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Crotchet |
Adrian Rollini
‘Tap Room Swing’
Living Era CD AJA 5424
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1
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Cornfed
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14
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Hey,
Young Fella!
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2
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Feelin’
No Pain
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15
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Vibraphonia
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3
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After
You’ve Gone
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16
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Savage
Serenade
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4
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Beatin’
The Dog
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17
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It
Had To Be You
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5
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A
Mug Of Ale
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18
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Sugar
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6
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Honolulu
Blues
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19
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Davenport
Blues
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7
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Lucky
Little Devil
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20
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Bouncin’
In Rhythm
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8
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At
The Jazz Band Ball
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21
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Tap
Room Swing
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9
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Jazz
Me Blues
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22
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Swing
Low
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10
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Dixie
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23
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Bill
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11
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Arkansas
Blues
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24
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You’re
A Sweetheart
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12
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Nobody’s
Sweetheart
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25
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Small
Fry
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13
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My
Melancholy Baby
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Now
and again a jazz name from the past suddenly
reappears and because of its relative
obscurity catches us by surprise. Adrian
Rollini is one such musician – in his
case the earlier acknowledged talent may
well have been overshadowed by the fact
that he was a multi-instrumentalist. Two
novelty instruments, the ‘Hot Fountain
Pen,’ a type of penny- whistle, and the
‘Goofus’ which is best described as a
mouth-blown accordion were both his invention.
On this selection of recordings we are
treated mainly to performances on Rollini’s
most notable instruments – the bass saxophone
and vibraphone but the Joe Venuti and
His Blue Four recordings of ‘Beatin’ The
Dog’ and ‘A Mug Of Ale’ feature Rollini
on bass saxophone, the ‘goofus’ and ‘hot
fountain pen.’ On ‘Hey, Young Fella!’
and ‘Vibraphonia’ we find Rollini playing
vibraphone with Venuti’s Blue Five.
‘Tap
Room Swing’ has Rollini playing with
other well established names of the 1920s
and 30s including Red Nichols, Miff Mole,
Bix Beiderbecke and also with his own
orchestra. As a bass saxophone player
he was a sought after session musician
and studio man. As Vic Bellerby points
out Richard M. Sudhalter comments on Rollini’s
work with The California Ramblers saying,
"what made the Ramblers band extraordinary
was the presence of the astonishing multi-instrumentalist
Adrian Rollini, who turned the otherwise
bass saxophone into a solo instrument
of flexibility, power, and, where needed,
delicacy." One of his most well known
performances included here is on ‘My Melancholy
Baby’ with the Dorsey Brothers Orchestra
in 1928.
From
1935 until his retirement in 1955 Rollini
concentrated solely on playing the vibraphone.
The 1938 Adrian Rollini Quintet recordings
of ‘You’re A Sweetheart’ and ‘Small Fry’
feature Bobby Hackett on cornet and Buddy
Rich on drums. This is a surprisingly
good CD and will be popular with anyone
interested in the jazz of that period.
Rollini was a fine musician respected
by many of the saxophone ‘stars’ of his
day but sadly his ‘novelty music’ may
well have been the main reason why little
is heard of him today.
Jack
Ashby
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