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National Orchestral Discography
Pages
Prepared by Michael Herman
The series
of Discographies that I have compiled has been meant to partially
fill a gap in the documentation of recorded music. As a collector
of LPs and CDs for over 45 years with a specialty in orchestral
music, it was apparent that it was nearly impossible to easily
track down information about classical recordings unless they
were currently available. This is not a new development, as the
same problem existed in the days of LPs even though record catalogues
were issued on a monthly or quarterly basis.
In the 1950’s, a comprehensive 3 volume guide to recordings
was published that attempted to cover all recordings issued up
to that very time. This was The World's Encyclopedia of Recorded
Music by Francis F. Clough, and C.J. Cuming. However, a work
of this type would be an impossibility today as too many recordings
have been and are still being issued so something comparable would
require a multi-volume set that would dwarf both the O.E.D. and
New Grove many times over. So now it is up to the specialist to
stake out a particular area and attempt to present reference works
that will help enlighten that musical area for those that seek
specific information about it.
The data contained in these Discographies comes from a wide variety
of sources. The majority of these sources are sites found on the
Internet and they basically consist of library databases, national
music information centers, recording companies and retailers,
music publishers and dedicated sites of composers, conductors
and orchestras. I have been also able to utilize a personal library
of musical reference books and record catalogues that I have gathered
over the years. Finally, I have been able to call upon a network
of international music friends from the various countries that
my Discographies cover as well as direct questions to composers,
conductors and officers of musical societies who are extremely
forthcoming with needed information. Each Discography contains
a bibliography listing of my sources.
The greatest advantage of online publishing is the ability to
constantly revise what has already been written. In an area such
as recordings, this ability is absolutely essential. With my eyes
continually on the sites mentioned above, I endeavor to keep these
Discographies useful by making them as up to date as possible.
I am very grateful to readers of these works who have pointed
out both omissions and errors and have greatly aided me in this
enterprise.
I plan to supplement the Discographies already available with
several others in the near future.
Michael
Herman
The
Discographies
All cover releases on both LP and CD.
They include works written after 1800, with the exception of British
Orchestral Music, which is for composers born between 1800
and 1910.
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