These are authoritative
analogue original recordings of Berkeley’s
orchestral works with the LPO conducted
by the composer. The CD appears freshly
on the market courtesy of the Lyrita-Nimbus
collaboration. They are old friends;
some older than others, but all familiar
first to LP era music enthusiasts. Most
of the recordings featured here derive
from SRCS 74. They are the Divertimento,
Canzonetta, Serenade and Partita.
While Mont Juic is from SRCS
50 where originally it shared the vinyl
with the Bliss Mêlée
Fantasque, Holst’s Japanese Suite
and Walton’s Music for Children.
The Third Symphony is from SRCS
57 with Geoffrey Bush’s Music for
Orchestra and Maconchy’s Coronation
year award-winning overture Proud
Thames.
The Mont Juic Dances
are the product of happy days in Barcelona
for Britten and Berkeley for the 1936
ISCM Festival. As Peter Dickinson reports
having had the confidence of the composer
the first two dances were "mostly
by" Berkeley while the other two
were "mostly by Britten".
These are lugubrious and exuberant by
turns and perhaps comparable with the
Malcolm Arnold English Dances.
The string Serenade bustles and
sings in competition with the much earlier
string Serenade by Dag Wirén
and along the way sneaks the odd glance
in the direction of Tippett’s Concerto
for Double String Orchestra. The
Divertimento sis light and zestful
– Berkeley suggesting himself as a sort
of English Poulenc with the occasional
whiff of liberation from Piston. Some
may recall this piece from a mixed RCA
LP conducted by Igor Buketoff. The Partita
is much later and is more anonymous
and less memorable – more’s the pity
although the first of the two central
Arias is nostalgically engaging
rather redolent of Poulenc. The singing
Canzonetta – what a pity Roger
Winfield and the composer did not record
the whole of the op. 84 Sinfonia
Concertante – graciously recalls
Malcolm Arnold and is very touching.
The single movement Third Symphony
is a more elusive piece, compact,
serene and with some triumphant moments.
The excellent notes are by Berkeley
authority, the composer Peter Dickinson.
Rob Barnett
see also review
by Colin Clarke
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