of light orchestral music as a conductor and as the
founder and maintainer of the Library of Light Orchestral Music.
Sinfonia
’62 for Orchestra and Jazz Band (1962)
Tito
Petralia/Grande Orchestra Ritmo-Sinfonico di Milano
MICROFON 1003 (LP) (1962)
Return
to alphabetical index
ANTHONY MILNER
(1925-2002)
Born in Bristol. He studied
composition privately with Mátyas Seiber and then with
R.O. Morris at the Royal College of Music. He held teaching
positions at several institutions including Morley College and
the Royal College of Music and was also a conductor and harpsichord
soloist. He compiled a significant catalogue of orchestral,
chamber and vocal music. He wrote 2 additional numbered Symphonies:
No. 2 for soloists, chorus and orchestra (1978) and No. 3 (1987).
There is also a Chamber Symphony (1968) and a Sinfonia Pasquale
for strings (1963) as well as a Concerto for Strings and an
Oboe Concerto.
Symphony No. 1 (1971)
Lionel Friend/BBC Symphony Orchestra
( + Variations for Orchestra)
CLAUDIO RECORDS CC4317-2 (2001)
(original lp release: Hyperion A66158) (1985)
Return
to alphabetical index
HARRY SOMERS
(1925-1999)
Born in Toronto. Studied composition
with John Weinzweig and later in Paris with Darius Milhaud.
He worked as a musical copyist and eventually received both
recognition and commissions for his music. His musical output
was vast and ranged from operas to works for solo piano. His
other major orchestral works include 3 Piano Concertos, a Guitar
Concerto and the suite "North Country" for strings.
Symphony No. 1 (1951)
Victor Feldbrill/National Arts
Centre Orchestra
( + North Country, Suite for Harp and Orchestra and Lyric
CBC SM 5162 (1996)
Seigi Ozawa/Toronto
Symphony Orchestra
( + Mather: Symphonic Ode and Britten: Sinfonia da Requiem)
CBC INTERNATIONAL SERVICE RM 161-2 (LP) (1967)
Symphony for Woodwinds, Brass and Percussion (1961)
Victor Feldbrill/CBC Wind Symphony
( John Weinzweig: Divertimento No. 4)
CBC BR SM-134 (LP) (1970)
Return
to alphabetical index
EDWIN CARR
(1926-2003)
Born in Auckland, New Zealand.
His musical studies began at the Universities of Otago and Auckland.
He then went to London where he studied with Benjamin Frankel
at the Guildhall School of Music and later to Rome for further
lessons with Goffredo Petrassi at the Santa Cecilia Conservatory.
He composed steadily while also conducting and holding teaching
positions in England, Australia and his native country. Beyond
the Symphonies his orchestral catalogue also includes 2 Piano
Concertos as well as a Concerto Balabile for Piano and Orchestra.
Symphony No. 1 (1981)
John Matheson/New Zealand Symphony
Orchestra
( + Symphony No. 2 and Gaudeamus Overture)
CORELLIA CRA.1005 (1987)
Symphony No. 2 "The Exile" (1984)
Edwin Carr/ New Zealand Symphony
Orchestra
( + Symphony No. 1 and Gaudeamus Overture)
CORELLIA CRA.1005 (1987)
Symphony No. 3 (1987)
John Hopkins/Auckland Philharmonia
( + John Rimmer: Symphony and Ivan Zegni: Breath of Hope)
MANU CD 1415 (1992)
Symphony No. 4 (1993)
Kenneth Young/ New Zealand Symphony
Orchestra
( + Sinfonietta, Promenade and Pacific Festival Overture)
CONTINUUM CCD 1077 (1996)
Sinfonietta (1979)
Kenneth Young/ New Zealand Symphony
Orchestra
( + Sinfonietta, Promenade and Pacific Festival Overture)
CONTINUUM CCD 1077 (1996)
Return
to alphabetical index
ERIC GROSS
(b. 1926)
Born
in Vienna. He studied piano with Hans Erich Apostel before emigrating
to England in 1938 where he completed his musical education
at the Trinity School of Music and the University of Aberdeen
where Reginald Barrett-Ayres was his composition teacher. He
settled in Sydney in 1958 and divided his musical occupations
between composing, arranging, conducting and teaching. His work
list is very extensive (approximately 300 opus numbers) and
covers all genres. He wrote a Symphony No. 2, Op. 123 (1980),
Concertos for Piano, Violin, Oboe, Trombone and many other works
for orchestra
Symphony No. 1 (c. 1967)
Henry Krips/Adelaide Symphony
Orchestra
( + Moonscape)
ABC AC1006 (non-commercial LP) (1975)
Sinfonietta, Op. 9 (1961)
Henry
Krips/South Australian Symphony Orchestra
( + Brumby: Christmas Cantata)
ABC PRX-5586 (non-commercial LP) (1975)
Return
to alphabetical index
JOSEPH HOROVITZ
(b. 1926)
Born in Vienna. He emigrated
to England in 1938 and studied music at Oxford with Jack Allan
Westrup and with Gordon Jacob at the Royal College of Music.
He divided his musical career among composing, conducting and
teaching including a post at the Royal College. His orchestral
output tends towards the small scale. His other Symphonies are
a Sinfonietta for Brass Band (1970) and a Jubilee Toy Symphony
(1977) and he also wrote Concertos for Violin, Bassoon, Clarinet
and Trumpet.
Sinfonietta for Light Orchestra (1971)
Joseph Horovitz/Royal Ballet Sinfonia
( + Oboe Concerto {Nicholas Daniel – oboe}, Trumpet Concerto
{James Watson – trumpet}, Jubilee Serenade, Canzonetta and Rondino)
ASV WHITE LINE WHL 2114 (1999)
Return
to alphabetical index
CLERMONT PÉPIN
(1926-2006)
Born in St-Georges-de-Beauce,
Quebec. He was taught by a distinguished group of composers
including Claude Champagne in Montreal, Arnold Walter in Toronto
and Arthur Honneger, André Jolivet and Olivier Messaien
in Paris. He taught for many years at the Montreal Conservatory
and became its director. He wrote extensively for orchestra,
chamber ensembles and the voice. He wrote a total of 5 Symphonies
of which the unrecorded ones are: No. 1 (1948), No. 4 "La
Messe sur le monde" for Narrator, Chorus and Orchestra
(1975) and No. 5 "Implosion" (1985). He also wrote
a symphonic poem after Picasso’s "Guernica" and Variations
Symphoniques.
Symphony No. 2 (1957)
Roland Leduc/Orchestre des "Petites
Symphonies"
( + François Morel: Le Rituel de l’Espace)
RCA VICTOR (Canada) CCS-1007 (& RCI 213) (LP) (1967)
Symphony No. 3 "Quasars" (1967)
Franz-Paul Decker/Montreal Symphony
Orchestra
( + R. Murray Schafer: Son of Heldenleben)
SELECT CC-15.101 (LP) (1974)
Return
to alphabetical index
LAURIE
JOHNSON
(b. 1927)
Born
in Hampstead. He studied at the Royal College of Music in London
and spent four years in the Coldstream Guards. In the 1950s,
he began working to the entertainment industry. He composed
jazz, popular songs and many film scores as well as a number
of concert pieces.
Symphony for Jazz and Symphony Orchestras "Synthesis"
(1968-9)
Laurie
Johnson/London Jazz Orchestra
( + Concerto For Trumpet and Saxophone, The Wind In The Willows:
Suite and Irma La Goose: Overture )
AVID 921028 (2004)
(original LP release: COLUMBIA SCX 6412) (1970)
WILFRED JOSEPHS
(1927-1997)
Born in Newcastle upon Tyne.
After training as a dentist he studied at the Guildhall School
of Music with Alfred Nieman and then had private lessons with
Max Deutsch in Paris. He retired from dentistry and became a
full time composer and produced a voluminous amount of works
in all genres and gained great acclaim for his scores for movies
and television. He wrote 12 Symphonies of which only No. 5 has
been recorded. The others are: No. 1, Op. 9 (1955, final. rev.
1974-5), No. 2, Op. 42 (1963-4), No. 3, Op. 59 "Philadelphia"
(1967), No. 4, Op. 72 (1967-70), No. 6, Op. 83 for soloists,
chorus and orchestra (1972-4), No. 7, Op. 96 "Winter"
for small orchestra (1976), No. 8, Op. 98 "The Four Elements"
for winds (1975-7), No. 9, Op. 112 "Sinfonia Concertante"
for small orchestra (1979-80), No. 10, Op. 137 "Circadian
Rhythms" (1985), No. 11, Op. 167 "Fireworks Symphony"
for winds and No. 12, Op. 175 "Sinfonia Quixotica"
for violin, double bass and large orchestra (1995). There are
also more than a dozen Concertos for various instruments and
other orchestral pieces as well.
Symphony No. 5, Op. 75 "Pastoral" (1971)
David Measham/Adelaide Symphony
Orchestra
( + Variations on a Theme of Beethoven)
UNICORN DKP9026 (LP) (1983)
Return
to alphabetical index
JOHN JOUBERT
(b. 1927)
Born in Cape Town, South Africa. He studied composition initially
with W.H. Bell at the South African College of Music and then
at the Royal Academy of Music with Theodore Holland and Howard
Ferguson. He taught at the Universities of Hull and Birmingham
and composed a large corpus of music in genres ranging from
opera to solo pieces for piano and organ. His works Symphony
No. 2, Op. 68 (1970) as well as 2 choral Symphonies with the
titles "Choir Invisible," Op. 54 (1968) and "Gong
Tormented Sea," Op. 96 (1981). He also wrote a Piano Concerto
and other works for orchestra.
Symphony
No. 1, Op. 20 (1955)
Vernon
Handley/London Philharmonic (rec. 1995)
( + Mathias Symphony No. 1)
LYRITA SRCD.340 (2010)
(original CD release:LYRITA SRCD.322) (2007)
Symphony
No. 2 in One Movement, Op. 68 "In Memory of Those Killed
at Sharpeville, 21.3.60" (1970)
Martin Yates/Royal
Scottish National Orchestrra
( + Martelli: Symphony, Alwyn: The Fairy Fiddler: Prelude and
Derrybeg Fair)
DUTTON EPOCH CDLX 7270 (2011)
Sinfonietta, Op.
38 (1962)
William Boughton/English String
Orchestra
( + Temps Perdu and The Instant Moment)
BRITISH MUSIC SOCIETY BMS 419CD (1997)
Return
to alphabetical index
GRAHAM WHETTAM
(1927-2007)
Born in Swindon, Wiltshire.
He was self-taught in music with the exception of some advice
from Eric Fenby. He was very active in composers’ organizations
and headed the Composers Guild of Great Britain. Has composed
extensively for orchestra and band but withdrew most of his
output written before 1959. His current catalogue lists the
following Symphonies in addition to the recorded ones: Sinfonia
Drammatica (1978), Sinfonia Prometeica (1999) and Symphony No.
5 (2001). Three earlier Symphonies were withdrawn and there
is also a Sinfonietta Stravagante (1964), Sinfonia Concertante
(1966), Concerto Drammatico for Cello and Orchestra and 2 Clarinet
Concertos among his other works for orchestra.
Sinfonia Contra Timore (1962, Rev. 1997)
Günter Blumhagen/Leipzig
Radio Symphony Orchestra (rec. 1975)
( + Concerto Drammatico {Martin Rummel – cello})
REDCLIFFE RECORDINGS RR 017 (2002)
Sinfonia Intrepida (1976)
Sir Charles Mackerras/BBC Symphony Orchestra
REDCLIFFE RECORDINGS RR016 (2001)
Return
to alphabetical index
THOMAS WILSON
(1927-2001)
Born in Trinidad, Colorado
to British parents who moved to Glasgow soon thereafter. He
received his musical education at the University of Glasgow
and became a long-term member of its staff. He was active in
Scottish and British musical organizations and became chairman
of the Composers Guild of Great Britain. He wrote 5 Symphonies:
No. 1 (1956, withdrawn), No. 2 (1965), No. 3 (1979), No. 4,
"Passeleth Tapestry" (1988) and No. 5 (1998). Other
major works in his orchestral catalogue are Concertos for Piano,
Violin and Viola and a Concerto for Orchestra.
Chamber Symphony (1990)
David Davies/Paragon Ensemble
( + Edward McGuire: Songs of New Beginnings and Philip Norris:
Cello Cantata)
CONTINUUM CON 1032 (1993)
Sinfonietta for Brass (1967)
Geoffrey Brand/City of London
Brass
( + Gordon Langford: A London Scherzo, A West Country Fantasy,
Edward Gregson: Prelude and Capriccio, Holst: A Moorside Suite
and
Blow the Wind Southerly {arr. G. Langford})
RCA LFL 1-5072 (LP) (1974)
Frank Renton/National Youth Brass
Band of Scotland
( + Malcolm Arnold: Little Suite for Brass No.1, Cedric Thorpe
Davie:
Variations on a Theme of Lully, Philip Sparke: Summer Scene,
Bryan Kelly: Divertimento and Martin Dalby: Music for Brass
Band)
Amadeus AMS CD 027 (1997)
Return
to alphabetical index
GEORGE DREYFUS
(b. 1928)
Born in Wuppertal, Germany.
He emigrated to Australia in 1939 and studied clarinet at the
Melbourne Conservatorium of Music. He worked as a clarinetist
and conductor and went to the Vienna Academy of Music in 1955
to complete his musical education. He composed prolifically
in most genres including motion picture scores. His other major
works include a Symphonie Concertante for Bassoon, Violin, Viola,
Cello and Strings (1978) and "German Teddy," a Symphony
for Mandolin Orchestra (1984).
Symphony No. 1 (1967)
Ladislav Slovak/Melbourne Symphony
Orchestra
( + Symphony No. 2)
CLASSIC OZ COLLECTION SCCD 1024 (1992)
(original LP release: EMI (Australia) OASD 7547) (1972)
Symphony No. 2 (1977)
David Measham/Melbourne Symphony
Orchestra
( + Symphony No. 1)
CLASSIC OZ COLLECTION SCCD 1024 (1992)
(original LP release: WORLD RECORD CLUB (Australia) WRC R-08459)
(1980)
Return
to alphabetical index
DAVID FARQUHAR
(1928-2007)
Born in Cambridge, New Zealand.
Studied with Douglas Lilburn in New Zealand at Canterbury and
Victoria Colleges and completed his musical education in London
with Benjamin Frankel at the Guildhall School of Music. He taught
at Victoria University in Wellington. His musical is large but
contains few larger works for orchestra beyond the 3 Symphonies
with the exception of several suites of which "Ring Round
the Moon" is the best known.
Symphony No. 1 (1959)
John Hopkins/New Zealand Broadcasting
Corporation Symphony Orchestra
( + Lilburn: Symphony No. 2 and Aotearoa Overture)
KIWI SLD-14 (LP) (1969)
Kenneth Young/New Zealand Symphony
Orchestra
( + Symphonies Nos. 2 and 3)
MASSEY UNIVERSITY MMT2060 (2004)
Symphony No. 2 (1982)
Kenneth Young/New Zealand Symphony
Orchestra
( + Symphonies Nos. 1 and 3)
MASSEY UNIVERSITY MMT2060 (2004)
Symphony No. 3 "…remembered songs" (2002)
Kenneth Young/New Zealand Symphony
Orchestra
( + Symphonies Nos. 1 and 2)
MASSEY UNIVERSITY MMT2060 (2004)
Return
to alphabetical index
MICHAEL
HURD
(1928-2006)
Born
in Gloucester. He studied at Oxford with Thomas Armstrong and
Bernard Rose and later with Lennox Berkeley. He held positions
as a teacher at the Royal Marines School of Music and as a broadcaster
with the BBC. In the latter capacity he was a strong advocate
of the music of many of his British predecessors such as Rutland
Boughton, Ivor Gurney and Gerald Finzi. His works ranged from
light orchestral pieces and "pop" cantatas to more
serious fare such as his Oboe Concerto.
Sinfonia
Concertante for Violin and String Orchestra (1973)
Robert
Gibbs (violin)/ David Lloyd-Jones/Royal Ballet Sinfonia
( + Finzi: Prelude and Romance, Holst: Brook Green Suite, Blezard:
Duetto, Montgomery: Concertino, H. Wood: An Eighteenth Century
Scherzo and Martelli:Persiflage)
NAXOS 8.555069 (2001)
Return
to alphabetical index
PETER TAHOURDIN
(1928-2009)
Born in Bramdean, Hampshire.
He studied composition with Richard Arnell at the Trinity College
of Music before moving to Australia in 1964. He became a teacher
of composition at the University of Melbourne and became chairman
of the Composers Guild of Australia. His compositional output
ranges from opera to instrumental works as well electronic music.
He has written 5 Symphonies. The unrecorded ones are: No. 3
(1979), No. 4 (1987) and No. 5 (1994). His other major works
for orchestra are: Sinfonietta No. 1 (1952), Sinfonia Concertante
for Cello and Orchestra (1966), Clarinet Concerto, Diversions
for Orchestra and Partita for Strings.
Symphony No. 1 (1960)
Henry Krips/West Australian Symphony
Orchestra
( + Sinfonietta No. 2))
ABC RRCS-132 (non-commercial LP) (1975)
Symphony No. 2 (1969)
Henry Krips/South Australian Symphony
Orchestra
( + Hughes: Symphony No. 1)
FESTIVAL SFC 80023 (LP) (1973)
Sinfonietta No. 2 (1959)
Verdon Williams/Sydney Symphony
Orchestra
( + Symphony No. 1))
ABC RRCS-132 (non-commercial LP) (1975)
Return
to alphabetical index
GARETH WALTERS
(b. 1928)
Born in Swansea, Wales. He
studied at the Royal Academy of Music and the Paris Conservatory.
He joined the staff of the former school and the Music Department
of the BBC and also founded the National Youth Orchestra of
Wales. A number of his other works for orchestra have been recorded
including Divertimento for Strings, A Gwent Suite and Overture:
Primavera.
Sinfonia Breve (1998)
Gavin Sutherland/Royal Ballet
Sinfonia
( + Elgar: Sospiri, Gilbert Vinter: Entertainments, Peter Warlock:
Four Folksong Preludes, John Fox:Countryside Suite, Haigh Marshall:
Elegy and Cyril Scott: First Suite for Strings)
ASX WHITE LINE CD WHL 2139 (2003)
Return
to alphabetical index
ALUN HODDINOTT
(1929-2008)
Born in Bargoed, Wales. Studied
at the University College, Cardiff where he later taught and
became head of the music department and had private instructions
from Arthur Benjamin. He is one of the most prolific modern
British composers and he writes in all genres. He has written
10 numbered Symphonies: the ones that have not been recorded
are: No. 1, Op. 7 (1955), No. 4, Op. 70 (1969), No. 7 for Organ
and Orchestra (1989), No. 8 for Brass and Percussion (1992),
No. 9 "A Vision of Eternity" for Soprano and Orchestra
(1993) and No. 10 (1999). There is also a Sinfonietta No. 4
(1971), a Sinfonia for Strings, Op. 34 (1964), 3 Piano Concertos
and numerous other entries in his orchestral catalogue.
Symphony No. 2, Op. 29 (1962)
Norman Del Mar/London Symphony
Orchestra
( + Symphonies Nos. 3 and 5)
LYRITA SRCD.331 (1996)
(original LP release: PYE VIRTUOSO TPLS13013 (1968
Symphony No. 3, Op. 61 (1968)
David Atherton/ London Symphony
Orchestra
( + Symphonies Nos. 2 and 5)
LYRITA SRCD.331 (1996)
(original LP release: DECCA SXL6570 (1972)
Symphony No. 5, Op. 81 (1972)
Sir Andrew Davis/Royal Philharmonic
Orchestra
( + Symphonies Nos. 2 and 3)
LYRITA SRCD.331 (1996)
(original LP release: DECCA SXL6606 (1973)
Symphony No. 6, Op, 116 (1984)
Bryden Thomson/BBC Welsh Symphony
Orchestra
( + Lanterne des Morts, Scena for Strings and A Contemplation
Upon Flowers)
CHANDOS CHAN 8762 (1989)
Sinfonietta No. 1, Op. 56 (1968)
David Atherton/New Philharmonia
Orchestra
( + Sinfonietta No. 3, The Sun, The Great, Luminary of the Universe,
Night Music and Variants)
LYRITA SRCD.333 (2010)
(original LP release: ARGO ZRG 824) (1976)
Sinfonietta No. 2, Op. 67 (1969)
Hans-Hubert Schönzeler/New
Philharmonia Orchestra
( + Piano Concerto No. 2 {Roger Woodward – piano} and Landscapes)
RCA RED SEAL RL 25082 (LP) (1977)
Sinfonietta No. 3, Op. 71 (1970)
David Atherton/London Symphony
Orchestra
( + Sinfonietta No. 1, The Sun, The Great, Luminary of the Universe,
Night Music and Variants)
LYRITA SRCD.333 (2010)
(original LP release: DECCA SXL 6570) (1973)
Sinfonia Fidei, Op. 95 (1977)
Sir Charles Groves/Jill Gomez
(soprano), Stuart Burrows (tenor), Philharmonia Chorus/Philharmonia
Orchestra
( + Dives and Lazarus, Viola Concertino and Nocturnes &
Cadenza)
LYRITA SRCD.332 (1996)
(original LP release: UNICORN RHD 401) (1982)
Return
to alphabetical index
KENNETH LEIGHTON
(1929-1988)
Born in Wakefield, Yorkshire.
Studied composition at Oxford with Bernard Rose and went for
further lessons in Rome with Goffredo Petrassi. He made his
musical living as a teacher first with the Royal Marine School
of Music and later at Leeds University, Worcester College and
Edinburgh University. He composed in most genres and his other
major orchestral works include 3 Piano Concertos, Cello Concerto,
Violin Concerto and a Concerto for Orchestra.
Symphony No. 1, Op. 42 (1964)
Martyn
Brabbins/BBC National Orchestra of Wales
( + Piano Concerto No. 3)
CHANDOS CHAN 10608 (2010)
Symphony No. 2 for Soprano,
Chorus and Orchestra, Op. 69 "Sinfonia Mistica" (1974)
Richard
Hickox/BBC National Orchestra of Wales
( + Te Deum Laudamus)
CHANDOS CHAN 10495 (2008)
Symphony No. 3, Op. 90 "Laudes Musicae" (1984)
Bryden Thomson/Neil Mackie (tenor)/Royal
Scottish National Orchestra
( + Cello Concerto {Raphael Wallfisch – cello})
CHANDOS CLASSICS CHAN 10307X (2005)
(original CD release: CHANDOS CHAN 8741 (1989)
Symphony for Strings, Op. 3 (1949)
Richard
Hickox/BBC National Orchestra of Wales
( + Organ Concerto and Concerto for Strings)
CHANDOS CHAN 10461 (2008)
Return
to alphabetical index
MALCOLM WILLIAMSON
(1931-2003)
Born in Sydney. He studied
at the New South Wales Conservatorium of Music where Eugene
Goossens was his composition teacher. He went to London for
further study with Elizabeth Lutyens and Erwin Stein. Besides
composing and teaching, he performed as a pianist, organist
and conductor and was appointed Master of the Queen’s Musick
in 1975. His catalogue is and covers all fields from opera to
keyboard and organ solos. His other Symphonies are: No 2 "Pilgrim
på havet" (1968-9), No. 3 "The Icy Mirror"
for Soprano, Mezzo, 2 Baritones, Chorus and Orchestra (1977),
No. 4 (1977) and No. 6 (1982). His other large orchestral works
include 4 Piano Concertos, Organ Concerto, Violin Concerto and
Concerto for 2 Pianos and Strings.
Symphony No. 1 "Elevamini" (1956-7)
Rumon Gamba/Iceland Symphony
Orchestra
( + Symphony No. 5, Epitaphs for Edith Sitwell and Lento for
Strings)
CHANDOS CHAN 10406 (2006)
Sir Charles Groves/Royal Liverpool
Philharmonic Orchestra
( +Sinfonia Concertante, Violin Concerto {Yehudi Menuhin – violin},
The Display and Santiago de Espada Overture)
HMV SLS 5085 (2 LPs) (1977)
Symphony No. 5 "Aquerò" (1979-80)
Rumon Gamba/Iceland Symphony Orchestra
( + Symphony No. 1, Epitaphs for Edith Sitwell and Lento for
Strings)
CHANDOS CHAN 10406 (2007)
Symphony No. 7 for String Orchestra (1987)
Christopher Austin/Brunel Ensemble
( + McCabe: Red Leaves, Saxton:Birthday Piece for RichardBennett
and Elijah’s Violin and Lutyens:Bagatelles and O Saisons, O
Chateaux)
SIGNUM 053 (2005)
Sinfonia Concertante (originally called Symphony No. 2) (1961)
Sir Charles Groves/Martin Jones
(piano)Royal Liverpool Philharmonic Orchestra
( + Symphony No. 1, Violin Concerto {Yehudi Menuhin – violin},
The Display and Santiago de Espada Overture)
HMV SLS 5085 (2 LPs) (1977)
Richard
Mills/Tasmanian Symphony Orchestra
( + Our Man in Havana - Orchestral Suite, Santiago de Espada
Overture, Sinfonietta and Epitaphs for Edith Sitwell)
ABC CLASSICS 476 8039 (2009)
Sinfonietta (1965)
Rumon Gamba/Iceland Symphony Orchestra
( + Concerto Grosso, Santiago de Espada Overture and Our Man
in Havana Suite)
CHANDOS CHAN 10359 (2006)
Richard
Mills/Tasmanian Symphony Orchestra
( + Our Man in Havana - Orchestral Suite, Sinfonia Concertante,
Santiago de Espada Overture and Epitaphs for Edith Sitwell)
ABC CLASSICS 476 8039 (2009)
Yuval Zaliouk/Melbourne Symphony
Orchestra
( + Robert Hughes: Synthesis and The Forbidden Rite)
RCA RED SEAL (Australia) VRL1 0192 (1978)
Return
to alphabetical index
RICHARD MEALE
(1932-2009)
Born in Sydney. He studied
at the New South Wales State Conservatorium of Music but taught
himself composition. He had further studies at the University
of California in Los Angeles and the joined the staff of the
Australian Broadcasting Commission. In addition to composing,
he has pursued very active careers as pianist, conductor and
teacher. He has written operas but his catalogue mostly contains,
orchestral, chamber and instrumental music. Further examples
of his orchestra music are a Sinfonia for Piano 4-Hands and
Strings (1959), Viridian and a Flute Concerto.
Symphony No. 1 (1995)
David Porcelijn/Adelaide Symphony
Orchestra
( + Scenes from "Mer de Glace" and Viridian)
ABC 8.770015 (1995)
Return
to alphabetical index
ALEXANDER GOEHR
(b. 1932)
Born in Berlin, the son of
the conductor Walter Goehr. The Goehrs emigrated to England
in 1933. Alexander later studied composition at the Royal Manchester
College of Music with Richard Hall and with Olivier Messaien
and Yvonne Loriod in Paris. He held teaching positions in the
UK (Morely College) and America (Yale) and was also on the staff
of the BBC. He has composed prolifically in a wide range of
genres and his orchestral catalogue includes these additional
major works: Sinfonia with Chaconne (1985-6), Piano Concerto
and Violin Concerto.
Little Symphony, Op. 15 (1963)
Norman Del Mar/London Symphony
Orchestra
( + String Quartet No. 2 and Piano Trio)
LYRITA SRCD.264 (2008)
(original LP release: PHILIPS SAL3497) (1965)
Oliver Knussen/ASKO Ensemble
( + Colossos or Panic and The Deluge)
NMC NMCD 165 (2011)
Symphony in One Movement, Op. 29 (1969, rev. 1981)
Richard Bernas/BBC Scottish Symphony
Orchestra
( + Piano Concerto {Peter Serkin – piano})
NMC DO35 (1995)
Edward Downes/New
Philharmonia Orchestra (rec. 1970)
( + Romanza for Cello and Orchestra)
INTAGLIO ING 767 (1994)
Sinfonia for Chamber Orchestra, Op. 42 (1979)
Alexander Goehr/London Sinfonietta
( + Romanza for Cello and Orchestra, Behold the Syn, Metamorphosis/Dance,
Lyric Pieces and ….A Musical Offering J.S.B. 1985…)
NMC DO95 (2 CDs) (2004)
(original CD release: Unicorn-Kanchana DKPCD9102) (1991)
Return
to alphabetical index
JOHN KINSELLA
(b. 1932)
Born in Dublin. He was basically
self-taught in composition. While composing at a steady pace
he worked for RTE (Irish Radio and Television) where he was
Head of Music until 1988 when he resigned to devote himself
to composing full time. He started writing Symphonies very early
on and submitted one to Irish Radio for a competition when he
was seventeen. He has written a cycle of 9 Symphonies two of
which have been recorded. The others are: No. 1(1980-4), No.
2 (1986-8), No. 5 "The 1916 Poets" for Baritone, Speaker
and Orchestra (1991-2), No. 8 for 3 Boy Sopranos and Orchestra
(1999) and No.9 for Strings (2004). He also wrote a Sinfonietta
(1983), 2 Violin Concertos and a Cello Concerto.
Symphony No. 3 "Joie de Vivre" (1989)
Proinnsías Ó Duinn/The
National Symphony Orchestra of Ireland
( + Symphony No. 4)
MARCO POLO 8.223766 (1997)
Symphony No. 4 "The Four Provinces" (1990)
Proinnsías
Ó Duinn/The National Symphony Orchestra of Ireland
( + Symphony No. 3)
MARCO POLO 8.223766 (1997)
Symphony
No.6 (1992)
Robert
Houlihan/RTE National Symphony Orchestra
( + Symphony No.7, Cuchulainn and Ferdia: Duel at the Ford and
Prelude and Toccata for String Orchestra)
RTE LYRIC CD134 (2011)
Symphony
No.7 (1997)
Robert
Houlihan/RTE National Symphony Orchestra
( + Symphony No.6, Cuchulainn and Ferdia: Duel at the Ford and
Prelude and Toccata for String Orchestra)
RTE LYRIC CD134 (2011)
Return
to alphabetical index
HUGH WOOD
(b. 1932)
Born in Parbold, Lancashire.
He studied in London with William Lloyd Webber, Anthony Milner,
Iain Hamilton and Mátyas Seiber. He has had a distinguished
teaching career including positions at Morley College, the Royal
Academy of Music, the University of Glasgow and Cambridge. His
catalogue encompasses works for orchestra, chamber ensembles,
solo instruments and voices. His other major works for orchestra
are a Chamber Concerto and Concertos for Cello, Violin and Piano.
Symphony (1982)
Sir Andrew Davis/BBC Symphony
Orchestra
( + Scenes from Comus)
NMC D070 (2001)
Return
to alphabetical index
SEÓIRSE
BODLEY
(b. 1933)
Born in Dublin. He studied
at the Royal Irish Academy of Music and University College and
went to Stuttgart for composition lessons with Johann Nepomuk
David. He worked as a conductor and was on the faculty of University
College. He composed orchestral, chamber, instrumental and vocal
music. His Chamber Symphony No. 2 (1982) has not been recorded.
Symphony No. 1 for Chamber
Orchestra (1958-9)
Robert
Houlihan/RTÉ National Symphony Orchestra
( + Symphony No. 2 and A Small White Cloud Drifts over Ireland)
RTÉ LYRIC FM CD121 (2009)
Symphony No. 2 "I
Have Loved the Lands of Ireland" (1980)
Robert
Houlihan/RTÉ National Symphony Orchestra
( + Symphony No. 1 and A Small White Cloud Drifts over Ireland)
RTÉ LYRIC FM CD121 (2009)
Symphony No. 3 for Soprano, Mezzo, Tenor, Baritone, Semi-Chorus,
Children’s Chorus, Speaker, Audience and Orchestra "Ceol"
(1980)
Colman
Pearce/Aindreas O Gallchoir (speaker)/Violet Twomey (soprano)/Bernadette
Greevy (mezzo)/Louis Browne (tenor)/William Young (baritone)/RTÉ
Singers and Chorus/Our Lady's Choral Society/St. Patrick's Cathedral
Boy Choir/RTÉ Symphony Orchestra
( + A. Potter: Symphony No. 1)
RTÉ RTE 61 (LP) (1981)
Symphony No. 4 (1991)
Colman Pearce/National Symphony
Orchestra of Ireland
( + Symphony No. 5)
MARCO POLO 8.225157 (2001)
Symphony No. 5 "The Limerick" (1991)
Colman Pearce/National Symphony
Orchestra of Ireland
( + Symphony No. 4)
MARCO POLO 8.225157 (2001)
Symphony for Chamber Orchestra
No. 1 (1964)
Seóirse
BodleyNew Irish Chamber Orchestra
( + Duff: Echoes of Georgian London)
NIRC NIR 012 (LP) (1974)
Sinfonietta (1999)
En Shao/National Youth Orchestra
of Ireland
( + Rachmaninoff: Piano Concerto No. 2 { Finghin Collins –piano},
Stravinsky: Rite of Spring, Rimsky-Korsakov: Scheherazade and
Bernstein: West Side Story-Symphonic Dances)
NATIONAL YOUTH ORCHESTRA OF IRELAND (2 CDs) (2001)
Return
to alphabetical index
COLIN BRUMBY
(b. 1933)
Born in Melbourne. He studied
at the Melbourne University Conservatorium of Music. He had
further compositional training with Philip Jarnach in Santiago
de Compostela, Spain, Alexander Goehr in London and Franco Evangelisti
in Rome. He became music director of several major Australian
orchestras and taught at the University of Queensland. He composed
prolifically in most genres. His other works for orchestra include
Symphony No. 2 "Mosaics of Ravenna" (1993), 2 Violin
Concertos and Concertos for Piano, Viola, Cello, Organ, Guitar,
Flute, Oboe, Bassoon, Clarinet, Horn and Trumpet.
Symphony No. 1 "The Sun" (1981)
Robert Boughen/Queensland Symphony
Orchestra
( + Piano Concerto {Wendy Pomroy – piano} + works by Eric Gross
and Robert Allworth)
JADE JADCD1082
Return
to alphabetical index
WILLIAM MATHIAS
(1934-1992)
Born in Whitland, Wales. He
studied with Ian Parrott (born 1916, composed 5 Symphonies)
at the University College of Wales and at the Royal Academy
of Music with Lennox Berkeley for composition. He then taught
at the University College of North Wales. His musical output
was enormous and ranged from opera to solo instrumental pieces.
His other major orchestral works are 3 Piano Concertos, Concerto
for Orchestra and Concertos for Organ, Violin, Harp, Harpsichord,
Oboe and Clarinet.
Symphony No. 1, Op. 31 (1965)
Sir Charles Groves/Royal Philharmonic
Orchestra
( + Joubert: Symphony No. 1)
LYRITA SRCD.340 (2010)
(original LP rellease: PYE VIRTUOSO TPLS 13023)(1970)
William Mathias/BBC Welsh Symphony
Orchestra
( + Symphony No. 2)
NIMBUS NI 5260 (1990)
Symphony No. 2, Op. 90 "Summer Music" (1982)
William Mathias/BBC Welsh Symphony
Orchestra
( + Symphony No. 1)
NIMBUS NI 5260 (1990)
Symphony No. 3 (1991)
Grant Llewelyn/ BBC Welsh Symphony
Orchestra
( + Oboe Concerto {David Cowley – oboe})
NIMBUS NI 5343 (1992)
Sinfonietta, Op. 34 (1967)
William Mathias/Leicestershire
Schools Symphony Orchestra
( + Tippett: Suite in D, Ridout: Concertante Music and Arnold:
Divertimento)
PYE GOLDEN GUINEA GSGC14103 (LP)(1968)
Arthur Davison/National Youth
Orchestra of Wales
( + Dance Overture, Divertimento, Invocation and Dance, Prelude,
Aria and Finale, Laudi and Vistas)
LYRITA SRCD.328 (1996)
(original LP: BBC REC-222) (1976)
Return
to alphabetical index
SIR PETER MAXWELL DAVIES
(b. 1934)
Born in Manchester. He studied
at the Royal Manchester College of Music, in Rome with Goffredo
Petrassi and at Princeton University with Roger Sessions, Milton
Babbitt and Earl Kim. He founded several organizations for the
purpose of performing contemporary music, organized music festivals,
conducted and taught. He was appointed Master of the Queen’s
Musick in 2004. He is one of the most prolific of contemporary
composers with hundreds of works from operas to chamber music
in his catalogue. In addition to the recorded Symphonies he
has also written: No. 7 (2000), No. 8 "Antarctic Symphony"
(2000), 10 Strathclyde Concertos for various instruments, Piano
Concerto, Violin Concerto and many more works for orchestra.
Symphony No. 1 (1976)
Sir Peter Maxwell Davies/BBC
Philharmonic Orchestra
( + Mavis in Las Vegas)
NAXOS 8.572348 (2012)
(original CD release:COLLINS CLASSICS COL 1435-2) (1995)
Simon Rattle/Philharmonia Orchestra
( + Points and Dances from Taverner)
UNIVERSAL CLASSICS 473721-2 (2003)
(original LP release: DECCA HEADLINE HEAD 21) (1979)
Symphony No. 2 (1980)
Sir Peter Maxwell Davies/BBC Philharmonic
Orchestra
( + St Thomas Wake)
NAXOS 8.572349 (2012)
(original CD release: COLLINS
CLASSICS COL 1403-2) (1994)
Symphony No. 3 (1984)
Sir Peter Maxwell Davies/BBC Philharmonic
Orchestra
( + Cross Lane Fair)
NAXOS 8.572350 (2012)
(original CD release:
COLLINS CLASSICS COL 1416-2) (1995)
Sir Edward Downes/BBC Philharmonic
PRT BBC DIGITAL CD 560
(original LP release: BBC ARTIUM DIGITAL REGL 560) (1985)
Symphony No. 4 (1989)
Sir Peter Maxwell Davies/Scottish
Chamber Orchestra
( + Symphony No. 5)
NAXOS 8.572351 (2012)
(original CD release:
COLLINS CLASSICS COL 1181-2) (1993)
Symphony No. 5 (1994)
Sir Peter Maxwell Davies/Philharmonia
Orchestra
( + Symphony No. 4)
NAXOS 8.572351 (2012)
(original CD release:
COLLINS CLASSICS COL 1460-2) (1995)
Symphony No. 6 (1996)
Sir Peter Maxwell Davies/Royal
Philharmonic Orchestra
( + Time and the Raven)
NAXOS 8572352 (2012)
(original CD release:
COLLINS CLASSICS 1482-2) (1997)
Sinfonia (1962)
Peter Maxwell Davies/ Scottish
Chamber Orchestra
( + Sinfonia Concertante)
REGIS RRC 1148
UNICORN UKCD 2026 (1990)
(original LP release: UNICORN-KANCHANA DKP 9058)
Sinfonia Concertante for Wind Quintet and Orchestra (1982)
Peter Maxwell Davies/ Scottish
Chamber Orchestra
( + Sinfonia)
REGIS RRC 1148
UNICORN UKCD 2026 (1990)
(original LP release:UNICORN-KANCHANA DKP 9058)
Sinfonia Accademica (1983)
Peter Maxwell Davies/ Scottish
Chamber Orchestra
( + Into the Labyrinth)
UNICORN UKCD 2022 (1993)
(original LP release: Unicorn-Kanchana DKP 9038) (1987)
Return
to alphabetical index
SRUL IRVING GLICK
(1934-2002)
Born in Toronto. Studied at
the University of Toronto with John Weinzweig and in Paris with
Darius Milhaud, Louis Saguer and Max Deutsch. He taught at the
Royal Conservatory of Music and York University and worked as
a producer fror the Canadian Broadcasting Corporation. His catalogue
is extensive and varied and includes a large amount of liturgical
music. For orchestra he has written 2 Symphonies: No. 1 for
Chamber Orchestra (1966) and No. 2 for Flute, Vibraphone, Percussion
and Strings (1967) and Heritage (Dance Symphony, 1967) and Divertimento
for Strings.
Sinfonia Concertante for String Orchestra (1961)
John Avison/CBC Vancouver Chamber
Orchestra
( + Alexander Brott: Profundam Praedictum and Clermont Pépin:
Monade No. 1)
RCA RED SEAL (Canada) LSC 3128 (LP) (1970)
Return
to alphabetical index
JIM
PARKER
(b. 1934)
Born
in Hartlepool, County Durham. He studied at the Guildhall School
of Music. Played in orchestras and chamber groups before embarking
on a very successful career as a conductor and composer for
films and television.
Symphony
for Readers and Orchestra "Oscar Wilde: Symphony in
Yellow"
David Chernaik/Gerard
Benson and Cicely Herbert (readers)/Apollo Chamber Orchestra
( + Clarinet Concerto, Betjeman's London and music by Geaorge
Gershwin and Bud Powell)
MERIDIAN CDE 84396 (1999)
CARLO
MARTELLI
(b. 1935)
Born
in London. He had violin lessons and studied orchestral score
reading and began to compose pieces of his own. At the age of
13, he first went to the Royal College of Music where he learned
elementary harmony and studied composition under William Lloyd
Webber. He changed his primary instrument from violin to viola
and became an accomplished viola player. Upon leaving school
at 16, he became a full-time student at the RCM, where his composition
teacher was Bernard Stevens. He had early success as a composer
but changing tastes consigned him to almost complete oblivion
with the exception of film scores. He practically abandoned
composition and made his living as a violist and arranger.Many
of his early works, including his Symphony No. 1 (c. 1951),
have been lost.
Symphony
No. 2, Op. 6 (1955-6)
Martin Yates/Royal Scottish National Orchestrra
( + Joubert: Symphony No. 2, Alwyn: The Fairy Fiddler: Prelude
and Derrybeg Fair)
DUTTON EPOCH CDLX 7270 (2011)
NICHOLAS
MAW
(1935-2009)
Born in Grantham,
Lincolnshire. He studied at the Royal Academy of Music where
Lennox Berkeley was his composition teacher and he went to Paris
for further study with Nadia Boulanger and Max Deutsch. His
academic career included appointments at the Royal Academy and
the Trinity School of Music as well as at other schools in both
the UK and USA. His extensive catalogue includes operas as well
as orchestral, chamber, instrumental and vocal music. Some of
his other major works for orchestra are a Violin Concerto, Odyssey
and the recently premièred Cor Anglais Concerto.
Sinfonia for Small Orchestra
(1966)
Norman Del Mar/English Chamber
Orchestra
( + Addison: Divertimento
for Brass Quartet, Gardner: Theme and Variations for Brass Quartet
and Dodgson: Sonata for Brass Quintet)
LYRITA SRCD.307(2008)
(original LP release: ARGO ZRG 676) (1971)
Return
to alphabetical index
SIR RICHARD RODNEY BENNETT
(1936-2012)
Born in Broadstairs, Kent.
He studied with Howard Ferguson and Lennox Berkeley at the Royal
Academyof Music and in Paris with Pierre Boulez. He taught at
the Royal Academy but then devoted himself primarily to composing
and performing as a jazz pianist. He has wrote a large amount
of music in a multitude of genres and has had great success
in writing film scores. His major orchestral works also include:
Symphony No. 2 (1968), Sinfonietta (1984), Concerto for Orchestra
and Concertos for Violin, Viola, Double Bass and various other
instruments.
Symphony No. 1 (1965)
Igor Buketoff/Royal Philharmonic
Orchestra
( + Bax: Overture to a Picaresque Comedy and Berkeley: Divertimento)
RCA VICTOR SB 6730/RCA VICTOR LSC 3005 (LP) (1968)
Symphony No. 3 (1987)
James De Preist/Monte Carlo Philharmonic
Orchestra
( + Violin Concerto {Vadim Gluzman – violin} and Diversions)
KOCH INTERNATIONAL CLASSICS KIC 7341 (1996)
Return
to alphabetical index
PAUL
M. DOUGLAS
(1936-2010)
Born
in Constantine, Algeria in 1936, Paul began composing at his
high school in France. He did his graduate studies in Hartford,
Connecticu, completing a Masters degree in music history working
with French masters Louis and Marcel Moyse. He moved to Canada
to become a Full Professor at the University of British Columbia,
where he held positions in Music History, Chamber Music, Woodwind
Techniques, Conducting, Flute and Baroque Flute, as well as
Director of Bands and Wind Ensembles and Coordinator of the
Wind and Percussion Instruments Division.
Symphony
No. 1 "Helvetia" (1993)
Frantisek
Preilser Jr/Pilsen Radio Symphony Orchestra
( + Symphony No. 2 and Ballade Niçoise)
SKYLARK SKY 2001 (2000)
Symphony No. 2 "La Cévenole " (1998)
Frantisek
Preilser Jr/Pilsen Radio Symphony Orchestra
( + Symphony No. 1 and Ballade Niçoise)
SKYLARK SKY 2001 (2000)
DAVID BEDFORD
(1937-2011)
Born in London. He studied at the Trinity College of Music and
then with Lennox Berkeley at the Royal Academy of Music. He
had additional studies with Luigi Nono in Rome. He taught at
Queen’s College in London. He composed in many genres and styles
and wrote much music for educational purposes. He composed a
Symphony No. 2 for Wind Band (1987) and a Symphony for 12 Musicians
(1981) and other works for orchestra.
Symphony No. 1 (1984)
Jac van Steen/BBC Symphony Orchestra
( + Recorder Concerto, Alleluia Timpanis and Twelve Hours of
Sunset)
NMC DO49 (1998)
Return
to alphabetical index
GORDON
CROSSE
(b. 1937)
Born
in Bury, Lancashire. He studied music history with Egon Wellesz
at Oxford and composition with Goffredo Petrassi at the Accademia
di Santa Cecilia in Rome. He held various teaching and composer-in-residence
positions at the Universities of Birmingham, Essex and Cambridge.
The Symphony No. 1 was originally written in 1965 as a Sinfonia
Concertante. His other major orchestral works include Symphony
No. 2 (1975), two Violin Concertos, a Cello Concerto and a Concerto
for Chamber Orchestra.
Symphony No. 1, Op. 13a (1965-1973)
Roderick
Brydon/Scottish Chamber Orchestra
( + Elegy and Dreamsongs)
OXFORD UNIVERSITY PRESS 203 (LP) (1981)
Symphony
No. 2, Op. 37 (1974-5)
Lawrence
Foster/Royal Philh. Orchestra
( +Rands: Aum, for Solo Harp and Chamber Ens.)
BBC TRANSCRIPTION SERVICES CN 2553 (non-commercial LP) (1976)
Return
to alphabetical index
HOWARD BLAKE
(b. 1938)
Born in London. He studied
at the Royal Academy of Music with
Howard Ferguson and Harold Craxton. He is an extremely prolific
composer (584 opus numbers as of May 2007) who has divided his
time between music for movies and televison and music for the
concert hall. His work for the media has brought him great fame.
His major orchestral works are a Symphony in One Movement, Piano
Concerto, Violin Concerto and Concertos for Flute, Oboe and
Clarinet.
Sinfonietta for 10 Brass Instruments, Op. 300 (1981)
Paul Daniel/English Northern Philharmonia
( + Violin Concerto {Christiane Edinger – violin} and A Month
in the Country Suite)
ASV CD DCA 905 (1994)
Return
to alphabetical index
JACQUES HÉTU
(1938-2010)
Born in Trois-Rivières,
Quebec. He first studied music at the University of Ottawa and
then at the Quebec Conservatory of Music at Montreal with Clermont
Pépin, Isabelle Delorme and Jean-Papineau Couture. He
had further lessons with Lukas Foss at the Music Center and
in Paris with Henri Duttileux and Olivier Messaien. He taught
at several schools in the Montreal area and became director
of the music department at the University of Quebec at Montreal.
His catalogue comprises orchestral, chamber and vocal music.
His other major orchestral works are: Symphonies Nos. 2 (1961),
4, Op. 55 (1993) and 5, Op. 81 (2009), Symphonie Concertante
for Wind Quintet and Strings, Op. 40 (1986), Double Concerto
for Violin, Piano and Chamber Orchestra and Concertos for Piano,
Trumpe and Flute.
Symphony No. 1 for Strings, Op. 2 (1959)
Jacques Beaudry/Orchestre à
Cordes de Radio-Canada
( Otto Joachim: Concertante No. 1 and Jean Papineau-Couture:
Pièce Concertante No. 3)
RADIO CANADA INTERNATIONAL RCI 293 (LP)
Symphony No. 3, Op. 18 (1971)
Pierre Hétu/Orchestre de
Radio-Canada
( + Borodin: Symphony No. 2)
RADIO CANADA INTERNATIONAL RCI 436 (LP) (1976)
Franco Mannino/National Arts Centre
Orchestra
( + Norman Symonds: Three Atmospheres, André Prévost:
Célébration and Harry Somers: North Country)
CENTREDISCS CMC 2987 (LP) (1987)
Return
to alphabetical index
JOHN McCABE
(b. 1939)
Born in Huyton, Liverpool.
He studied composition at the University of Manchester with
Humphrey Proctor- Gregg and at Royal Manchester College of Music
with Thomas Pitfield. He had further training at the Munich
Academy of Music as well as private lessons with Harald Genzmer.
He has had a multi-faceted career as composer, pianist and teacher.
His catalogue is extensive and includes works for the theatre,
orchestral and chamber music. Some of his other large-scale
orchestral works are: Symphony No. 3 "Hommages" (1973),
Symphony (No. 5) "Edward II" (1998. from ballet of
the same name), Symphony No.6 Symphony on a Pavane ((2006) and
Symphony(Symphony No.7 Labyrinth (2007),The Chagall
Windows, 2 Violin Concertos, Concerto Funèbre for Viola
and Orchestra and 2 additional Piano Concertos.
Symphony No. 1 "Elegy" (1965)
John Snashall/London Philharmonic
Orchestra
( + Leighton: Concerto for Strings and Adrian Cruft: Divertimento)
PYE VIRTUOSO TPLS13005 (LP) (1968)
Symphony No. 2 (1971)
Louis Frémaux/City of Birmingham
Symphony Orchestra
( + Notturni ed Alba and The Chagall Windows)
EMI CDM567120-2 (1999)
(original LP release: HMV ASD 2904 (1973)
Symphony No. 4 "Of Time and the River" (1993-4)
Vernon Handley/BBC Symphony Orchestra
( + Flute Concerto {Emily Beynon – flute})
HYPERION CDA67089 (1999)
Six-Minute Symphony (1997)
Donatas Katkus/St. Christopher
Chamber Orchestra (Vilnius)
( + Concertante Variations on a theme of Nicholas Maw, Sinfonia
Concertante and Sonata on a Motet)
DUTTON EPOCH CDLX 7133 (2004)
Sinfonia Concertante (Piano Concerto No. 2) (1970)
Donatas Katkus/Tamami
Honma (piano)/St. Christopher
Chamber Orchestra (Vilnius)
( + Concertante Variations on a theme of Nicholas Maw, Six-minute
Symphony and Sonata on a Motet)
DUTTON EPOCH CDLX 7133 (2004)
Return
to alphabetical index
JOHN RIMMER
(b. 1939)
Born in Auckland. He studied
composition at the University of Auckland under Ronald Tremain
(1923-1998, composed a Symphony and a Symphony for Strings)
and had further lessons with John Weinzweig at the University
of Toronto. He held teaching posts at the Universities of Otago
and Auckland. His compositions cover a wide range of genres
from opera to electronic music. His Symphony No. 1 (1968), Viola
Concerto and Europa - a Concerto for for Brass Band and Orchestra
are his other large works for orchestra.
Symphony (No. 2) "The Feeling of Sound" (1989)
John Hopkins/Auckland Philharmonia
( + Edwin Carr: Symphony No. 3 and Ivan Zegni: Breath of Hope)
MANU CD 1415 (1992)
Return
to alphabetical index
PATRIC STANDFORD
(b. 1939)
Born in Barnsley, Yorkshire.
He studied at the Guildhall School of Music with Edmund Rubbra
and Raymond Jones. He had further lessons with Gian Francesco
Malipiero in Italy and Witold Lutosławski in Poland. He
taught at the Guildhall School and later became director of
the music school at the University of Leeds. He has composed
in all genres including a considerable number of major works
for orchestra. His unrecorded Symphonies are: No. 2 "Christus-Requiem
for 4 Soloists, Narrator, Chorus, Children’s Chorus and Orchestra
(1971-2, rev. 1980), No. 3 "Towards Paradise" for
Chorus and Orchestra (1982), No. 4 "Taikyoku" for
2 Pianos and Percussion (1975-9), No. 5 with Soprano Solo (1986)
and No. 6 (1995). He also wrote a Concertos for Piano, Violin
and Cello.
Symphony No. 1 "The
Seasons, An English Year" (1972)
David
Lloyd-Jones/Royal Scottish National Orchestra
( + Cello Concerto and The Naiades: Prelude to a Fantasy)
BRITISH MUSIC SOCIETY BMS441CD (2012)
A Christmas Carol Symphony (1978)
Gavin Sutherland/Prague Philharmonic
Orchestra
( + works by Bryan Kelly: Improvisations on Christmas Carols,
Peter Warlock: Bethlehem Down, Philip Lane: Wassail Dances and
Hely-Hutchinson: Carol Symphony)
NAXOS 8.557099 (2003)
Return
to alphabetical index
MARGARET
LUCY WILKINS
(b. 1939)
Born
in Kingston-upon-Thames.. She began composing as a child and
then studied composition at Trinity College of Music in London
with Gladdys Puttick and continued her education at the University
of Nottingham where she studied composition with James Fulkerson.
She taught music theory and piano in St. Andrews and lectured
on composition and women in music at the University of Huddersfield
and also taught at Queen's University in Belfast. She has composed
stage, orchestral, chamber, choral, vocal, piano, organ, harpsichord
and electro-acoustic music.
Symphony
(1989)
Barrie
Webb/Timisoara Symphony Orchestra
( + Musica Angelorum, Struwwelpeter, Burnt Sienna: Etude for
String Trio and 366" for Solo Trombone)
VIENNA MODERN MASTERS VMM 3055 (2003
DEREK
BOURGEOIS
(b. 1941)
Born in Kingston on Thames.. He graduated from Cambridge
University with undergraduate and graduate degrees in music,
and then spent two years at the Royal College of Music where
he studied composition with Herbert Howells and conducting with
Sir Adrian Boult. He was a Lecturer in Music at Bristol University,
conductor of the Sun Life Band and was Chairman of the Composers
Guild of Great Britain. He left his teaching post to become
the Musical Director of the National Youth Orchestra of Great
Britain. Later on, he was appointed Artistic Director of the
Bristol Philharmonic Orchestra and become the Director of Music
of St Paul's Girls' School in London. He has composed prolifically
in many genres and is best known as a band specialist. However,
he has written instrumental works in all possible combinations
and has surpassed Havergal Brian as Britain's most productive
symphonist. The numbered Symphonies that have been recorded
are band arrangements of works originally scored for normal
orchestra. The unrecorded Symphonies are: Nos. 1 in G minor,
Op. 10 (1961), 2, Op. 27 (1968), 3, Op. 57 (1977), 5, Op. 68
(1980), 7, Op. 158 for Tenor Solo, Chorus and Orchestra "The
First Two Thousand Years" (1999), 9, Op. 185 (2003), 10,
Op. 190 (2003), 11, Op. 195 (2003), 12 in C, Op. 197 (2003),
13, Op. 199 "The Unlucky" (2003), 14 in One Movement
, Op. 200 (2003), 15, Op. 201 (2003), 16, Op. 207 for Soprano
Solo and Orchestra "Songs of Mallorca" (2004), 17,
Op. 208 (2004), 18, Op. 214 (2004), 19, Op. 216 (2004), 20,
Op. 218 (2005), 21, Op. 219 (2005), 22, Op. 224 (2005), 23,
Op. 226 (2005), 24, Op. 230 (2005), 25 in One Movement, Op.
232 (2005), 26, Op. 233 (2005), 27, Op. 235 (2005), 28, Op.
237, (2006), 29, Op. 238 (2006), 30, Op. 241 (2006), 31, Op.
244 (2006), 32, Op. 245 (2006), 33, Op. 247 (2006), 34, Op.
249 (2006), 35, Op. 250 (2006), 36, Op. 252 (2007), 37, Op.
254 (2007), 38, Op. 256 (2007), 39, Op. 258 (2007), 40, Op.
259 (2007), 41 in C major, Op. 261 "Sinfonia Andalucia"
(2007), 42, Op. 262 for Soloists, Chorus and Orchestra Life,
the Universe and Everything (2008), 43, Op. 270 "A
Wedding Present for Norma" (2008), 44, Op. 273 (2009),
45, Op. 275 "What Ho! Symphony (2009), 46, Op. 276
"A Dorset Symphony" (2009), 47 in One Movement, Op.
278 (2009), 48, Op. 280 (2009), 49, Op. 281 (2009), 50, Op.
284 (2009), 51 in A flat minor, Op. 286 (2009), 52, Op. 287
"The Halfway" (2009), 53 in C minor, Op. 288 "Sinfonia
Semplice" (2010), 54, Op. 289 (2010), 55, Op. 290 (2010),
56, Op. 292 (2010), 57, Op. 294 (2010), 58 in One Movement,
Op. 296 (2010), 59, Op. 298 "Percussion Symphony"
(2010), 60, Op. 299 (2010), 61, Op. 300 (2010), 62, Op. 302
(2010), 63, Op. 303 (2011), 64, Op. 305 (2011), 65, Op. 306
Overture, Concerto and Symphony (2011), 66, Op.
311 (2011) and 67, Op. 315 The Tuneful (2011). There
is also a Sinfonietta for Chamber Orchestra, Op. 93 (1984)
Symphony
No. 4, Op. 58 "Wine Symphony" (1978)
Norbert
Nozy/Royal Symphonic Band of the Belgian Guides
HAFABRA MUSIC ES 47.367 CD
Symphony No. 6, Op. 109 "A Cotswold Symphony"
(1988)
Norbert
Nozy/Royal Symphonic Band of the Belgian Guides
( + Borodin: Polovtsian Dances )
HAFABRA MUSIC ES 47.409 CD (2002)
Symphony No 8, Op.184a "The Mountains of Majorca"
(2002)
Norbert
Nozy/Royal Symphonic Band of the Belgian Guides
HAFABRA MUSIC ES 47.427 CD
Symphony
Of Winds, Op. 67 (1980)
Pieter
Jansen/Marine Band of the Royal Netherlands Navy
( + Alto Sax Concerto, Fribourg, March Winds and
Double Concerto for Trumpet, Bass Trombone and Band)
MUSICA MUNDANA MUMU 30T9 (2005)
Timothy
Reynish/Ithaca College Symphonic Band
( + Ranki: King Pomade Suite No. 2, Richard Rodney Bennett:
Elegy for Miles Davis, Carroll: Blackwater and Connor: Tails
aus dem Vood Viennoise)
MARK CUSTOM RECORDING SERVICE 6733 (2006)
Sinfonietta
for Winds, Op. 85
Rolf
Schumacher/Sinfonisches BlasOrchester Bern
( + Heins: Overtüre for Wind Band, Jaeggi: Triumph March,
Weber: Concertino for Horn, Rossini: Introduction, Theme und
Variation for Clarinet, Grainger: Country Gardens and J. Williams:
The Cowboys)
TONSTUDIO LANZ CD 920629
EDWARD
HARPER
(1941-2009)
Born
in Taunton, Somerset. He studied at Oxford and the Royal College
of Music where he was taught by Gordon Jacob and later in Milan
under Franco Donatoni. In 1964 he became a lecturer in music
at Edinburgh University. His Symphony No. 1 dates from 1979
and his other major works include a series of Three Fantasias
for chamber orchestra, 11 strings and brass quintet respectively,
Clarinet Concerto and two operas.
Symphony
No. 2 for Chorus and Orchestra (2006)
Garry
Walker/Scottish Chamber Chorus/Scottish Chamber Orchestra
( + Three Folk Settings, The Lowlands of Holland, The Ash Grove,
Mairi's Wedding, and Scena II)
DELPHIAN DCD34069 (2008)
JENNY McLEOD
(b. 1941)
Born in Wellington. Studied
at the University of Victoria where her teachers included Douglas
Lilburn and David Farquhar. She then went to Europe where she
had lessons from Olivier Messaien, Pierre Boulez, Karlheinz
Stockhausen and Luciano Berio. She became a professor at the
University of Victoria. Her music is oriented to non-Western
and other non-traditional sources. Her most important works
are the large choral/orchestral pieces "Earth and Sky"
and "Under the Sun."
Little Symphony (1963)
Kenneth Young/New Zealand Symphony
Orchestra
( + Douglas Lilburn: Aotearoa Overture, Anthony Watson: Prelude
& Allegro, Anthony Ritchie: The Hanging Bulb, Christopher
Blake: Till Human Voices Wake Us, Gillian Whitehead: Resurgences,
David Farquhar: A Short Suite from "Ring Round the Moon",
Larry Pruden: Harbour Nocturne and Edwin Carr: The Snow Maiden)
CONTINUUM CCD 1073-2 (2 CDs) (1995)
Return
to alphabetical index
PHILIPP BRACANIN
(b. 1942)
Born in Boulder, Western Australia. He studied at the University
of Western Australia. He became a professor at the University
of Queensland. His catalogue includes works for orchestra as
well as chamber, vocal and instrumental music. Some of his other
orchestral works are: Symphony (No. 1) "Sinfonia Mescolanza"
(1982), 2 Concertos for Orchestra, Concertos for Piano, Violin,
Viola, Cello, Guitar, Clarinet, Oboe and Trombone.
Symphony No. 2 "Choral" (1995, rev. 1997)
Werner Andreas Albert/Margaret
Schindler (soprano), The Brisbane Chorale/Queensland Symphony
Orchestra
( + Symphony No. 3)
ABC CLASSICS 465 433-2 (2000)
Symphony No. 3 (1995, rev. 1997)
Werner Andreas Albert/Queensland
Symphony Orchestra
( + Symphony No. 2)
ABC CLASSICS 465 433-2 (2000)
Return
to alphabetical index
PHILIP
SPRATLEY
(b. 1942)
Born
in Balderton, Nottinghamshire. He played the piano and organ
as a youth and then studied at the Royal Manchester College
of Music where Thomas Pitfield was his composition teacher.
He held various teaching positions including a 20 year stint
as Director of Music at Bourne Abbey. His catalogue is not extensive
but includes the opera "Rutterkin," A Choral Symphony
and a Violin Concerto.
Sinfonietta
for String Orchestra, Op. 6 (rev. 1987)
Barry
Wordsworth/Royal Ballet Sinfonia
( + Clarinet Concertino, Recorder Concertino and Suite for Harp,
Trumpet and Strings)
TOCCATA CLASSICS TOCC 0088 (2009)
ROSS EDWARDS
(b. 1943)
Born in Sydney. He studied
at the New South Wales State Conservatorium of Music and the
University of Adelaide with teachers that included Peter Sculthorpe
and Richard Meale. He went to the UK for further lessons with
Peter Maxwell Davies and also with Sándor Veress in Switzerland.
He has done some teaching but has been able to devote most of
his musical time to composing. His large catalogue includes
works for orchestra, chamber groups and voice. His other Symphonies
are: No. 2 "Earth Spirit Songs" for Soprano and Orchestra
(1996-7) and No. 5 "The Promised Land" for Children’s
Choir and Orchestra (2004-5). He has also written Concertos
for Piano, Violin, Oboe and Guitar.
Symphony No 1 "Da Pacem Domine" (1996-7)
Richard Mills/Adelaide Symphony
Orchestra (rec. 2002)
( + Symphony No. 4)
ABC CLASSICS 476 6161 (2008)
David Porcelijn/Sydney Symphony
Orchestra
(+ Violin Concerto {Dene Olding – violin} and Yarrageh Nocturne)
ABC CLASSICS 438 610-2 (2002)
Symphony No. 3 "Mater Magna" (1998-2000)
Markus Stenz/Melbourne Symphony
Orchestra
(+Peter Sculthorpe: Music for Federation and Brenton Broadstock:
Federation Flourish)
ABC CLASSICS 461 830-2 (2001)
Symphony No. 4 "Star
Chant" (2001)
Richard Mills/Adelaide Philharmonia
Chorus/Adelaide Symphony Orchestra (rec. 2002)
( + Symphony No. 1)
ABC CLASSICS 476 6161 (2008)
Return
to alphabetical index
DAVID
MATTHEWS
(b. 1943)
Born in London. He studied
composition privately with Anthony Milner and received advice
from Nicholas Maw (b. 1935, composed a Sinfonia for Small Orchestra).
He has written books and articles on music and served as Benjamin
Britten’s assistant at Alderburgh. He has composed orchestral,
chamber, choral, vocal and piano works. His other orchestral
works include Sinfonia, Op. 67 (1995-6), 2 Violin Concertos
and an Oboe Concerto.
Symphony No. 1, Op. 9 (1975-8)
Martyn Brabbins/BBC National
Orchestra of Wales
( + Symphonies Nos. 3 and 5)
DUTTON EPOCH CDLX 7222 (2009)
Symphony No. 2, Op. 17 (1976-9)
Jac Van Steen/BBC National Orchestra
of Wales
( + Symphony No. 6)
DUTTON EPOCH CDLX 7234 (2010)
Symphony No. 3, Op. 37 (1985-5)
Martyn Brabbins/BBC National Orchestra
of Wales
( + Symphonies Nos. 1 and 5)
DUTTON EPOCH CDLX 7222 (2009)
Symphony No. 4, Op. 52 (1989-90)
Malcolm Nabarro/East of England
Orchestra
( + Cantiga, September Music and Introit)
NMC D084 (2001)
(original CD release: COLLINS CLASSICS 2008-2) (1993)
Symphony No. 5, Op. 78 (1998-9)
Martyn Brabbins/BBC National
Orchestra of Wales
( + Symphonies Nos. 1 and 3)
DUTTON EPOCH CDLX 7222 (2009)
Symphony No. 6, Op. 100 (2003-7)
Jac Van Steen/BBC National Orchestra
of Wales
( + Symphony No. 2)
DUTTON EPOCH CDLX 7234 (2010)
Return
to alphabetical index
ROGER SMALLEY
(b. 1943)
Born in Swinton, Manchester.
He studied at the Royal College of Music where his composition
teachers were Peter Racine Fricker and John White. He had private
lessons with Alexander Goehr and studied with Karlheinz Stockhausen
in Cologne. He went to Australia in 1971 and taught at the University
of Western Australia. As a pianist he has performed much music
by avant- garde composers. He has written for the theater as
well as orchestral, chamber and vocal music. His other works
for orchestra include Concertos for Piano, Cello, Oboe and Contrabassoon.
Symphony (1991)
Patrick Thomas/Sydney Symphony
Orchestra
( + Piano Concerto { Roger Smalley – piano})
OZ MUSIC OZM-1001 (1987)
Return
to alphabetical index
FRANK CORCORAN
(b. 1944)
Born in Tipperary. He studied
in Dublin, Rome and with Boris Blacher in Berlin. He worked
as a music inspector for the Irish Board of Education and taught
at various schools in Germany and America. He has written orchestral,
chamber, instrumental, vocal and electromiic music. His other
orchestral works include: Symphony No. 1 (1980), Chamber Symphony
No. 1 (1976), Symphony No.1 for 23 Wind Instruments (1981) and
Concerto for String Orchestra.
Symphony No. 2 (1981)
Colman Pearce/National Symphony
Orchestra of Ireland
( + Symphonies Nos. 3 and 4)
MARCO POLO 8.225107 (1999)
Symphony No. 3 (1984)
Colman Pearce/National Symphony
Orchestra of Ireland
( + Symphonies Nos. 2 and 4)
MARCO POLO 8.225107 (1999)
Symphony No. 4 (1996)
Colman Pearce/National Symphony
Orchestra of Ireland
( + Symphonies Nos. 2 and 3)
MARCO POLO 8.225107 (1999)
Return
to alphabetical index
CHRISTOPHER GUNNING
(b. 1944)
Born in Cheltenham. He studied
at the Guildhall School of Music where his teachers included
Edmund Rubbra and Richard Rodney Bennett. Until quite recently
most of his compositional efforts have been devoted to scores
for movies and television and he has had great success in this
area. Of late, however, he has composed a number of concert
works including Symphonies Nos. 2 and No. 3 as well as Concertos
for Piano, Oboe, Saxophone and Clarinet.
Symphony No. 1 (2002)
Christopher Gunning/Slovak Radio
Symphony Orchestra
( + Piano Concerto {Olga Dudnik – piano} and Storm)
ALBANY TROY 686 (2004)
Symphony No. 3 (2005)
Christopher
Gunning/Royal Philharmonic Orchestra
( + Symphony No. 4 and Oboe Concerto)
CHANDOS CHAN 10525 (2009)
Symphony No. 4 (2007)
Christopher
Gunning/Royal Philharmonic Orchestra
( + Symphony No. 3 and Oboe Concerto)
CHANDOS CHAN 10525 (2009)
Return
to alphabetical index
ROSS
HARRIS
(b.1945)
Born
in Amberley, New Zealand. He studied in Christchurch and Wellington
and taught at the Victoria University of Wellington Music Department
for over thirty years.After his retirement, he became a freelance
composer. He has composed operas, orchestral, chamber, piano,
vocal, jazz, klezmer and electronic works. His Symphony No.
1 is from 2005.
Symphony
No. 2 for Soprano and Orchestra (2005-6)
Madeleine Pierard (soprano)/Marko Letonja/Auckland Philharmonia
Orchestra
( + Symphony No. 3)
NAXOS 8.572574 (2012)
Symphony No. 3 (2007-8)
Madeleine Pierard (soprano)/Marko Letonja/Auckland Philharmonia
Orchestra
( + Symphony No. 2)
NAXOS 8.572574 (2012)
JOHN
SPEIGHT
(b.1945)
Born
in Plymouth. At the Guildhall School of Music, he first trained
as a singer but also studied composition with Richard Rodney
Bennett. He moved permanently to Iceland in 1972. He has composed
operas, orchestral and instrumental works.
Symphony
No. 1 "Sinfonia Trittico" (1983-4)
Páll
Pamplicher Pálsson/Iceland Symphony Orchestra
( + Symphony No. 2 and Clarinet Concerto)
ICELANDIC MUSIC ITM7-14 (2001)
Symphony No. 2 for Soprano and Orchestra (1991)
Anne
Manson/Julie Kennard (soprano)/Iceland Symphony Orchestra
( + Symphony No. 1 and Clarinet Concerto)
ICELANDIC MUSIC ITM7-14 (2001)
JOHN METCALF
(b. 1946)
Born in Swansea. He studied
composition with Alun Hoddinott at University College, Cardiff
and then had private lessons with Don Banks as well as instruction
in electronic music at Goldsmith's College in London. Later
on he worked with
Paul Fetler at the University of Minnesota. He is a joint citizen
of the UK and Canada and has served as artistic director at
the Banff Centre in Canada and the Glamorgan and Swansea Festivals
in Wales. Considered one of Wales’ leading contemporary composers,
he has composed operas as well as works for orchestra, chamber
groups, solo instruments and voice. His other orchestral works
include a Marimba Concerto and Mapping Wales for Harp and Strings.
Cello Symphony "the song is wordless - the singing will
never be done" (2004)
William Boughton/Raphael Wallfisch
(cello)/English Symphony Orchestra
( + Mapping Wales and Plain Chants)
NIMBUS NI5746 (2005)
Return
to alphabetical index
STEVEN
GELLMAN
(b.
1947)
Born
in Toronto. He first studied locally with Samuel Dolin at the
Royal College of Music and then went to the Juilliard School
of Music in New York where his teachers were Vincent Persichetti,
Roger Sessions and Luciano Berio. Later on he had further lessons
at Aspen with Darius Milhaud and at the Paris Conservatoire
with Olivier Messiaen. Back in Canada, he became a professor
at the University of Ottawa. He has composed in various genres
including piano solo, chamber music, vocal, choral and many
orchestral works. Among the latter are his Symphony II (1972),
Universe Symphony (1986) and 2 Piano Concertos and a Viola Concerto.
Symphony
in Two Movements (1971)
Boris
Brott/Hamilton Philharmonic Virtuosi
(
+ Bizet: Jeux d’Enfants, Fauré: Pavane and Delius: On
Hearing the First Cuckoo in Spring and Summer Night on the River)
CBC
BR SM 295 (LP) (1976)
Return
to alphabetical index
PAUL PATTERSON
(b. 1947)
Born in Chesterfield, Derbyshire.
He studied at the Royal Academy of Music with Elizabeth Lutyens,
Hans Keller and Harrison Birtwistle and also had private lessons
from Richard Rodney Bennett. He has taught at the Royal Academy
as well as the University of Warwick and has composed prolifically
in most genres with a special emphasis on orchestral and chamber
music. Some of his other works for orchestra are: Piccolo Sinfonia,
Op. 10 (1971), Concerto for Orchestra and Concertos for Violin,
Cello, Horn, Clarinet and Trumpet.
Sinfonia for Strings, Op. 46
(1982)
Geoffrey Simon/Royal Philharmonic
Orchestra
( + Mass of the Sea)
PICKWICK CRRPO 5008 (1999)
Return
to alphabetical index
MICHAEL BERKELEY
(b. 1948)
Born in London, the son of
Sir Lennox Berkeley. He studied with his father at the Royal
Academy of Music and then privately with Richard Rodney Bennett
and worked closely with Benjamin Britten who was his godfather.
In addition to several positions as composer-in-residence, he
has teaches at the Welsh College of Music and Drama. His catalogue
comprises music for the theater as well as orchestral, chamber,
instrumental and vocal music. His larger works for orchestra
include Uprising: Symphony in One Movement (1980), Concerto
for Orchestra, Fantasia Concertante and Concertos for Cello,
Viola, Organ, Clarinet, Oboe and Horn.
Chamber Symphony (1980)
Nash Ensemble
( + Clarinet Quintet, Piano Trio and Fierce Tears I)
HYPERION A 66213 (LP) (1985)
Uprising
(Symphony for Chamber Orchestra in One Movement) (1980)
Charles
Peebles/Southern Pro Arte
( + The Romance of the Rose and Leighton: Organ Concerto)
HYPERION A66097 (LP) (1984)
Return
to alphabetical index
DAVID
F. GOLIGHTLY
(b. 1948)
Born
in Stanhope County, Durham. He studied composition with Richard
Steinitz at Huddersfield University and later with Alfred Neiham
at the Guildhall School of Music and Drama. Major works include
the St. Petersburg Mass that was premiered in the State Capella
Hall, St. Petersburg in 1994. The first and second symphonies
and a number of concertos and chamber pieces have been recorded
or have been scheduled for recording.
Symphony
No. 1 "The Middlesbrough Symphony" (2000)
Gavin
Sutherland/City of Prague Philharmonic Orchestra
( + 3 SeaScapes)
MODRANA MUSIC ASC CS CD38 (2000)
Return
to alphabetical index
JONATHAN LLOYD
(b. 1948)
Born in London. He trained
at the Royal College of Music where his composition teachers
were Emile Spira, Edwin Roxburgh and John Lambert. He had further
lessons in America with György Ligeti at the Berkshire
Music Center. His catalogue is large and varied and he has received
many commissions and performances by major orchestras. He has
written 5 Symphonies thus far. The unrecorded ones are: No.
1 (1983), No. 3 for Chamber Orchestra (1987) and No. 5 (1989).
He has written Concertos for Piano, Violin and Viola.
Symphony No. 2 (1983-4)
Lothar Zagrosek/South-West German
Radio Orchesta
( + Mass for Six Solo Voices)
LARGO 5118 (1992)
Symphony No. 4 (1988)
Martyn Brabbins/BBC Symphony Orchestra
NMC DO46M (1998)
Return
to alphabetical index
SHAUN DAVEY
(b. 1948)
Born in Belfast. He studied
art history in Dublin and London but established himself as
a composer of advertising jingles and film scores. His concert
music can be described as symphonic folk music and emphasizes
Irish history and legends. His other orchestral works are a
Concerto for Uillean Pipes and a Concerto for 2 Harps.
The Relief of Derry Symphony (1989)
Gearóid Grant/Liam O'Flynn
(uillean pipes), Rita Connolly (soprano), Gerard McChrystal
(soprano saxophone)/UlsterOrchestra
Tara CD3024 (1990)
Return
to alphabetical index
JEANNE
ZAIDEL-RUDOLPH
(b. 1948)
Sefirot
Symphony for Winds, Brass, Percussion and Harp (1992)
Omri
Hadari/National Symphony Orchestra
( + Masada, Tempus Fugit, At the End of the Rainbow, Virtuoso
I, and Fanfare Festival Overture)
CLAREMONT CD GSE 1532 (1994)
CHRISTOPHER BLAKE
(b. 1949)
Born in Christchurch. He studied at the University of Canterbury
School of Music and then went to England for further training
at the University of Southampton School of Music. He has held
a number of posts in music administration including the title
of general manager of the National Opera of New Zealand and
the Auckland Philharmonia. He has composed in a wide variety
of genres from opera to chamber music. Among his other works
for orchestra area Concerto Aoraki for Violin and Orchestra
and a Piano Concerto "The Coming of Tane Mahuta."
Symphony "The Islands" (1992-5)
Lucas Vis /New Zealand Symphony
Orchestra
( + Echelles de Glace, The Furnace of Pihanga and We All Fall
Down)
ATOLL CD 403 (2003)
Return
to alphabetical index
RICHARD
MILLS
(b. 1949)
Born
in Toowoomba, Queensland. He studied in London at the Guildhall
School of Music and Drama and worked as a percussionist in England
and for the Tasmanian Symphony Orchestra. He started conducting
and composing in the 1980s and has composed orchestral, chamber,
instrumental, choral and vocal works as well as music for the
stage.
Symphony
of Nocturnes (2008)
Richard Mills/ Geoff Lierse (theremin)/ Melbourne Symphony Orchestra
( + Pages from a Secret Journal, Bamaga Diptych, Tenebrae and
Archangels' Trumpet Song for the Majesty of Clouds in Moonlight)
ABC CLASSICS ABC4764217 (2 CDs) (2011)
PHILIP
WILBY
(b. 1949)
Born
in Pontefract, West Yorkshire..He was educated at Leeds Grammar
School and Keble College, Oxford, His interest in composition
was stimulated by Herbert Howells whose extra-curricular composition
classes he attended while a violinist in the National Youth
Orchestra of Great Britain. A serious commitment to composition
developed while attending Oxford where he gained his B Mus in
composition. He worked as a professional violinist at Covent
Garden and later with the City of Birmingham Symphony Orchestra..
He became a lecturer at the University of Leeds where he taught
various composition, liturgy, directing, and score reading classes
and was co-founder of the Leeds University Liturgical Choir.
As a composer, he has written in various genres but specializes
in music for winds and brass. Among his other works is a Little
Symphony for Brass (1985)
Symphonia
Sacra for Wind Ensemble (1986)
Lawrence
Sutherland/California State University (Fresno) Wind Ensemble
( + Revelation, The Lowry Sketchbook, Purcell Fantasia and Toccata
Brilliante)
DOYEN DOYCD053 (1996)
Revelation : Symphony for Double Brass (1995)
James
Watson/Black Dyke Mills Band
( + Sinfonia Sacra, The Lowry Sketchbook, Purcell Fantasia and
Toccata Brilliante)
DOYEN DOYCD053 (1996)
MICHAEL
MATTHEWS
(b. 1950)
Born
in Gander, Newfoundland to American parents. He studied composition
with Larry Austin at the University of North Texas and Aurelio
de la Vega at California State University Northridge and also
studied conducting with Anshel Brusilow and Lawrence Christianson.
He was a lecturer in music at the University of Manitoba, assistant
professor of music at Mokwon Methodist U in Seoul, South Korea,
a founding director of the Manitoba Institute for Music Technology
and then became assistant professor and founding director of
the computer music studio in the School of Music, University
of Manitoba. He has composed orchestral, chamber, instrumental,
vocal, choral and electronic works. Amomg his orchestral works
are his Symphonies Nos. 2 (2001) and 3 (2005).
Symphony No. 1 (1994)
Virko
Baley/Kiev Camerata Orchestra
( + Out of the Earth for Soprano and Chamber Orchestra)
TROPPE NOTE/CAMBRIA TNC CD-1415 (2001)
PETER
PAUL NASH
(b.1950)
Symphony
No. 1 (1991)
Martyn Brabbins/BBC Symphony Orchestra
( + Apollinaire Choruses)
NMC D055 (1999)
JOHN BUCKLEY
(b. 1951)
Born in Templeglantine, County
Limerick. His composition teachers were James Wilson (1922-2005,
composed 3 Symphonies), Alun Hoddinott and John Cage. He teaches
at St. Patrick’s College, Drumcondra and does broadcasts for
Irish Radio. He has written orchestral, chamber, instrumental,
vocal and choral music and has won several prizes. His only
Symphony thus far is supplemented in his orchestral catalogue
by Concertos for Organ, Bassoon and Alto Saxophone, a Concerto
for Chamber Orchestra and Quatuor for Four Orchestras.
Symphony No. 1 (1987-8)
Colman Pearce/National Symphony
Orchestra of Ireland
( + Organ Concerto {Peter Sweeney – organ})
MARCO POLO 8.223876 (1999)
Return
to alphabetical index
RONALD
CORP
(b. 1951)
Born
in Wells, Somerset. He had his musical education at Oxford University.
He founded the New London Orchestra in 1988 and the New London
Children's Choir in 1991. He has conducted various orchestras
and has made many acclaimed recordings with his own orchestra.
As a composer, he has produced orchestral, chamber, instrumental,
vocal and choral works.
Symphony
No. 1 (2009)
Ronald
Corp/Royal Liverpool Philharmonic Orchestra
( + Piano Concerto No. 1 and Guernsey Postcards)
DUTTON EPOCH CDLX 7233 (2009)
PHILIP
SAWYERS
(b. 1951)
Born
in London. He studied violin with Colin Sauer, Joan Spencer
and Max Rostal, and composition with Helen Glatz with guidance
from Buxton Orr, Patric Standford and Edmund Rubbra. He was
a member of the Royal Opera House Orchestra, Covent Garden and
now works as a violinist, composer, and teacher. His Symphony
No. 2 appeared in 2008.
Symphony
No. 1 (2004)
David
Lockington /Grand Rapids Symphony (rec. 2004)
( + The Gale of Life and Symphonic Music for Strings and Brass)
NIMBUS ALLIANCE NI 6129 (2010)
PHILIP
SPARKE
(b. 1951)
Born
in London. He studied composition, trumpet and piano at the
Royal College of Music. He has specialized in composing and
conducting band music. His catalogue contains numerous works
for various types of bands.
Symphony
for Band (Symphony No. 1)"Earth, Water, Sun, Wind"
(1999)
Kazumasa Watanabe/ Osaka Municipal Symphonic Band
( + Jager: Sinfonia Nobilissima, R. Strauss: Der Rosenkavalier
- Waltzes and Don Juan)
FONTEC FOCD9156 (2001)
Savannah
Symphony for Wind Band (Symphony No. 2) (2010)
Hans
Leenders/Royal Netherlands Army Band
( + A Savannah Symphony (Symphony No 2, Maple Leaf Overture;
The Sun Will Rise Again, White Light; Calcott: Drink to Me Only
with Thine Eyes, Rota: The Godfather Waltz and Ravel: Bolero)
ANGLO RECORDS AR 027-3 (2011)
Sinfonietta
No. 1 for Concert Band (1990)
Rob
Wiffin/Central Band of the Royal Air Force
( + Fiesta!, Diversions, Ellerby: New World Dances and Gregson:
The Kings Go Forth)
POLYPHONIC QPRM 134D
Sinfonietta
No. 2 for Wind Orchestra (1992)
Douglas
Bostock/Tokyo Kosei Wind Orchestra
( + De Meij: Continental Overture, Gregson: The sword and the
crown, Cesarini: Mosaici Bizantini and Van der Roost: Dynanica)
KOSEI KOCD-3904 (1999)
Rob
Wiffin/Central Band of the Royal Air Force
( + Pantomime, Mountain Song, Short: Old English Suite, Platts:
Delta Dances and Patterson: Mighty Voice).
POLYPHONIC
QPRM 124D
Sinfonietta
No. 3 for
Concert Band "Rheinfelden Sketches" (1990)
Tijman
BotmaJohan Willem Friso Military Band
( + York'scher Marsch, Portrait of a City, Sleepers, Wake, The
White Rose, Morning Song, Three Reger Chorale Preludes and Suite
from Hymn of the Highlands)
ANGLO RECORDS AR 004-3 (2000)
Sinfonietta
No. 4 for Wind Band "Stramproy Centennial"
(2009)
Hans
Leenders/Royal Netherlands Army Band
( + A Savannah Symphony (Symphony No 2, Maple Leaf Overture;
The Sun Will Rise Again, White Light; Calcott: Drink to Me Only
with Thine Eyes, Rota: The Godfather Waltz and Ravel: Bolero)
ANGLO RECORDS AR 027-3 (2011)
Kazumasa
Watanabe/Osaka Municipal Symphonic Band
( + L. Anderson: Piano Concerto, Salfelder: Cathedrals, Giroux:
Poseidon, A. Reed: Othello and D. Brubeck: Blue Rondo à
la Turk)
FONTEC FOCD9513 (2011)
BRENTON BROADSTOCK
(b. 1952)
Born in Melbourne. His higher
musical education began at Monash College in Melbourne, continued
in America at Memphis State University and culminated with lessons
from Peter Sculthorpe at the University of Sydney. He joined
the faculty of the University of Melbourne and has composed
music for the theater, orchestra, band, chamber groups, solo
instruments and voice. The Symphonies are supplemented in his
orchestral catalogue by Concertos for tuba, piano and saxophone.
Symphony No. 1 "Toward the Shining Light" (1988)
Richard Mills/Melbourne Symphony
Orchestra
( + Barry Conyngham: Recurrences and Don Banks: Trilogy)
ABC CLASSICS 426 807-2 (1990)
Andrew Wheeler/Krasnoyarsk Symphony
Orchestra
( + Symphonies Nos. 2, 3, 4 & 5)
ETCETERA RECORDS KTC 2026 (2 CDs) (2001)
Symphony No. 2 "Stars in a Dark Night"
(1989)
Andrew Wheeler/Krasnoyarsk Symphony
Orchestra
( + Symphonies Nos. 1, 3, 4 & 5)
ETCETERA RECORDS KTC 2026 (2 CDs) (2001)
Symphony No. 3 "Voices from the Fire" (1991)
Andrew Wheeler/Krasnoyarsk Symphony
Orchestra
( + Symphonies Nos. 1, 2, 4 & 5)
ETCETERA RECORDS KTC 2026 (2 CDs) (2001)
Symphony No. 4 "Born from Good Angel's Tears"
(1995)
Andrew Wheeler/Krasnoyarsk Symphony
Orchestra
( + Symphonies Nos. 1, 2, 3 & 5)
ETCETERA RECORDS KTC 2026 (2 CDs) (2001)
Symphony No. 5 "Dark Side" (1999)
Andrew Wheeler/Krasnoyarsk Symphony
Orchestra
( + Symphonies Nos. 1, 2, 3 & 4)
ETCETERA RECORDS KTC 2026 (2 CDs) (2001)
Return
to alphabetical index
JOHN
ELMSLY
(b.
1952)
Born
in Auckland. He studied at Victoria University in Wellington
with Douglas Lilburn and David Farquhar. His education continued
in Belgium with Victor Legley at the Royal Conservatory in Brussels
and with Henri Pousseur, Philippe Boesmans and Frederic Rzewski
in Liège. After returning to New Zealand he was appointed
a lecturer at the University of Auckland. He composes in various
genres including electronic music and some of his other orchestral
works are Sinfonia (1980), Sinfonietta (19810, Triple Concerto
for Clarinet, Cello, Piano and Small Orchestra and Pacific Hockets.
Cello
Symphony (1986)
James
Tennant (cello)/John Hopkins/Auckland Philharmonic Orchestra
(
+ C. Blake: The Coming of Tane Mahuta and The Lamentations of
Motuarohia)
RIBBONWOOD
RCD 1003 (1990)
Return
to alphabetical index
OLIVER KNUSSEN
(b. 1952)
Born in Glasgow but brought
up in London. As a teenager he studied composition with John
Lambert and later with Gunther Schuller at the Bershire Music
Center. At age 17 he made a sensational debut as both composer
and conductor of the London Symphony Orchestra with a performance
of his Symphony No. 1 (1966-7). He has subsequently built successful
careers as composer, conductor and teacher at the Royal College
of Music. Besides the Symphonies his orchestral catalogue includes
a Concerto for Orchestra and a Violin Concerto.
Symphony No. 2, Op. 7 (1970-1)
Oliver Knussen/(Elaine Barry –
soprano)/London Sinfonietta
( + Symphony No. 3, Trumpets, Ophelia Dances: Book I, Coursing
and Cantata)
NMC NMCD 175 (2012)
(original LP release: UNICORN-KANCHANA RHD 400) (1982)
Symphony No. 3, Op. 18 (1973-9)
Vladimir Ashkenazy/Royal Philharmonic
Orchestra
( + Walton: Symphony No. 2 and Britten: Serenade)
RPO CDRPO8023 (1991)
Michael Tilson Thomas/Philharmonia
Orchestra
( + Symphony No. 2, Ophelia Dances: Book I, Coursing and Cantata)
NMC NMCD 175 (2012)
(original LP release: UNICORN-KANCHANA RHD 400) (1982)
Return
to alphabetical index
ROBERT SAXTON
(b. 1953)
Born in London. He studied
privately with Elizabeth Lutyens, at Cambridge with Robin Holloway,
at Oford with Robert Sherlaw Johnson and in Italy with Luciano
Berio. He went on to teach at the Guildhall School of Music,
the Royal Academy of Music and at Oxford. He has produced a
large catalogue of music for orchestra, chamber groups, solo
instruments and voice. His larger works for orchestra include
a Symphony for Soprano, Baritone and Orchestra (1993-5), Concerto
for Orchestra and Concertos for Violin and Cello.
Chamber Symphony "The Circles of Light" (1985-6)
Oliver Knussen/London Sinfonietta
( + Concerto for Orchestra, The Ring of Eternity, The Sentinel
of the Rainbow)
EMI CLASSICS CDM566530-2 (1990)
Return
to alphabetical index
CARL VINE
(b. 1954)
Born in Perth. He studied composition
at the University of Western Australia with John Exton. He worked
as a pianist and conductor for various organizations and taught
at the Queensland Conservatorium of Music. He has composed prolifically
in most genres with a penchant for scores for ballet and film.
His other orchestral works include a Percussion Concerto, Concerto
Grosso and Legend Suite.
Symphony No. 1 "Micro Symphony" (1986)
Stuart Challender/Sydney Symphony
Orchestra
(+ Symphonies Nos. 2, 3, 4.2, 5, 6 and Celebrare Celeberrime)
ABC CLASSICS 476 7179 (2 CDs) (2000)
Symphony No. 2 (1988)
Stuart Challender/Sydney Symphony
Orchestra
(+ Symphonies Nos. 1, 3, 4.2, 5, 6 and Celebrare Celeberrime)
ABC CLASSICS 476 7179 (2 CDs) (2000)
Symphony No. 3 (1990)
Stuart Challender/Sydney Symphony
Orchestra
(+ Symphonies Nos. 1, 2, 4.2, 5, 6 and Celebrare Celeberrime)
ABC CLASSICS 476 7179 (2 CDs) (2000)
Symphony No. 4.2 (1993, rev. 1998)
Edo de Waart/Sydney Symphony Orchestra
(+ Symphonies Nos. 1, 2, 3, 5, 6 and Celebrare Celeberrime)
ABC CLASSICS 476 7179 (2 CDs) (2000)
Symphony No. 5 "Percussion" (1995)
Edo de Waart/Synergy (percussion)/Sydney
Symphony Orchestra
(+ Symphonies Nos. 1, 2, 3, 4.2, 6 and Celebrare Celeberrime)
ABC CLASSICS 476 7179 (2 CDs) (2000)
Symphony No. 6 "Choral" (1996)
Edo de Waart/ Sydney Philharmonia
Motet Choir /Sydney Symphony Orchestra
(+ Symphonies Nos. 1, 2, 3, 4.2, 5 and Celebrare Celeberrime)
ABC CLASSICS 476 7179 (2 CDs) (2000)
Return
to alphabetical index
KENNETH
YOUNG
(b. 1955)
Born in Christchurch. As a brass player from childood and after
some musical training in America, he started his professional
musical career playing tuba. He became pricipal tuba of the
New Zealand Symphony Orchestra and began conducting as well
becoming one of his country’s leading conductors. In addition
to composing and conducting he has also taught at the New Zealand
School of Music at Victoria University. His other major works
for orchestra are: Symphony No. 2 (2004), Sinfonietta (1983),
Piano Concerto and Tuba Concerto.
Symphony (No. 1) (1998)
Kenneth
Young/New Zealand Symphony Orchestra
( + Dance and Virgen de la Esperanza)
TRUST MMT 2027 (1998)
Return
to alphabetical index
DARROL
BARRY
(b. 1956)
Born
in Salford.
On
his own, he developed an interest in band music and began arranging
and composing while teaching himself harmony and counterpoint.
He enrolled on the band musicianship course at Salford under
Roy Newsome, Goff Richards, David Loukes and Geoff Whitham.
Through Newsome, he was able to study with Joseph Horovitz at
the Royal College of Music in London and then went on to become
a freelance composer and arranger working for several publishers
and lectured in composing and arranging at Salford University
and other schools. His output is mostly for brass and military
band.
Salford
Sinfonietta (1992)
Richard Evans/BNFL
Band
(
+ Butterworth: Sinfonia for Brass, Steadman-Allen: The Journeyman,
Bulla: Chorale and Toccata ans Sparke: Partita)
Polyphonic Records QPRL062D (2000)
SALLY BEAMISH
(b. 1956)
Born in London. She studied at the Royal Northern
College of Music with Anthony Gilbert and Lennox Berkeley. She
began her musical career as a violist but after moving to Scotland
composing became her main focus. He catalogue encompasses music
for the stage as well as orchestral, chamber, choral and vocal
music. Her orchestral output is substantial and and includes
Symphony Nos. 2 (1998), 3 Viola Concertos and Concertos for
Cello, Trumpet and Accordion.
Symphony
No. 1 (1992)
Martyn
Brabbins/Royal Scottish National Orchestra
( + Flute Concerto and Violin Concerto)
BIS CD-1601 (2010)
MATTHEW CURTIS
(b. 1959)
Born in Embleton, Cumbria.
He had private piano and organ lessons but is self-taught in
composition. He is not a performing musician and has learned
orchestration by reading scores. He gained recognition for his
light orchestral music many examples of which were broadcast
by the BBC. He has also written more serious works including
Symphony in D major (1980), Suite for Orchestra and Divertimento
for Orchestra.
Sinfonietta (2001)
Gavin Sutherland/Royal Ballet
Sinfonia
( + Little Dance Suite, Romanza, Autumn Song, Irish Lullaby,
Graduation Day, Ring in the New and Bon Voyage)
CAMPION CAMEO 2035 (2005)
Return
to alphabetical index
JAMES
MACMILLAN
(b. 1959)
Born in Kilwinning, Scotland.
He studied with Rita McAllister at the University of Edinburgh
and went on to the University of Durham where John Casken (b.
1949, composed Symphony "Broken Consort") was his
composition teacher. After teaching at the University of Manchester,
he devoted himself to composition with great productivity and
remarkable success. His catalogue covers the fields of operatic,
orchestral, chamber, piano and vocal music. Some of his other
works for orchestra are Cello Concerto, Clarinet Concerto, Piano
concerto No. 2 "A Scottish Bestiary" and the Percussion
Concerto "Veni, Veni, Emmanuel."
Symphony (No. 1) "Vigil" (1997)
Osmo Vänskä/Fine Arts
Brass Ensemble/BBC Scottish Symphony Orchestra
BIS CD-990 (1999)
Symphony No. 2 (1999)
James MacMillan/Scottish Chamber
Orchestra
( + Sinfonietta and Cumnock Fair)
BIS CD-1119 (2000)
Symphony No. 3 "Silence" (2002)
James MacMillan/BBC Philharmonic
( + The Confession of Isobel Gowdie)
CHANDOS CHAN 10275 (2005)
Sinfonietta (1991)
James MacMillan/Scottish Chamber
Orchestra
( + Symphony No. 2 and Cumnock Fair)
BIS CD-1119 (2000)
Return
to alphabetical index
ANTHONY
RITCHIE
(b. 1960)
Born
in Christchurch, New Zealand, son of the composer John Ritchie
(b. 1921). He received his musical training at the University
of Canterbury and later studied under Attila Bozay at the Liszt
Academy in Budapest. He was composer- in- residence with the
Dunedin Sinfonia where he composed his Symphony No. 1 and has
had success as a film composer. Among his other works for orchestra
are a Viola Concerto, Flute Concertino and a Concertino for
Piano and Strings.
Symphony
No. 1, Op. 59 "Boum" (1993)
Marc
Taddei/Christchurch Symphony
( + Symphony No. 2)
KIWI-PACIFIC CD SLD-115 (2007)
Symphony No. 2, Op. 95 "The Widening Gyre" (1999)
Marc
Taddei/Christchurch Symphony
( + Symphony No. 1)
KIWI-PACIFIC CD SLD-115 (2007)
Symphony
No. 3, Op. 150 "Janus" (2010)
Tecwyn
Evans/New Zealand Symphony Orchestra
( + A Bugle Will Do, French Overture and Revelations)
ATOLL RECORDS CDACD741 (2012)
Return
to alphabetical index
BRETT
DEAN
(b.1961)
Born in Brisbane. He studied at the Queensland Conservatory
before moving to Germany where he was a violist with the Berlin
Philharmonic Orchestra. Returning to Australia, his posts included
Artistic Director of the Australian National Academy of Music
in Melbourne. He has composed orchestral, chamber, choral and
vocal works.
Pastoral
Symphony for Chamber Orchestra (2000)
H.K. Gruber/Swedish Chamber Orchestra
( + The Siduri Dances, Water Music and Carlo)
BIS CD-1576 (2009)
C.S.L.
(STEPHEN) PARKER
(b. 1961)
Born
in born in Melton Mowbrey, England, he moved to Ireland in 1982.
He began his composition studies with Oliver Knussen and continued
at the Royal College of Music in London with John Lambert. His
output includes film scores as well as solo piano, chamber,
vocal and orchestral works. among which is a Symphony No. 1
(1996).
Sinfonietta
(1996)
Jiri
Mikula/Moravian Philharmonic Orchestra, Olomouc, Czech Republic
( + Szeto: ABC Fanfare, Energy, B. Mills: Tartano, Tanner: The
Warrior's Aria from The Naupaka Floret, Heard: Symphonic Etude
No. 2 and Cleary: Threads)
VIENNA MODERN MASTERS VMM (3041) (1997)
JEFFREY
RYAN
(b. 1962)
Born
in Toronto, Ontario. He studied at the Faculty of Music of Wilfrid
Laurier University where he received his Bachelor of Music degree
and then earned a Master's degree in composition from the University
of Toronto and a Doctor of Musical Arts degree in composition
from The Cleveland Institute of Music, stydying with Donald
Erb. Previous teachers include Alexina Louie, Lothar Klein,
Mariano Etkin, Boyd McDonald, and Owen Underhill. He works as
a freelance coposer and his catalogue ranges from opera, art
song, and choral music to chamber ensemble and orchestral works.
Symphony No. 1 "Fugitive Colours" (2006)
Bramwell
Tovey/Vancouver Symphony Orchestra
( + The Linearity of Light and Equilateral)
NAXOS 8.572765 (2011)
GRAHAM
WATERHOUSE
(b. 1962)
Born
in London. He studied composition with Hugh Wood and Robin Holloway
as well as cello with Maria Kliegel. His output also includes
a Cello Concerto and works for chamber groups. Since 1992 he
has lived in Munich where he is active as a freelance composer
and cellist.
Sinfonietta
for String Orchestra, Op.54 (2002)
Yaron
Traub/English Chamber Orchestra
( + Chieftain's Salute, Mouvements d'Harmonie, Celtic Voices,
Hymnus, Hale Bopp and Jig, Air and Reel)
MERIDIAN CDE 84510 (2004)
MATTHEW TAYLOR
(b. 1964)
Born in London. He studied
with Hugh Wood and Robin Holloway (b. 1943, composed a Symphony)
at Cambridge and Edward Gregson at the Royal Academy of Music
and also studied with Leonard Bernstein at the Schleswig Holstein
Music Festival. He has been active as a composer and conductor.
In the latter capacity he was associated with Robert Simpson
whose Symphony No. 11 was written for and recorded by Taylor.
His other works for orchestra include: Symphony No. 2, Op. 10
(1990-1, rev., 1997) and a Horn Concerto.
Symphony No. 1, Op. 2 "Sinfonia Brevis" (1985)
Matthew Taylor/Royal Ballet Sinfonia
( + Symphony No. 3 and Horn Concerto {Richard Watkins – horn})
DUTTON EPOCH CDLX 7178 (2006)
<
Symphony No. 3, Op. 33 (2003-5)
Matthew Taylor/Royal Ballet Sinfonia
( + Symphony No. 1 and Horn Concerto {Richard Watkins – horn})
DUTTON EPOCH CDLX 7178 (2006)
Return
to alphabetical index
JULIAN ANDERSON
(b. 1967)
Born in London. He studied
with John Lambert at the Royal College of Music, in Paris with
Tristan Murail and with Alexander Goehr at Cambridge. He served
as Head of Composition at the Royal College of Music, has held
several positions as composer-in-residence and has received
many commissions for his works. His music covers different genres
and includes Diptych and the Stations of the Sun for orchestra.
Symphony (2003)
Sakari Oramo/City of Birmingham
Symphony Orchestra
( + Eden, Imagin’d Corners, Book of Hours 4 American Choruses)
NMC 12I082 (2006)
Return
to alphabetical index
KATY ABBOTT
(b. 1971)
Symphony
No. 1 "Souls of Fire" (2004)
She
studied composition with Brenton Broadstock and Linda Kouvaras
at the University of Melbourne where she received her Masters
and PhD. In addition to composing, she teaches post-graduate
composition as an Honorary Fellow at University of Melbourne.Her
body of work includes orchestral, chamber and vocal pieces.
A
Wind Symphony, Jumeirah Jane was written in 2008.
Robert
Ian Winstin//Kiev Philharmonic Orchestra(included in collection:
"Masterworks of the New Era-Volume 12")
ERM MEDIA 6827 (4 CDs) (2008)
THOMAS ADÈS
(b. 1971)
Born in London. He studied
at the Guildhall School of Music with Robert Saxton and at Cambridge
with Robin Holloway and Alexander Goehr. In addition to composing
he is a noted pianist and Artistic Director of the Aldeburgh
Festival. His catalogue includes operas and works for orchestra,
chamber groups, solo instrument and voice. Some of his other
works for orchestra are a Violin Concerto, Asyla and Three Studies
after Couperin.
Chamber Symphony
(1990)
Thomas Adès/Birmingham
Contemporary Music Group
( + Asyla, Concerto Conciso, These Premises are Alarmed and
…but all shall be well)
EMI CLASSICS CDC5568182 (2002)
Marin
Alsop/London Philharmonic Orchestra
( + MacMillan: The Confession of Isobel Gowdie and Higdon: Percussion
Concerto)
LONDON PHILHARMONIC ORCHESTRA LPO0035 (2008)
Return
to alphabetical index
SOURCES OF INFORMATION
(1) BOOKS
Callaway, Frank and David Tunley (eds). Australian Composition
in the Twentieth Century. Melbourne: Oxford University Press,
1978.
Catalogue of Canadian Music
for Orchestra. Toronto: Canadian Music Centre, 1976.
Clough, Francis F. and C.J. Cuming. The World’s Encyclopedia
of Recorded Music (including Supplements) in 3 vols. London:
Sidgwick and Jackson, 1952-57.
The New Grove Dictionary of
Music and Musicians, 2d ed., in 29 vols., edited by Stanley
Sadie and John Tyrrell. New York: Grove, 2001.
Howes, Frank. The English Musical
Renaissance. New York: Stein and Day, 1966.
Hughes, Meiron and Robert Stradling.
The English Musical Renaisance 1840-1940: Constructing a
National Music, 2nd edition. Manchester: Manchester
University Press, 2001.
Kallmann, Helmut, Gilles Potvin
and Kenneth Winters (eds). Encyclopedia of Music in Canada.
Toronto: University of Toronto Press, 1981.
Layton, Robert (ed.). A Guide
to the Symphony. Oxford: Oxford University Press, 1995.
Leach, Gerald. British Composer
Profiles: A biographical dictionary and chronology of past British
composers 1800-1989, 2nd edition. Gerrards Cross,
England: British Music Society, 1989.
Pirie, Peter J. The English
Musical Renaissance: Twentieth century English composers &
their works. New York: St Martin’s Press, 1978.
Poulton, Alan J. A Label Discography
of Long-Playing Records, 3 vols. Blandford, England: The
Oakwood Press, 1975.
Sadie, Julie Anne and Rhian Samuel
(eds). The Norton/Grove Dictionary of Women Composers. New
York: W.W. Norton & Co, 1995.
Schaarwächter, Jürgen.
Die britische Sinfonie 1914-1945. Cologne-Rheinkassel,
Germany: Verlag Dohr, 1995.
Simpson, Robert. The Symphony,
2 vols. New York: Drake Publishers, 1972.
Slonimsky, Nicolas. Baker’s
Biographical Dictionary of Musicians, 8th edition.
New York: Schirmer Books, 1992.
Slonimsky, Nicolas. Baker’s
Biographical Dictionary of 20th Century Classical
Musicians (edited by Laura Kuhn). New York: Schirmer Books,
1997.
Thompson, Oscar (ed). The International
Cyclopedia of Music and Musicians, updated 11th
edition. New York: Dodd, Mead & Co., 1985.
(2) RECORD CATALOGS
Gramophone Classical Record Catalogue (retitled: Gramophone
Classical Catalogue) (1953-1996)
Gramophone Compact Disc Catalogue (1983-1990)
Schwann Long Playing Record Catalog (retitled: Schwann
1 – Record and Tape Guide and Schwann Opus) (1949-2001)
(3) WEBSITES
Governmental and Academic Sites
Australian Music Centre http://www.amcoz.com.au/
Canadian Music Centre http://www.musiccentre.ca/home.cfm
Centre for New Zealand Music http://www.sounz.org.nz/index.php
Contemporary Music Centre Ireland http://www.cmc.ie/composers/index.cfm
Dictionary of African Composers http://sacomposers.up.ac.za
Music Australia http://musicaustralia.org/apps/MA
Scottish Music Centre http://www.scottishmusiccentre.com/
Welsh Music Information Centre http://www.wmic.org/
Commercial Sites
Arkiv Music http://www.arkivmusic.com/classical/main.jsp
Chandos Records http://www.chandos.net/
Crotchet http://www.crotchet.co.uk/
Dutton Vocalion Records http://www.duttonvocalion.com/
EMI/Virgin Classics http://www.emiclassics.com/
Gramophone http://www.gramophone.co.uk/
Hyperion Records http://www.hyperion-records.co.uk/
Lyrita Recorded Edition http://www.lyrita.co.uk/
MDT http://www.mdt.co.uk/MDTSite/pages/home/default.asp
MusicWeb International http://www.musicweb-international.com/
Naxos Records http://www.naxos.com/
Composer Sites
Many contemporary composers have their own websites and others
can be found on the websites of their publishers. There are
also websites for earlier composers that are maintained by societies
that promote their music. These can be found by typing the composer’s
name into any search engine.
© 2007-13 MICHAEL HERMAN
Return
to Page 1